The Clod and the Pebble

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Her eye (I'm very fond of handsome eyes)
Was large and dark, suppressing half its fire
Until she spoke, then through its soft disguise
Flash'd an expression more of pride than ire,
And love than either; and there would arise
A something in them which was not desire,
But would have been, perhaps, but for the soul
Which struggled through and chasten'd down the whole.

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Her glossy hair was cluster'd o'er a brow
Bright with intelligence, and fair, and smooth;
Her eyebrow's shape was like the aerial bow,
Her cheek all purple with the beam of youth,

And when my Joy was born, I held it in my arms and stood on the
house-top shouting, “Come ye, my neighbours, come and see, for Joy
this day is born unto me. Come and behold this gladsome thing that
laugheth in the sun.”

But none of my neighbours came to look upon my Joy, and great was
my astonishment.

And every day for seven moons I proclaimed my Joy from the
house-top—and yet no one heeded me. And my Joy and I were alone,
unsought and unvisited.

Then my Joy grew pale and weary because no other heart but mine
held its loveliness and no other lips kissed its lips.

Then my Joy died of isolation.

And now I only remember my dead Joy in remembering my dead Sorrow.
But memory is an autumn leaf that murmurs a while in the wind and
then is heard no more.

And the weaver said, Speak to us of
Clothes.
And he answered:
Your clothes conceal much of your beauty,
yet they hide not the unbeautiful.
And though you seek in garments the
freedom of privacy you may find in them
a harness and a chain.

Dear Charles XII, the Poltava battle Has been fortunately lost. To quote Lenin’s burring rattle, “Time will show you Kuzka’s mother”, ruins along the waste, Bones of post-mortem bliss with a Ukrainian aftertaste.
It’s not the green flag , eaten by the isotope , It’s the yellow-and-blue flying over Konotop , Made out of canvas – must be a gift from Toronto – Alas, it bears no cross, but the Khokhly don’t want to.
Oh, rushnyks and roubles, sunflowers in summer season!

For God's sake hold your tongue, and let me love,
Or chide my palsy, or my gout,
My five gray hairs, or ruined fortune flout,
With wealth your state, your mind with arts improve,
Take you a course, get you a place,
Observe his honor, or his grace,
Or the king's real, or his stampèd face
Contemplate; what you will, approve,
So you will let me love.

Alas, alas, who's injured by my love?
What merchant's ships have my sighs drowned?
Who says my tears have overflowed his ground?
When did my colds a forward spring remove?
When did the heats which my veins fill

Late in the cold night wakened, and heard wind,
And lay with eyes closed and silent, knowing
These words how bodiless they are, this darkness
Empty under my roof and the panes rattling
Roughed by wind. And so lay and imagined
Somewhere far off black seas heavy-shouldered
Plunging on sand and the ebb off-streaming and
Thunder forever. So lying bethought me, friend,

Now and again
I am here now
And now is when
I’m here again

By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have reached these lands but newly
From an ultimate dim Thule—
From a wild weird clime that lieth, sublime,
Out of SPACE—Out of TIME.

Bottomless vales and boundless floods,
And chasms, and caves, and Titan woods,
With forms that no man can discover
For the tears that drip all over;
Mountains toppling evermore
Into seas without a shore;

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow —
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,

I’ll tell thee now (dear Love) what thou shalt do
To anger destiny, as she doth us,
How I shall stay, though she esloygne me thus
And how posterity shall know it too;
How thine may out-endure
Sybil’s glory, and obscure
Her who from Pindar could allure,
And her, through whose help Lucan is not lame,
And her, whose book (they say) Homer did find, and name.

Study our manuscripts, those myriads
Of letters, which have past twixt thee and me,
Thence write our annals, and in them will be
To all whom love’s subliming fire invades,
Rule and example found;

for Nolan Miller For us, too, there was a wish to possess
Something beyond the world we knew, beyond ourselves,

God washes clean the souls and hearts of you,
His favored ones, whose backs bend o’er the soil,
Which grudging gives to them requite for toil
In sober graces and in vision true.
God places in your hands the pow’r to do
A service sweet. Your gift supreme to foil
The bare-fanged wolves of hunger in the moil
Of Life’s activities. Yet all too few

I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.

When I had laid it on the floor
I went to blow the fire a-flame,
But something rustled on the floor,
And someone called me by my name:
It had become a glimmering girl
With apple blossom in her hair

The moon came late to a lonesome bog,
And there sat Goggleky Gluck, the frog.
‘My stars!’ she cried, and veiled her face,
‘What very grand people they have in this place!’

Oh! Shepherd John is good and kind,
Oh! Shepherd John is brave;
He loves the weakest of his flock,
His arm is quick to save.

But Shepherd John to little John
Says: ‘Learn, my laddie, learn!
In grassy nooks still read your books,
And aye for knowledge burn.

Read while you tend the grazing flock:
Had I but loved my book,
I’d not be still in shepherd’s frock,
Nor bearing shepherd’s crook.

Beholde, o man! lyft up thyn eye and see
What mortall peyne I suffre for thi trespace.
With pietous voys I crye and sey to the:
Beholde my woundes, behold my blody face,
Beholde the rebukes that do me so manace,
Beholde my enemyes that do me so despice,
And how that I, to reforme the to grace,
Was like a lambe offred in sacryfice.

...

And geyn thi pryde behold my gret mekenesse;
Geyn thyn envie behold my charité;
Geyn thi leccherye behold my chast clennesse;
Geyn thi covetyse behold my poverté.

Wheel of sorrow, centerless.
Voices, sad without cause,
slope upward, expiring on grave summits.
Mournfulness of muddy playgrounds,
raw smell of rubbers and wrapped lunches
when little girls stand in a circle singing
of windows and of lovers.

Hearing them, no one could tell

To me, fair friend, you never can be old,
For as you were when first your eye I eyed,
Such seems your beauty still. Three winters cold
Have from the forests shook three summers’ pride,
Three beauteous springs to yellow autumn turned
In process of the seasons have I seen,
Three April perfumes in three hot Junes burned,
Since first I saw you fresh, which yet are green.
Ah, yet doth beauty, like a dial-hand,
Steal from his figure, and no pace perceived;
So your sweet hue, which methinks still doth stand,
Hath motion, and mine eye may be deceived:
For fear of which, hear this, thou age unbred:
Ere you were born was beauty’s summer dead.

Let the musicians begin,
Let every instrument awaken and instruct us
In love’s willing river and love’s dear discipline:
We wait, silent, in consent and in the penance
Of patience, awaiting the serene exaltation
Which is the liberation and conclusion of expiation.

Now may the chief musician say:
“Lust and emulation have dwelt amoung us

I don’t love you as if you were a rose of salt, topaz,
or arrow of carnations that propagate fire:
I love you as one loves certain obscure things,
secretly, between the shadow and the soul.

I love you as the plant that doesn’t bloom but carries
the light of those flowers, hidden, within itself,
and thanks to your love the tight aroma that arose
from the earth lives dimly in my body.