I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
I went out to the hazel wood, Because a fire was in my head, And cut and peeled a hazel wand, And hooked a berry to a thread; And when white moths were on the wing, And moth-like stars were flickering out, I dropped the berry in a stream And caught a little silver trout.
When I had laid it on the floor I went to blow the fire a-flame, But something rustled on the floor, And someone called me by my name: It had become a glimmering girl With apple blossom in her hair
I would to God, that mine old age might have Before my last, but here a living grave; Some one poor almshouse, there to lie, or stir, Ghost-like, as in my meaner sepulchre; A little piggin, and a pipkin by, To hold things fitting my necessity, Which, rightly us'd, both in their time and place, Might me excite to fore, and after, grace.
America I’ve given you all and now I’m nothing. America two dollars and twentyseven cents January 17, 1956. I can’t stand my own mind. America when will we end the human war? Go fuck yourself with your atom bomb. I don’t feel good don’t bother me. I won’t write my poem till I’m in my right mind. America when will you be angelic?
See, Winter comes to rule the varied year, Sullen and sad, with all his rising train— Vapours, and clouds, and storms. Be these my theme, These, that exalt the soul to solemn thought And heavenly musing. Welcome, kindred glooms! Congenial horrors, hail! With frequent foot, Pleas’d have I, in my cheerful morn of life, When nurs’d by careless solitude I liv’d And sung of Nature with unceasing joy, Pleas’d have I wander’d through your rough domain; Trod the pure virgin-snows, myself as pure; Heard the winds roar, and the big torrent burst; Or seen the deep-fermenting tempest brew’d In the grim evening-sky. Thus pass’d the time, Till through the lucid chambers of the south
Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams.
I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers,
Unlike the ashes that make their home with hot coals, snails prefer moist earth. Go on: they advance while gluing themselves to it with their entire bodies. They carry it, they eat it, they shit it. They go through it, it goes through them. It’s the best kind of interpenetration, as between tones, one passive and one active. The passive bathes and nourishes the active, which overturns the other while it eats.
(There is more to be said about snails. First of all their immaculate clamminess. Their sangfroid. Their stretchiness.)
One can scarcely conceive of a snail outside its shell and unmoving. The moment it rests it sinks down deep into itself. In fact, its modesty obliges it to move as soon as it has shown its nakedness and revealed its vulnerable shape. The moment it’s exposed, it moves on.
During periods of dryness they withdraw into ditches where it seems their bodies are enough to maintain their dampness. No doubt their neighbors there are toads and frogs and other ectothermic animals. But when they come out again they don’t move as quickly. You have to admire their willingness to go into the ditch, given how hard it is for them to come out again.
Note also that though snails like moist soil, they have no affection for places that are too wet such as marshes or ponds. Most assuredly they prefer firm earth, as long as it’s fertile and damp.
They are fond as well of moisture-rich vegetables and green leafy plants. They know how to feed on them leaving only the veins, cutting free the most tender leaves. They are hell on salads.
What are these beings from the depths of the ditches? Though snails love many of their trenches’ qualities they have every intention of leaving. They are in their element but they are also wanderers. And when they emerge into the daylight onto firm ground their shells will preserve their vagabond’s hauteur.
It must be a pain to have to haul that trailer around with them everywhere, but they never complain and in the end they are happy about it. How valuable, after all, to be able to go home any time, no matter where you may find yourself, eluding all intruders. It must be worth it.
During the Second World War, I was going home one night along a street I seldom used. All the stores were closed except one—a small fruit store. An old Italian was inside to wait on customers. As I was paying him I saw that he was sad.
Late, late yestreen I saw the new Moon, With the old Moon in her arms; And I fear, I fear, my Master dear! We shall have a deadly storm. (Ballad of Sir Patrick Spence) I Well! If the Bard was weather-wise, who made The grand old ballad of Sir Patrick Spence, This night, so tranquil now, will not go hence
Nous devrions pourtant lui porter quelques fleurs; Les morts, les pauvres morts, ont de grandes douleurs, Et quand Octobre souffle, émondeur des vieux arbres, Son vent mélancolique àl'entour de leurs marbres, Certe, ils doivent trouver les vivants bien ingrats.
Les Fleurs du Mal. I Shall I strew on thee rose or rue or laurel, Brother, on this that was the veil of thee? Or quiet sea-flower moulded by the sea,
at the third floor window of the tenement, the street looks shiny. It has been washed and rinsed by rain. Beyond the silver streaks of the streetcar tracks a single streetlight stands in a pool of wet light. It is night. St. Louis. Nineteen forty-seven. I have just come home from the orphanage
Do not allow me to sink, I said To a top floating ribbon of kelp. As I was lifted on each wave And made to slide into the vale I wanted not to drown. I wanted To make it all right with my dear, To tell my cat I’ll be away, To have them all destroyed, the poems
'There it is!– You play beside a death-bed like a child, Yet measure to yourself a prophet's place To teach the living. None of all these things, Can women understand. You generalise, Oh, nothing!–not even grief! Your quick-breathed hearts, So sympathetic to the personal pang,
The last time I saw Donald Armstrong He was staggering oddly off into the sun, Going down, off the Philippine Islands. I let my shovel fall, and put that hand Above my eyes, and moved some way to one side That his body might pass through the sun,
And I saw how well he was not Standing there on his hands,
MEanwhile the hainous and despightfull act
Of Satan done in Paradise, and how
Hee in the Serpent, had perverted Eve,
Her Husband shee, to taste the fatall fruit,
Was known in Heav'n; for what can scape the Eye
Of God All-seeing, or deceave his Heart
Omniscient, who in all things wise and just,
Hinder'd not Satan to attempt the minde
Can these movements which move themselves be the substance of my attraction? Where does this thin green silk come from that covers my body? Surely any woman wearing such fabrics would move her body just to feel them touching every part of her.
Yet most of the women frown, or look away, or laugh stiffly. They are afraid of these materials and these movements in some way.
Kneel down, fair Love, and fill thyself with tears, Girdle thyself with sighing for a girth Upon the sides of mirth, Cover thy lips and eyelids, let thine ears Be filled with rumour of people sorrowing; Make thee soft raiment out of woven sighs Upon the flesh to cleave, Set pains therein and many a grievous thing, And many sorrows after each his wise For armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death, Left hanged upon the trees that were therein; O Love and Time and Sin, Three singing mouths that mourn now underbreath,
If Heaven has into being deigned to call Thy light, O Liberty! to shine on all; Bright intellectual Sun! why does thy ray To earth distribute only partial day? Since no resisting cause from spirit flows Thy universal presence to oppose; No obstacles by Nature’s hand impressed, Thy subtle and ethereal beams arrest;
St. Agnes' Eve—Ah, bitter chill it was! The owl, for all his feathers, was a-cold; The hare limp'd trembling through the frozen grass, And silent was the flock in woolly fold: Numb were the Beadsman's fingers, while he told His rosary, and while his frosted breath, Like pious incense from a censer old, Seem'd taking flight for heaven, without a death, Past the sweet Virgin's picture, while his prayer he saith.
His prayer he saith, this patient, holy man; Then takes his lamp, and riseth from his knees, And back returneth, meagre, barefoot, wan, Along the chapel aisle by slow degrees: The sculptur'd dead, on each side, seem to freeze,
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