MARIA NEFELE: I walk in thorns in the dark of what’s to happen and what has with my only weapon my only defense my nails purple like cyclamens.
ANTIPHONIST: I saw her everywhere. Holding a glass and staring in space. Lying down listening to records. Walking the streets in wide trousers and an old
And in a little while we broke under the strain: suppurations ad nauseam, the wanting to be taller, though it‘s simply about being mysterious, i.e., not taller, like any tree in any forest. Mute, the pancake describes you. It had tiny roman numerals embedded in its rim. It was a pancake clock. They had ’em in those days, always getting smaller, which is why they finally became extinct.
Her arms around me—child— Around my head, hugging with her whole arms, Whole arms as if I were a loved and native rock, The apple in her hand—her apple and her father, and my nose pressed Hugely to the collar of her winter coat—. There in the photograph
I tell thee, Dick, where I have been, Where I the rarest things have seen; Oh, things without compare! Such sights again cannot be found In any place on English ground, Be it at wake, or fair.
Now swarthy Summer, by rude health embrowned, Precedence takes of rosy fingered Spring; And laughing Joy, with wild flowers prank'd, and crown'd, A wild and giddy thing, And Health robust, from every care unbound, Come on the zephyr's wing, And cheer the toiling clown.
Ugliest little boy that everyone ever saw. That is what everyone said.
Even to his mother it was apparent— when the blue-aproned nurse came into the northeast end of the maternity ward bearing his squeals and plump bottom looped up in a scant receiving blanket,
Traveler, your footprints are the only road, nothing else. Traveler, there is no road; you make your own path as you walk. As you walk, you make your own road, and when you look back you see the path you will never travel again.
When they confess that they have lost the penial bone and outer space is Once again a numinous void, when they’re kept out of Other Places, And Dr Fieser falls asleep at last and dreams of unburnt faces, When gold medals are won by the ton for forgetting about the different races, God Bless America.
When in the Latin shanties the scented priesthood suffers metempsychosis And with an organ entry tutti copula the dollar uncrosses
Where, like a pillow on a bed A pregnant bank swell'd up to rest The violet's reclining head, Sat we two, one another's best. Our hands were firmly cemented With a fast balm, which thence did spring; Our eye-beams twisted, and did thread Our eyes upon one double string; So to'intergraft our hands, as yet Was all the means to make us one, And pictures in our eyes to get Was all our propagation. As 'twixt two equal armies fate Suspends uncertain victory, Our souls (which to advance their state
1. i'm crazy bout that chile but she gotta go. she don't pay me no mind no mo. guess her mama was right to put her out cuz she couldn't do nothin wid her. but she been mine so long. she been my heart so long now she breakin it wid her bad habits. always runnin like a machine out of control;
I need more time, a simple day in Paris hotels and window shopping. The croissants will not bake themselves and the Tower of London would Like to spend a night in the tropics with gray sassy paint. It has many Wounds and historic serial dreams under contract to Hollywood. Who will play the head of Mary, Queen of Scots, and who will braid her
Hair? Was it she who left her lips on the block for the executioner, Whose hands would never find ablution, who would never touch a woman Again or eat the flesh of a red animal? Blood pudding would repulse him Until joining Anne. That is the way of history written for Marlow and Shakespear. They are with us now that we are sober and wiser,
Not taking the horrors of poetry too seriously. Why am I telling you this Nonsense, when I have never seen you sip your coffee or tea, In the morning? Not to mention,
What shall I do with this absurdity — O heart, O troubled heart — this caricature, Decrepit age that has been tied to me As to a dog's tail? Never had I more Excited, passionate, fantastical Imagination, nor an ear and eye
How changed is here each spot man makes or fills! In the two Hinkseys nothing keeps the same; The village street its haunted mansion lacks, And from the sign is gone Sibylla's name, And from the roofs the twisted chimney-stacks— Are ye too changed, ye hills? See, 'tis no foot of unfamiliar men To-night from Oxford up your pathway strays!
217 Ambition was my idol, which was broken Before the shrines of Sorrow and of Pleasure; And the two last have left me many a token O'er which reflection may be made at leisure: Now, like Friar Bacon's brazen head, I've spoken, 'Time is, Time was, Time's past', a chymic treasure Is glittering youth, which I have spent betimes— My heart in passion, and my head on rhymes.
Learning to love differently is hard, love with the hands wide open, love with the doors banging on their hinges, the cupboard unlocked, the wind roaring and whimpering in the rooms rustling the sheets and snapping the blinds that thwack like rubber bands in an open palm.
I’ll tell thee now (dear Love) what thou shalt do To anger destiny, as she doth us, How I shall stay, though she esloygne me thus And how posterity shall know it too; How thine may out-endure Sybil’s glory, and obscure Her who from Pindar could allure, And her, through whose help Lucan is not lame, And her, whose book (they say) Homer did find, and name.
Study our manuscripts, those myriads Of letters, which have past twixt thee and me, Thence write our annals, and in them will be To all whom love’s subliming fire invades, Rule and example found;
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