Vandergast and the Girl

A wild-bear chace, didst never see?
Then hast thou lived in vain.
Thy richest bump of glorious glee,
Lies desert in thy brain.

When first my father settled here,
’Twas then the frontier line:
The panther’s scream, filled night with fear

One face looks out from all his canvases,
One selfsame figure sits or walks or leans:
We found her hidden just behind those screens,
That mirror gave back all her loveliness.
A queen in opal or in ruby dress,
A nameless girl in freshest summer-greens,
A saint, an angel — every canvas means
The same one meaning, neither more or less.

As the dead prey upon us,
they are the dead in ourselves,
awake, my sleeping ones, I cry out to you,
disentangle the nets of being!

I pushed my car, it had been sitting so long unused.
I thought the tires looked as though they only needed air.
But suddenly the huge underbody was above me, and the rear tires
were masses of rubber and thread variously clinging together

To me, fair friend, you never can be old,
For as you were when first your eye I eyed,
Such seems your beauty still. Three winters cold
Have from the forests shook three summers’ pride,
Three beauteous springs to yellow autumn turned
In process of the seasons have I seen,
Three April perfumes in three hot Junes burned,
Since first I saw you fresh, which yet are green.
Ah, yet doth beauty, like a dial-hand,
Steal from his figure, and no pace perceived;
So your sweet hue, which methinks still doth stand,
Hath motion, and mine eye may be deceived:
For fear of which, hear this, thou age unbred:
Ere you were born was beauty’s summer dead.

Aunt Mildred tied up her petticoats with binder’s
twine, and my great-uncle Ezekiel waxed and waxed
his moustaches into flexibility. It was the whole
family off then into the dangerous continent of air

and while the salesman with the one gold eyetooth told us
the cords at our ankles were guaranteed to stretch
to their utmost and then bring us safely back
to the fried chicken and scalloped potatoes of Sunday dinner

An axe rang sharply ’mid those forest shades
Which from creation toward the skies had tower’d
In unshorn beauty. There, with vigorous arm
Wrought a bold emigrant, and by his side
His little son, with question and response,
Beguiled the toil.
‘Boy, thou hast never seen
Such glorious trees. Hark, when their giant trunks
Fall, how the firm earth groans. Rememberest thou
The mighty river, on whose breast we sail’d,
So many days, on toward the setting sun?
Our own Connecticut, compar’d to that,
Was but a creeping stream.’
‘Father, the brook
That by our door went singing, where I launch’d

All night I stumble through the fields of light,
And chase in dreams the starry rays divine
That shine through soft folds of the robe of night,
Hung like a curtain round a sacred shrine.

When daylight dawns I leave the meadows sweet
And come back to the dark house built of clay,
Over the threshold pass with lagging feet,
Open the shutters and let in the day.

60
Her eye (I'm very fond of handsome eyes)
Was large and dark, suppressing half its fire
Until she spoke, then through its soft disguise
Flash'd an expression more of pride than ire,
And love than either; and there would arise
A something in them which was not desire,
But would have been, perhaps, but for the soul
Which struggled through and chasten'd down the whole.

61
Her glossy hair was cluster'd o'er a brow
Bright with intelligence, and fair, and smooth;
Her eyebrow's shape was like the aerial bow,
Her cheek all purple with the beam of youth,

I

Above the fresh ruffles of the surf
Bright striped urchins flay each other with sand.
They have contrived a conquest for shell shucks,
And their fingers crumble fragments of baked weed
Gaily digging and scattering.

And in answer to their treble interjections
The sun beats lightning on the waves,

And the angel Israfel, whose heart-strings are a lute, and who has the sweetest voice of all God’s creatures. —KORAN In Heaven a spirit doth dwell
“Whose heart-strings are a lute”;

We have set out from here for the sublime
Pastures of summer shade and mountain stream;
I have no doubt we shall arrive on time.

Is all the green of that enameled prime
A snapshot recollection or a dream?
We have set out from here for the sublime

Without provisions, without one thin dime,
And yet, for all our clumsiness, I deem

I burned my life, that I might find
A passion wholly of the mind,
Thought divorced from eye and bone,
Ecstasy come to breath alone.
I broke my life, to seek relief
From the flawed light of love and grief.

With mounting beat the utter fire
Charred existence and desire.

...and a decrepit handful of trees.
—Aleksandr Pushkin

And I matured in peace born of command,
in the nursery of the infant century,
and the voice of man was never dear to me,
but the breeze’s voice—that I could understand.
The burdock and the nettle I preferred,
but best of all the silver willow tree.
Its weeping limbs fanned my unrest with dreams;
it lived here all my life, obligingly.
I have outlived it now, and with surprise.
There stands the stump; with foreign voices other
willows converse, beneath our, beneath those skies,
and I am hushed, as if I’d lost a brother.

My voice, not being proud
Like a strong woman’s, that cries
Imperiously aloud
That death disarm her, lull her—
Screams for no mourning color
Laid menacingly, like fire,
Over my long desire.
It will end, and leave no print.

The living come with grassy tread
To read the gravestones on the hill;
The graveyard draws the living still,
But never any more the dead.

The verses in it say and say:
‘The ones who living come today
To read the stones and go away
Tomorrow dead will come to stay.’

Just the other day
In Fresno
In a giant arena
Architectured
To reject the very poor
Cesar Chavez brought
The very poor
Together

on the 9th of June 1290 Upon a day, came Sorrow in to me,
Saying, ‘I’ve come to stay with thee a while’;

Huzza! Hodgson, we are going,
Our embargo's off at last;
Favourable breezes blowing
Bend the canvass o'er the mast.
From aloft the signal's streaming,
Hark! the farewell gun is fir'd;
Women screeching, tars blaspheming,
Tell us that our time's expir'd.

at the third floor window of the tenement,
the street looks shiny.
It has been washed and rinsed by rain.
Beyond the silver streaks of the streetcar tracks
a single streetlight stands
in a pool of wet light. It is night.
St. Louis. Nineteen forty-seven.
I have just come home from the orphanage

All the kids came rumbling down the wood tenement
Shaky stairs, sneakers slapping against the worn
Tin tread edges, downhall came Pepo, Chino, Cojo,
Curly bursting from the door like shells exploding
Singing "I'm a Rican Doodle Dandy" and "What shall
We be today, Doctors or Junkies, Soldiers or Winos?"

Pepo put a milk crate on a Spanish Harlem johnny pump
And drops opened like paratroopers carrying war news.