Out here on Cottage Grove it matters. The galloping
 wind balks at its shadow. The carriages
 Are drawn forward under a sky of fumed oak.
 This is america calling:
 The mirroring of state to state,
 Of voice to voice on the wires,
 The force of colloquial greetings like golden
 Pollen sinking on the afternoon breeze.
 In service stairs the sweet corruption thrives;
 The page of dusk turns like a creaking revolving stage in Warren, Ohio.
 If this is the way it is let’s leave,
 They agree, and soon the slow boxcar journey begins,
 Gradually accelerating until the gyrating fans of suburbs
 Enfolding the darkness of cities are remembered
 Only as a recurring tic. And midway
 We meet the disappointed, returning ones, without its
 Being able to stop us in the headlong night
 Toward the nothing of the coast. At Bolinas
 The houses doze and seem to wonder why through the
 Pacific haze, and the dreams alternately glow and grow dull.
 Why be hanging on here? Like kites, circling,
 Slipping on a ramp of air, but always circling?
 But the variable cloudiness is pouring it on,
 Flooding back to you like the meaning of a joke.
 The land wasn’t immediately appealing; we built it
 Partly over with fake ruins, in the image of ourselves:
 An arch that terminates in mid-keystone, a crumbling stone pier
 For laundresses, an open-air theater, never completed
 And only partially designed. How are we to inhabit
 This space from which the fourth wall is invariably missing,
 As in a stage-set or dollhouse, except by staying as we are,
 In lost profile, facing the stars, with dozens of as yet
 Unrealized projects, and a strict sense
 The tactfully folded-over bill? And we fit
 Rather too easily into it, become transparent,
 Almost ghosts. One day
 The birds and animals in the pasture have absorbed
 The color, the density of the surroundings,
 The leaves are alive, and too heavy with life.
 A long period of adjustment followed.
 In the cities at the turn of the century they knew about it
 But were careful not to let on as the iceman and the milkman
 Disappeared down the block and the postman shouted
 His daily rounds. The children under the trees knew it
 But all the fathers returning home
 On streetcars after a satisfying day at the office undid it:
 The climate was still floral and all the wallpaper
 In a million homes all over the land conspired to hide it.
 One day we thought of painted furniture, of how
 It just slightly changes everything in the room
 And in the yard outside, and how, if we were going
 To be able to write the history of our time, starting with today,
 It would be necessary to model all these unimportant details
 So as to be able to include them; otherwise the narrative
 Would have that flat, sandpapered look the sky gets
 Out in the middle west toward the end of summer,
 The look of wanting to back out before the argument
 Has been resolved, and at the same time to save appearances
 So that tomorrow will be pure. Therefore, since we have to do our business
 In spite of things, why not make it in spite of everything?
 That way, maybe the feeble lakes and swamps
 Of the back country will get plugged into the circuit
 And not just the major events but the whole incredible
 Mass of everything happening simultaneously and pairing off,
 Channeling itself into history, will unroll
 As carefully and as casually as a conversation in the next room,
 And the purity of today will invest us like a breeze,
 Only be hard, spare, ironical: something one can
 Tip one’s hat to and still get some use out of.
 The parade is turning into our street.
 My stars, the burnished uniforms and prismatic
 Features of this instant belong here. The land
 Is pulling away from the magic, glittering coastal towns
 To an aforementioned rendezvous with August and December.
 The hunch is it will always be this way,
 The look, the way things first scared you
 In the night light, and later turned out to be,
 Yet still capable, all the same, of a narrow fidelity
 To what you and they wanted to become:
 No sighs like Russian music, only a vast unravelling
 Out toward the junctions and to the darkness beyond
 To these bare fields, built at today’s expense.

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