As the Team's Head Brass

Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace;
Let your head lean
Back to the shoulder with its fleece
Of locks, Faustine.

As rising from the vegetable World
My Theme ascends, with equal Wing ascend,
My panting Muse; and hark, how loud the Woods
Invite you forth in all your gayest Trim.
Lend me your Song, ye Nightingales! oh pour
The mazy-running Soul of Melody
Into my varied Verse! while I deduce,
From the first Note the hollow Cuckoo sings,

St. Agnes' Eve—Ah, bitter chill it was!
The owl, for all his feathers, was a-cold;
The hare limp'd trembling through the frozen grass,
And silent was the flock in woolly fold:
Numb were the Beadsman's fingers, while he told
His rosary, and while his frosted breath,
Like pious incense from a censer old,
Seem'd taking flight for heaven, without a death,
Past the sweet Virgin's picture, while his prayer he saith.

His prayer he saith, this patient, holy man;
Then takes his lamp, and riseth from his knees,
And back returneth, meagre, barefoot, wan,
Along the chapel aisle by slow degrees:
The sculptur'd dead, on each side, seem to freeze,

Do not allow me to sink, I said
To a top floating ribbon of kelp.
As I was lifted on each wave
And made to slide into the vale
I wanted not to drown. I wanted
To make it all right with my dear,
To tell my cat I’ll be away,
To have them all destroyed, the poems

Wyatt resteth here, that quick could never rest;
Whose heavenly gifts increased by disdain,
And virtue sank the deeper in his breast;
Such profit he by envy could obtain.

A head where wisdom mysteries did frame,
Whose hammers beat still in that lively brain
As on a stithy where that some work of fame

As the dead prey upon us,
they are the dead in ourselves,
awake, my sleeping ones, I cry out to you,
disentangle the nets of being!

I pushed my car, it had been sitting so long unused.
I thought the tires looked as though they only needed air.
But suddenly the huge underbody was above me, and the rear tires
were masses of rubber and thread variously clinging together

In Memory of Charles Baudelaire

Nous devrions pourtant lui porter quelques fleurs;
Les morts, les pauvres morts, ont de grandes douleurs,
Et quand Octobre souffle, émondeur des vieux arbres,
Son vent mélancolique àl'entour de leurs marbres,
Certe, ils doivent trouver les vivants bien ingrats.

Les Fleurs du Mal.
I
Shall I strew on thee rose or rue or laurel,
Brother, on this that was the veil of thee?
Or quiet sea-flower moulded by the sea,

217
Ambition was my idol, which was broken
Before the shrines of Sorrow and of Pleasure;
And the two last have left me many a token
O'er which reflection may be made at leisure:
Now, like Friar Bacon's brazen head, I've spoken,
'Time is, Time was, Time's past', a chymic treasure
Is glittering youth, which I have spent betimes—
My heart in passion, and my head on rhymes.

What are you going to do
With what is left of yourself
Now among the rustling
Of your maybe best years?
This is not an auto-elegy
With me pouring my heart
Out into where you
Differently stand or sit

Fit the First
The Landing

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.

THE Angel ended, and in Adams Eare
So Charming left his voice, that he a while
Thought him still speaking, still stood fixt to hear;
Then as new wak't thus gratefully repli'd.
What thanks sufficient, or what recompence
Equal have I to render thee, Divine
Hystorian, who thus largely hast allayd
The thirst I had of knowledge, and voutsaf't
This friendly condescention to relate
Things else by me unsearchable, now heard
With wonder, but delight, and, as is due,
With glorie attributed to the high
Creator; something yet of doubt remaines,
Which onely thy solution can resolve.
When I behold this goodly Frame, this World

Now that I, tying thy glass mask tightly,
May gaze thro’ these faint smokes curling whitely,
As thou pliest thy trade in this devil’s-smithy—
Which is the poison to poison her, prithee?

He is with her, and they know that I know
Where they are, what they do: they believe my tears flow
While they laugh, laugh at me, at me fled to the drear
Empty church, to pray God in, for them!—I am here.

Grind away, moisten and mash up thy paste,
Pound at thy powder,—I am not in haste!
Better sit thus and observe thy strange things,
Than go where men wait me and dance at the King’s.

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

As day did darken on the dewless grass,
There, still, wi’ nwone a-come by me
To stay a-while at hwome by me
Within the house, all dumb by me,
I zot me sad as the eventide did pass.

An’ there a win’blast shook the rattlèn door,
An’ seemed, as win’ did mwoan without,

Her arms around me—child—
Around my head, hugging with her whole arms,
Whole arms as if I were a loved and native rock,
The apple in her hand—her apple and her father,
and my nose pressed
Hugely to the collar of her winter coat—. There
in the photograph

It is the child who is the branch

Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both. Here I am, an old man in a dry month,

The wind, that beats the mountain, blows
More softly round the open wold,
And gently comes the world to those
That are cast in gentle mould.

And me this knowledge bolder made,
Or else I had not dare to flow
In these words toward you, and invade

1.
i'm crazy bout that chile but she gotta go.
she don't pay me no mind no mo. guess her
mama was right to put her out cuz she
couldn't do nothin wid her. but she been
mine so long. she been my heart so long
now she breakin it wid her bad habits.
always runnin like a machine out of control;

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I've got oil wells
Pumping in my living room.

I

Sun-blazed, over Romsley, a livid rain-scarp.


XIII

Whose lives are hidden in God? Whose?
Who can now tell what was taken, or where,
or how, or whether it was received:
how ditched, divested, clamped, sifted, over-
laid, raked over, grassed over, spread around,
rotted down with leafmould, accepted
as civic concrete, reinforceable
base cinderblocks: