Loving you less than life, a little less Than bitter-sweet upon a broken wall Or brush-wood smoke in autumn, I confess I cannot swear I love you not at all. For there is that about you in this light— A yellow darkness, sinister of rain— Which sturdily recalls my stubborn sight To dwell on you, and dwell on you again.
Unlike the ashes that make their home with hot coals, snails prefer moist earth. Go on: they advance while gluing themselves to it with their entire bodies. They carry it, they eat it, they shit it. They go through it, it goes through them. It’s the best kind of interpenetration, as between tones, one passive and one active. The passive bathes and nourishes the active, which overturns the other while it eats.
(There is more to be said about snails. First of all their immaculate clamminess. Their sangfroid. Their stretchiness.)
One can scarcely conceive of a snail outside its shell and unmoving. The moment it rests it sinks down deep into itself. In fact, its modesty obliges it to move as soon as it has shown its nakedness and revealed its vulnerable shape. The moment it’s exposed, it moves on.
During periods of dryness they withdraw into ditches where it seems their bodies are enough to maintain their dampness. No doubt their neighbors there are toads and frogs and other ectothermic animals. But when they come out again they don’t move as quickly. You have to admire their willingness to go into the ditch, given how hard it is for them to come out again.
Note also that though snails like moist soil, they have no affection for places that are too wet such as marshes or ponds. Most assuredly they prefer firm earth, as long as it’s fertile and damp.
They are fond as well of moisture-rich vegetables and green leafy plants. They know how to feed on them leaving only the veins, cutting free the most tender leaves. They are hell on salads.
What are these beings from the depths of the ditches? Though snails love many of their trenches’ qualities they have every intention of leaving. They are in their element but they are also wanderers. And when they emerge into the daylight onto firm ground their shells will preserve their vagabond’s hauteur.
It must be a pain to have to haul that trailer around with them everywhere, but they never complain and in the end they are happy about it. How valuable, after all, to be able to go home any time, no matter where you may find yourself, eluding all intruders. It must be worth it.
Most like an arch—an entrance which upholds and shores the stone-crush up the air like lace. Mass made idea, and idea held in place. A lock in time. Inside half-heaven unfolds.
Most like an arch—two weaknesses that lean into a strength. Two fallings become firm. Two joined abeyances become a term naming the fact that teaches fact to mean.
Rapt with the rage of mine own ravish'd thought, Through contemplation of those goodly sights, And glorious images in heaven wrought, Whose wondrous beauty, breathing sweet delights Do kindle love in high-conceited sprights; I fain to tell the things that I behold, But feel my wits to fail, and tongue to fold.
"As certain also of your own poets have said"— (Acts 17.28) Cleon the poet (from the sprinkled isles, Lily on lily, that o'erlace the sea And laugh their pride when the light wave lisps "Greece")— To Protus in his Tyranny: much health!
The wanton troopers riding by Have shot my fawn, and it will die. Ungentle men! they cannot thrive To kill thee. Thou ne’er didst alive Them any harm, alas, nor could Thy death yet do them any good. I’m sure I never wish’d them ill, Nor do I for all this, nor will; But if my simple pray’rs may yet Prevail with Heaven to forget Thy murder, I will join my tears Rather than fail. But oh, my fears! It cannot die so. Heaven’s King Keeps register of everything, And nothing may we use in vain.
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