217 Ambition was my idol, which was broken Before the shrines of Sorrow and of Pleasure; And the two last have left me many a token O'er which reflection may be made at leisure: Now, like Friar Bacon's brazen head, I've spoken, 'Time is, Time was, Time's past', a chymic treasure Is glittering youth, which I have spent betimes— My heart in passion, and my head on rhymes.
But do not let us quarrel any more, No, my Lucrezia; bear with me for once: Sit down and all shall happen as you wish. You turn your face, but does it bring your heart? I'll work then for your friend's friend, never fear, Treat his own subject after his own way, Fix his own time, accept too his own price, And shut the money into this small hand When next it takes mine. Will it? tenderly? Oh, I'll content him,—but to-morrow, Love! I often am much wearier than you think, This evening more than usual, and it seems As if—forgive now—should you let me sit Here by the window with your hand in mine And look a half-hour forth on Fiesole,
What shall I do with this absurdity — O heart, O troubled heart — this caricature, Decrepit age that has been tied to me As to a dog's tail? Never had I more Excited, passionate, fantastical Imagination, nor an ear and eye
When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.” He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
To the Priest, on Observing how most Men mistake their own Talents When beasts could speak (the learned say, They still can do so ev'ry day), It seems, they had religion then, As much as now we find in men.
How changed is here each spot man makes or fills! In the two Hinkseys nothing keeps the same; The village street its haunted mansion lacks, And from the sign is gone Sibylla's name, And from the roofs the twisted chimney-stacks— Are ye too changed, ye hills? See, 'tis no foot of unfamiliar men To-night from Oxford up your pathway strays!
Can these movements which move themselves be the substance of my attraction? Where does this thin green silk come from that covers my body? Surely any woman wearing such fabrics would move her body just to feel them touching every part of her.
Yet most of the women frown, or look away, or laugh stiffly. They are afraid of these materials and these movements in some way.
My dog has died. I buried him in the garden next to a rusted old machine.
Some day I'll join him right there, but now he's gone with his shaggy coat, his bad manners and his cold nose, and I, the materialist, who never believed in any promised heaven in the sky
1 The white butterfly in the park is being read by many. I love that cabbage-moth as if it were a fluttering corner of truth itself!
At dawn the running crowds set our quiet planet in motion. Then the park fills with people. To each one, eight faces polished like jade, for all situations, to avoid making mistakes. To each one, there's also the invisible face reflecting "something you don't talk about." Something that appears in tired moments and is as rank as a gulp of viper schnapps with its long scaly aftertaste.
Before our lives divide for ever, While time is with us and hands are free, (Time, swift to fasten and swift to sever Hand from hand, as we stand by the sea) I will say no word that a man might say Whose whole life's love goes down in a day; For this could never have been; and never, Though the gods and the years relent, shall be.
Is it worth a tear, is it worth an hour, To think of things that are well outworn? Of fruitless husk and fugitive flower, The dream foregone and the deed forborne? Though joy be done with and grief be vain, Time shall not sever us wholly in twain;
I would to God, that mine old age might have Before my last, but here a living grave; Some one poor almshouse, there to lie, or stir, Ghost-like, as in my meaner sepulchre; A little piggin, and a pipkin by, To hold things fitting my necessity, Which, rightly us'd, both in their time and place, Might me excite to fore, and after, grace.
MARIA NEFELE: I walk in thorns in the dark of what’s to happen and what has with my only weapon my only defense my nails purple like cyclamens.
ANTIPHONIST: I saw her everywhere. Holding a glass and staring in space. Lying down listening to records. Walking the streets in wide trousers and an old
Last night I dreamed I ran through the streets of New York Looking for help for you, Nicanor. But my few friends who are rich or influential were temporarily absent from their penthouses or hotel suites. They had gone to the opera, or flown for the weekend to Bermuda. At last I found one or two of them at home, preparing for social engagements, absently smiling, as they tried on gown after gown
I went out to the hazel wood, Because a fire was in my head, And cut and peeled a hazel wand, And hooked a berry to a thread; And when white moths were on the wing, And moth-like stars were flickering out, I dropped the berry in a stream And caught a little silver trout.
When I had laid it on the floor I went to blow the fire a-flame, But something rustled on the floor, And someone called me by my name: It had become a glimmering girl With apple blossom in her hair
During the Second World War, I was going home one night along a street I seldom used. All the stores were closed except one—a small fruit store. An old Italian was inside to wait on customers. As I was paying him I saw that he was sad.
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