217 Ambition was my idol, which was broken Before the shrines of Sorrow and of Pleasure; And the two last have left me many a token O'er which reflection may be made at leisure: Now, like Friar Bacon's brazen head, I've spoken, 'Time is, Time was, Time's past', a chymic treasure Is glittering youth, which I have spent betimes— My heart in passion, and my head on rhymes.
Dear Charles XII, the Poltava battle
Has been fortunately lost. To quote Lenin’s burring rattle,
“Time will show you Kuzka’s mother”, ruins along the waste,
Bones of post-mortem bliss with a Ukrainian aftertaste.
It’s not the green flag , eaten by the isotope ,
It’s the yellow-and-blue flying over Konotop ,
Made out of canvas – must be a gift from Toronto –
Alas, it bears no cross, but the Khokhly don’t want to.
Oh, rushnyks and roubles, sunflowers in summer season!
The sky is cloudy, yellowed by the smoke. For view there are the houses opposite Cutting the sky with one long line of wall Like solid fog: far as the eye can stretch Monotony of surface & of form Without a break to hang a guess upon. No bird can make a shadow as it flies, For all is shadow, as in ways o'erhung By thickest canvass, where the golden rays Are clothed in hemp. No figure lingering Pauses to feed the hunger of the eye Or rest a little on the lap of life. All hurry on & look upon the ground, Or glance unmarking at the passers by The wheels are hurrying too, cabs, carriages
This is how the wind shifts: Like the thoughts of an old human, Who still thinks eagerly And despairingly. The wind shifts like this: Like a human without illusions, Who still feels irrational things within her. The wind shifts like this:
Now swarthy Summer, by rude health embrowned, Precedence takes of rosy fingered Spring; And laughing Joy, with wild flowers prank'd, and crown'd, A wild and giddy thing, And Health robust, from every care unbound, Come on the zephyr's wing, And cheer the toiling clown.
But do not let us quarrel any more, No, my Lucrezia; bear with me for once: Sit down and all shall happen as you wish. You turn your face, but does it bring your heart? I'll work then for your friend's friend, never fear, Treat his own subject after his own way, Fix his own time, accept too his own price, And shut the money into this small hand When next it takes mine. Will it? tenderly? Oh, I'll content him,—but to-morrow, Love! I often am much wearier than you think, This evening more than usual, and it seems As if—forgive now—should you let me sit Here by the window with your hand in mine And look a half-hour forth on Fiesole,
THE Angel ended, and in Adams Eare So Charming left his voice, that he a while Thought him still speaking, still stood fixt to hear; Then as new wak't thus gratefully repli'd. What thanks sufficient, or what recompence Equal have I to render thee, Divine Hystorian, who thus largely hast allayd The thirst I had of knowledge, and voutsaf't This friendly condescention to relate Things else by me unsearchable, now heard With wonder, but delight, and, as is due, With glorie attributed to the high Creator; something yet of doubt remaines, Which onely thy solution can resolve. When I behold this goodly Frame, this World
O living pictures of the dead, O songs without a sound, O fellowship whose phantom tread Hallows a phantom ground— How in a gleam have these revealed The faith we had not found.
We have sought God in a cloudy Heaven, We have passed by God on earth: His seven sins and his sorrows seven, His wayworn mood and mirth, Like a ragged cloak have hid from us The secret of his birth.
(On some Verses he writ, and asking more for his Heart than ‘twas worth.) I Take back that Heart, you with such Caution give, Take the fond valu’d Trifle back; I hate Love-Merchants that a Trade wou’d drive
From golden showers of the ancient skies, On the first day, and the eternal snow of stars, You once unfastened giant calyxes For the young earth still innocent of scars:
Young gladioli with the necks of swans, Laurels divine, of exiled souls the dream, Vermilion as the modesty of dawns Trod by the footsteps of the seraphim;
There be none of Beauty's daughters With a magic like thee; And like music on the waters Is thy sweet voice to me: When, as if its sound were causing The charmed ocean's pausing, The waves lie still and gleaming, And the lull'd winds seem dreaming:
"Just the place for a Snark!" the Bellman cried, As he landed his crew with care; Supporting each man on the top of the tide By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice: That alone should encourage the crew.
