The country lies flat, expressionless as the face of a stranger. Not one hillock shelters a buried bone. The city: a scene thin as a theater backdrop, where no doors open, no streets extend beyond the view from the corner.
Only the railroad embankment is high, shaggy with grass. Only the freight, knuckling a red sun under its wheels, drags familiar box-car shapes down long perspectives of childhood meals and all crossings at sunset.
Upon a lonely mountain, there lived two hermits who worshipped God and loved one another.
Now these two hermits had one earthen bowl, and this was their only possession.
One day an evil spirit entered into the heart of the older hermit and he came to the younger and said, “It is long that we have lived together. The time has come for us to part. Let us divide our possessions.”
Then the younger hermit was saddened and he said, “It grieves me, Brother, that thou shouldst leave me. But if thou must needs go, so be it,” and he brought the earthen bowl and gave it to him saying, “We cannot divide it, Brother, let it be thine.”
Then the older hermit said, “Charity I will not accept. I will take nothing but mine own. It must be divided.”
And the younger one said, “If the bowl be broken, of what use would it be to thee or to me? If it be thy pleasure let us rather cast a lot.”
But the older hermit said again, “I will have but justice and mine own, and I will not trust justice and mine own to vain chance. The bowl must be divided.”
Then the younger hermit could reason no further and he said, “If it be indeed thy will, and if even so thou wouldst have it let us now break the bowl.”
But the face of the older hermit grew exceedingly dark, and he cried, “O thou cursed coward, thou wouldst not fight.”
Now swarthy Summer, by rude health embrowned, Precedence takes of rosy fingered Spring; And laughing Joy, with wild flowers prank'd, and crown'd, A wild and giddy thing, And Health robust, from every care unbound, Come on the zephyr's wing, And cheer the toiling clown.
To the Priest, on Observing how most Men mistake their own Talents When beasts could speak (the learned say, They still can do so ev'ry day), It seems, they had religion then, As much as now we find in men.
How changed is here each spot man makes or fills! In the two Hinkseys nothing keeps the same; The village street its haunted mansion lacks, And from the sign is gone Sibylla's name, And from the roofs the twisted chimney-stacks— Are ye too changed, ye hills? See, 'tis no foot of unfamiliar men To-night from Oxford up your pathway strays!
I first discovered what was killing these men. I had three sons who worked with their father in the tunnel: Cecil, aged 23, Owen, aged 21, Shirley, aged 17. They used to work in a coal mine, not steady work for the mines were not going much of the time. A power Co. foreman learned that we made home brew, he formed a habit of dropping in evenings to drink, persuading the boys and my husband —
Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace; Let your head lean Back to the shoulder with its fleece Of locks, Faustine.
PART I 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu—whit! Tu—whoo! And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the Baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock She maketh answer to the clock, Four for the quarters, and twelve for the hour; Ever and aye, by shine and shower, Sixteen short howls, not over loud; Some say, she sees my lady's shroud.
Fame is the one that does not stay — It's occupant must die Or out of sight of estimate Ascend incessantly — Or be that most insolvent thing A Lightning in the Germ — Electrical the embryo But we demand the Flame
Come, Holy Spirit, bending or not bending the grasses, appearing or not above our heads in a tongue of flame, at hay harvest or when they plough in the orchards or when snow covers crippled firs in the Sierra Nevada. I am only a man: I need visible signs. I tire easily, building the stairway of abstraction. Many a time I asked, you know it well, that the statue in church
When you get in on a try you never learn it back umpteen times the tenth part of a featured world in black and in back it’s roses and fostered nail bite rhyme sling slang, a song that teaches without travail of the tale, the one you longing live and singing burn
It’s insane to remain a trope, of a rinsing out or a ringing whatever, it’s those bells that . . .
1. i'm crazy bout that chile but she gotta go. she don't pay me no mind no mo. guess her mama was right to put her out cuz she couldn't do nothin wid her. but she been mine so long. she been my heart so long now she breakin it wid her bad habits. always runnin like a machine out of control;
Dim vales—and shadowy floods— And cloudy-looking woods, Whose forms we can’t discover For the tears that drip all over: Huge moons there wax and wane— Again—again—again— Every moment of the night— Forever changing places— And they put out the star-light With the breath from their pale faces. About twelve by the moon-dial, One more filmy than the rest (A kind which, upon trial, They have found to be the best) Comes down—still down—and down
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