Welcome to your day of sanity! Come in and close the door it will likely lock behind you and you will be home alone waste disposal will take care of your needs : at long last undisturbed phenomena without the heavy metal background of the street will be yours for observation and response : do you have visions? do you think? Your mouth do you open it for more than medication? I should know I know that I should know : we’ve watched centuries erode the fortress drain the moat the poet’s clumsy beast has reached its home and prey we wither in the gridlock of our power only the guns remain and are in use pure accident is beauty to be glimpsed your trembling only further clouds your sight I in my home you in your other place harmonize the fading anthem of an age the cracked bell of our liberty keeps time a penny for the corpse you left behind keep on recycling all that you have heard before call it a double bind much like the dead bolt that locked the door that keeps you safe and sane : ho — hum — harry who? oh that’s just a phrase found in a time capsule capped and sealed and shot up in the air : no I cannot tell you where it fell to earth that page was torn out years ago it’s chance that we have a fragment of that language left : do your archaeology before a mirror the canyons and the barren plains are clear but where to dig for a ruined golden age a fiction we were served with breakfast flakes say have you forgot this day of sanity? No problem the heavy key was thrown away as soon as the door was closed and locked you’re safe : some day the asylum may be torn down to make way for a palace of the mad it does not follow that anything will change : choose your executioner by lot almost everyone is trained and competent there are different schools of course check out degrees fees can become an issue of your choice and some may be in service or abroad as usual nothing’s simple it’s all a part of the grand unraveling that must take place before the new line can be introduced : prepare now don’t be shocked when the music starts the year’s fashions may feature pins and nails.
Aunt Mildred tied up her petticoats with binder’s twine, and my great-uncle Ezekiel waxed and waxed his moustaches into flexibility. It was the whole family off then into the dangerous continent of air
and while the salesman with the one gold eyetooth told us the cords at our ankles were guaranteed to stretch to their utmost and then bring us safely back to the fried chicken and scalloped potatoes of Sunday dinner
My sister in her well-tailored silk blouse hands me the photo of my father in naval uniform and white hat. I say, “Oh, this is the one which Mama used to have on her dresser.”
My sister controls her face and furtively looks at my mother, a sad rag bag of a woman, lumpy and sagging everywhere, like a mattress at the Salvation Army, though with no holes or tears, and says, “No.”
My dog has died. I buried him in the garden next to a rusted old machine.
Some day I'll join him right there, but now he's gone with his shaggy coat, his bad manners and his cold nose, and I, the materialist, who never believed in any promised heaven in the sky
Once, in the city of Kalamazoo, The gods went walking, two and two, With the friendly phoenix, the stars of Orion, The speaking pony and singing lion. For in Kalamazoo in a cottage apart Lived the girl with the innocent heart.
Thenceforth the city of Kalamazoo Was the envied, intimate chum of the sun. He rose from a cave by the principal street. The lions sang, the dawn-horns blew, And the ponies danced on silver feet. He hurled his clouds of love around; Deathless colors of his old heart Draped the houses and dyed the ground.
If we could get the hang of it entirely It would take too long; All we know is the splash of words in passing And falling twigs of song, And when we try to eavesdrop on the great Presences it is rarely That by a stroke of luck we can appropriate Even a phrase entirely.
I have always aspired to a more spacious form that would be free from the claims of poetry or prose and would let us understand each other without exposing the author or reader to sublime agonies.
In the very essence of poetry there is something indecent: a thing is brought forth which we didn’t know we had in us, so we blink our eyes, as if a tiger had sprung out and stood in the light, lashing his tail.
who goes there? who is this young man born lonely?
who walks there? who goes toward death
whistling through the water
without his chorus? without his posse? without his song?
it is autumn now
in me autumn grieves
in this carved gold of shifting faces
my eyes confess to the fatigue of living.
Wheel of sorrow, centerless. Voices, sad without cause, slope upward, expiring on grave summits. Mournfulness of muddy playgrounds, raw smell of rubbers and wrapped lunches when little girls stand in a circle singing of windows and of lovers.
Far from the sea far from the sea of Breton fishermen the white clouds scudding over Lowell and the white birches the bare white birches along the blear night roads
By a route obscure and lonely, Haunted by ill angels only, Where an Eidolon, named NIGHT, On a black throne reigns upright, I have reached these lands but newly From an ultimate dim Thule— From a wild weird clime that lieth, sublime, Out of SPACE—Out of TIME.
Bottomless vales and boundless floods, And chasms, and caves, and Titan woods, With forms that no man can discover For the tears that drip all over; Mountains toppling evermore Into seas without a shore;
What are you going to do With what is left of yourself Now among the rustling Of your maybe best years? This is not an auto-elegy With me pouring my heart Out into where you Differently stand or sit
And this is what is left of youth! . . . There were two boys, who were bred up together, Shared the same bed, and fed at the same board; Each tried the other’s sport, from their first chase, Young hunters of the butterfly and bee, To when they followed the fleet hare, and tried The swiftness of the bird. They lay beside The silver trout stream, watching as the sun
O zummer clote! when the brook’s a-glidèn So slow an’ smooth down his zedgy bed, Upon thy broad leaves so seäfe a-ridèn The water’s top wi’ thy yollow head, By alder sheädes, O, An’ bulrush beds, O, Thou then dost float, goolden zummer clote!
The grey-bough’d withy’s a leänèn lowly Above the water thy leaves do hide; The bènden bulrush, a-swaÿèn slowly, Do skirt in zummer thy river’s zide; An’ perch in shoals, O, Do vill the holes, O, Where thou dost float, goolden zummer clote!
1 The white butterfly in the park is being read by many. I love that cabbage-moth as if it were a fluttering corner of truth itself!
At dawn the running crowds set our quiet planet in motion. Then the park fills with people. To each one, eight faces polished like jade, for all situations, to avoid making mistakes. To each one, there's also the invisible face reflecting "something you don't talk about." Something that appears in tired moments and is as rank as a gulp of viper schnapps with its long scaly aftertaste.
One face looks out from all his canvases, One selfsame figure sits or walks or leans: We found her hidden just behind those screens, That mirror gave back all her loveliness. A queen in opal or in ruby dress, A nameless girl in freshest summer-greens, A saint, an angel — every canvas means The same one meaning, neither more or less.
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