Last Days

An axe rang sharply ’mid those forest shades
Which from creation toward the skies had tower’d
In unshorn beauty. There, with vigorous arm
Wrought a bold emigrant, and by his side
His little son, with question and response,
Beguiled the toil.
‘Boy, thou hast never seen
Such glorious trees. Hark, when their giant trunks
Fall, how the firm earth groans. Rememberest thou
The mighty river, on whose breast we sail’d,
So many days, on toward the setting sun?
Our own Connecticut, compar’d to that,
Was but a creeping stream.’
‘Father, the brook
That by our door went singing, where I launch’d

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

(from As You Like It, spoken by Jaques)
All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms;
And then the whining school-boy, with his satchel

MARIA NEFELE:
I walk in thorns in the dark
of what’s to happen and what has
with my only weapon my only defense
my nails purple like cyclamens.

ANTIPHONIST:
I saw her everywhere. Holding a glass and staring in space. Lying down
listening to records. Walking the streets in wide trousers and an old

An Episode AND the first grey of morning fill'd the east,
And the fog rose out of the Oxus stream.

Authorized, booked
By my steadfast prose
The dead I ghost write
Shed shadows that shine
With hindsight, hearsay—
The last word is mine

Last night I dreamed I ran through the streets of New York
Looking for help for you, Nicanor.
But my few friends who are rich or influential
were temporarily absent from their penthouses or hotel suites.
They had gone to the opera, or flown for the weekend to Bermuda.
At last I found one or two of them at home,
preparing for social engagements,
absently smiling, as they tried on gown after gown

I will tell you what he told me
in the years just after the war
as we then called
the second world war

don't lose your arrogance yet he said
you can do that when you're older
lose it too soon and you may
merely replace it with vanity

Are you content, you pretty three-years’ wife?
Are you content and satisfied to live
On what your loving husband loves to give,
And give to him your life?

Are you content with work, — to toil alone,
To clean things dirty and to soil things clean;
To be a kitchen-maid, be called a queen, —

While one sere leaf, that parting Autumn yields,
Trembles upon the thin, and naked spray,
November, dragging on this sunless day,
Lours, cold and sullen, on the watery fields;
And Nature to the waste dominion yields,
Stripped her last robes, with gold and purple gay —
So droops my life, of your soft beams despoiled,
Youth, Health, and Hope, that long exulting smiled;
And the wild carols, and the bloomy hues
Of merry Spring-time, spruce on every plain
Her half-blown bushes, moist with sunny rain,
More pensive thoughts in my sunk heart infuse
Than Winter’s grey, and desolate domain
Faded like my lost Youth, that no bright Spring renews.

Welcome to your day of sanity! Come in and close the door it will likely lock behind you and you will be home alone waste disposal will take care of your needs : at long last undisturbed phenomena without the heavy metal background of the street will be yours for observation and response : do you have visions? do you think? Your mouth do you open it for more than medication? I should know I know that I should know : we’ve watched centuries erode the fortress drain the moat the poet’s clumsy beast has reached its home and prey we wither 
in the gridlock of our power only the guns remain and are in use pure accident is beauty to be glimpsed your trembling only further clouds your sight I in my home you in your other place harmonize 
the fading anthem of an age the cracked bell of our liberty keeps time a penny for the corpse you left behind keep on recycling all that you have heard before call it a double bind much like the dead bolt that locked the door that keeps you safe and sane : ho — hum — harry who? oh that’s just a phrase found in a time capsule capped and sealed and shot up in the air : no I cannot tell you where it fell to earth that page was torn out years ago it’s chance that we have a fragment of that language left : do your archaeology before a mirror the canyons and the barren plains are clear but where to dig for a ruined golden age a fiction we were served with breakfast flakes say have you forgot this day of sanity? No problem the heavy key was thrown away as soon as the door was closed and locked you’re safe : some day the asylum may be torn down to make way for a palace of the mad it does not follow that anything will change : choose your executioner by lot almost 
everyone is trained and competent there are different schools of course check out degrees fees can become an issue of your choice and some may be in service or abroad as usual nothing’s simple it’s all a part of the grand unraveling that must take place before the new line can be introduced : prepare now don’t be shocked when the music starts the year’s fashions may feature pins and nails.

So I would hear out those lungs,
The air split into nine levels,
Some gift of tongues of the whistler

In the invalid’s bed: my mother,
Warbling all day to herself
The thousand variations of one song;

It is called Buckdancer’s Choice.
For years, they have all been dying

To the Priest, on Observing how most Men mistake their own Talents When beasts could speak (the learned say,
They still can do so ev'ry day),
It seems, they had religion then,
As much as now we find in men.

I
I weep for Adonais—he is dead!
Oh, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"

II
Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierc'd by the shaft which flies
In darkness? where was lorn Urania

Huzza! Hodgson, we are going,
Our embargo's off at last;
Favourable breezes blowing
Bend the canvass o'er the mast.
From aloft the signal's streaming,
Hark! the farewell gun is fir'd;
Women screeching, tars blaspheming,
Tell us that our time's expir'd.

Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace;
Let your head lean
Back to the shoulder with its fleece
Of locks, Faustine.

Thou blossom bright with autumn dew,
And colored with the heaven’s own blue,
That openest when the quiet light
Succeeds the keen and frosty night.

Thou comest not when violets lean
O’er wandering brooks and springs unseen,
Or columbines, in purple dressed,
Nod o’er the ground-bird’s hidden nest.

Thou waitest late and com’st alone,
When woods are bare and birds are flown,
And frosts and shortening days portend
The aged year is near his end.

Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;

I

Swear by what the Sages spoke
Round the Mareotic Lake
That the Witch of Atlas knew,
Spoke and set the cocks a-crow.

Swear by those horsemen, by those women,
Complexion and form prove superhuman,
That pale, long visaged company

My sister! my sweet sister! if a name
Dearer and purer were, it should be thine.
Mountains and seas divide us, but I claim
No tears, but tenderness to answer mine:
Go where I will, to me thou art the same
A lov'd regret which I would not resign.
There yet are two things in my destiny—
A world to roam through, and a home with thee.