I need more time, a simple day in Paris hotels and window shopping. The croissants will not bake themselves and the Tower of London would Like to spend a night in the tropics with gray sassy paint. It has many Wounds and historic serial dreams under contract to Hollywood. Who will play the head of Mary, Queen of Scots, and who will braid her
Hair? Was it she who left her lips on the block for the executioner, Whose hands would never find ablution, who would never touch a woman Again or eat the flesh of a red animal? Blood pudding would repulse him Until joining Anne. That is the way of history written for Marlow and Shakespear. They are with us now that we are sober and wiser,
Not taking the horrors of poetry too seriously. Why am I telling you this Nonsense, when I have never seen you sip your coffee or tea, In the morning? Not to mention,
If Heaven has into being deigned to call Thy light, O Liberty! to shine on all; Bright intellectual Sun! why does thy ray To earth distribute only partial day? Since no resisting cause from spirit flows Thy universal presence to oppose; No obstacles by Nature’s hand impressed, Thy subtle and ethereal beams arrest;
1. i'm crazy bout that chile but she gotta go. she don't pay me no mind no mo. guess her mama was right to put her out cuz she couldn't do nothin wid her. but she been mine so long. she been my heart so long now she breakin it wid her bad habits. always runnin like a machine out of control;
Vainly my heart had with thy sorceries striven: It had no refuge from thy love,—no Heaven But in thy fatal presence;—from afar It owned thy power and trembled like a star O’erfraught with light and splendor. Could I deem How dark a shadow should obscure its beam?— Could I believe that pain could ever dwell Where thy bright presence cast its blissful spell?
Unlike the ashes that make their home with hot coals, snails prefer moist earth. Go on: they advance while gluing themselves to it with their entire bodies. They carry it, they eat it, they shit it. They go through it, it goes through them. It’s the best kind of interpenetration, as between tones, one passive and one active. The passive bathes and nourishes the active, which overturns the other while it eats.
(There is more to be said about snails. First of all their immaculate clamminess. Their sangfroid. Their stretchiness.)
One can scarcely conceive of a snail outside its shell and unmoving. The moment it rests it sinks down deep into itself. In fact, its modesty obliges it to move as soon as it has shown its nakedness and revealed its vulnerable shape. The moment it’s exposed, it moves on.
During periods of dryness they withdraw into ditches where it seems their bodies are enough to maintain their dampness. No doubt their neighbors there are toads and frogs and other ectothermic animals. But when they come out again they don’t move as quickly. You have to admire their willingness to go into the ditch, given how hard it is for them to come out again.
Note also that though snails like moist soil, they have no affection for places that are too wet such as marshes or ponds. Most assuredly they prefer firm earth, as long as it’s fertile and damp.
They are fond as well of moisture-rich vegetables and green leafy plants. They know how to feed on them leaving only the veins, cutting free the most tender leaves. They are hell on salads.
What are these beings from the depths of the ditches? Though snails love many of their trenches’ qualities they have every intention of leaving. They are in their element but they are also wanderers. And when they emerge into the daylight onto firm ground their shells will preserve their vagabond’s hauteur.
It must be a pain to have to haul that trailer around with them everywhere, but they never complain and in the end they are happy about it. How valuable, after all, to be able to go home any time, no matter where you may find yourself, eluding all intruders. It must be worth it.
Above the fresh ruffles of the surf Bright striped urchins flay each other with sand. They have contrived a conquest for shell shucks, And their fingers crumble fragments of baked weed Gaily digging and scattering.
And in answer to their treble interjections The sun beats lightning on the waves,
(from As You Like It, spoken by Jaques)
All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms; And then the whining school-boy, with his satchel
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