On Clothes

I lay down under language
it left me and I slept

—You, the Comforter, came into the room

my blood, my mouth
all buttoned away—

Makers of houses, books, clothes-
makers, goodbye—

America I’ve given you all and now I’m nothing.
America two dollars and twentyseven cents January 17, 1956.
I can’t stand my own mind.
America when will we end the human war?
Go fuck yourself with your atom bomb.
I don’t feel good don’t bother me.
I won’t write my poem till I’m in my right mind.
America when will you be angelic?

'There it is!–
You play beside a death-bed like a child,
Yet measure to yourself a prophet's place
To teach the living. None of all these things,
Can women understand. You generalise,
Oh, nothing!–not even grief! Your quick-breathed hearts,
So sympathetic to the personal pang,

My dog has died.
I buried him in the garden
next to a rusted old machine.

Some day I'll join him right there,
but now he's gone with his shaggy coat,
his bad manners and his cold nose,
and I, the materialist, who never believed
in any promised heaven in the sky

Fit the First
The Landing

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.

early morning. down to the shore again
to find a place to grieve. the place he left
lingering. here the ropes were loosed [here
he gave me kisses on the shore, here he left] she said

and while she thought and looked and felt, looking out
along the shore, in liquid space, she saw—far off
not sure—a body or something in the water—
wondered what, but then the waves pulled it by—still

Before our lives divide for ever,
While time is with us and hands are free,
(Time, swift to fasten and swift to sever
Hand from hand, as we stand by the sea)
I will say no word that a man might say
Whose whole life's love goes down in a day;
For this could never have been; and never,
Though the gods and the years relent, shall be.

Is it worth a tear, is it worth an hour,
To think of things that are well outworn?
Of fruitless husk and fugitive flower,
The dream foregone and the deed forborne?
Though joy be done with and grief be vain,
Time shall not sever us wholly in twain;

1

I am a great American
I am almost nationalistic about it!
I love America like a madness!
But I am afraid to return to America
I’m even afraid to go into the American Express—


2

They are frankensteining Christ in America

for Joseph Cady

Camden, 1882 Is it raining, Mary, can you see?

I came here, being stricken, stumbling out
At last from streets; the sun, decreasing, took me
For days, the time being the last of autumn,
The thickets not yet stark, but quivering
With tiny colors, like some brush strokes in
The manner of the pointillists; small yellows
Dart shaped, little reds in different pattern,
Clicks and notches of color on threaded bushes,

I

The ground dove stuttered for a few steps then flew
up from his path to settle in the sun-browned
branches that were now barely twigs; in drought it coos
with its relentless valve, a tiring sound,
not like the sweet exchanges of turtles in the Song
of Solomon, or the flutes of Venus in frescoes
though all the mounds in the dove-calling drought

A lot of water has passed under the bridge since 1963. Then, my concernwas particularly for my own people and this version was written especially for them. I am happy that it has done and is doing its job. However, I want it to be known, that I am not a proponent of the concept of cultural nationalism. I dearly love and am proud of my good, serious, sincere black people, yet at the same time, my concern is with all people of goodwill no matter the color. I make no mystique of blackness. I am a humanist. Indeed, I am auniversalist. This truth, I know. The liberation of black people in the United States is tightly linked with the liberation of black people in the far flungdiaspora. Further, and more important, the liberation of black and oppressed people all over the world, is linked with the struggles of the workers of the world of every nationality and color against the common oppressors, overlords, and exploiters of their labor.
Thus it was only natural that I should write "What Shall We Tell Our Children?" in 1973. I have tried to tell them the facts of life and the truth as I see it:
I hope I have succeeded.
What shall we tell our children who are black?
What shall we tell our children who are white?
What shall we tell children of every race and hue?
For all children are the children of all of us

1
Sometime now past in the Autumnal Tide,
When Phoebus wanted but one hour to bed,
The trees all richly clad, yet void of pride,
Were gilded o’re by his rich golden head.
Their leaves and fruits seem’d painted but was true
Of green, of red, of yellow, mixed hew,
Rapt were my senses at this delectable view.

2
I wist not what to wish, yet sure thought I,
If so much excellence abide below,
How excellent is he that dwells on high?
Whose power and beauty by his works we know.
Sure he is goodness, wisdom, glory, light,

We are both strong, dark, bright men,
though perhaps you might not notice,
finding two figures flat against the landscape
like the shadowed backs of mountains.

Which would not be far from wrong,
for though we both have on Western clothes
and he is seated on a yellow spool
of emptied and forgotten telephone cable

The wind rests its cheek upon the ground and feels the cool damp
And lifts its head with twigs and small dead blades of grass
Pressed into it as you might at the beach rise up and brush away
The sand. The day is cool and says, “I’m just staying overnight.”
The world is filled with music, and in between the music, silence
And varying the silence all sorts of sounds, natural and man made:
There goes a plane, some cars, geese that honk and, not here, but
Not so far away, a scream so rending that to hear it is to be

1

One night in April or May,
his daughter saw someone's hand
make the curtain which was drawn tightly across her window bulge
and ran to the adjoining room in her night clothes
where he and his son were sitting.
He ran around the house one way
and his son ran the other way

All around the altar, huge lianas
curled, unfurled the dark green
of their leaves to complement the red
of blood spilled there—a kind of Christmas
decoration, overhung with heavy vines
and over them, the stars.
When the angels came, messengers like birds
but with the oiled flesh of men, they hung

On the secret map the assassins
Cloistered, the Moon River was marked
Near the eighteen peaks and the city
Of humiliation and defeat—wan ending
Of the trail among dry, papery leaves
Gray-brown quills like thoughts
In the melodious but vast mass of today’s
Writing through fields and swamps

Of all the rides since the birth of time,
Told in story or sung in rhyme, —
On Apuleius’s Golden Ass,
Or one-eyed Calender’s horse of brass,
Witch astride of a human back,
Islam’s prophet on Al-Borák, —
The strangest ride that ever was sped
Was Ireson’s, out from Marblehead!

Even tonight and I need to take a walk and clear
my head about this poem about why I can’t
go out without changing my clothes my shoes
my body posture my gender identity my age
my status as a woman alone in the evening/
alone on the streets/alone not being the point/
the point being that I can’t do what I want
to do with my own body because I am the wrong