Openly, yes, With the naturalness Of the hippopotamus or the alligator When it climbs out on the bank to experience the
Sun, I do these Things which I do, which please No one but myself. Now I breathe and now I am sub- Merged; the blemishes stand up and shout when the object
In view was a Renaissance; shall I say The contrary? The sediment of the river which Encrusts my joints, makes me very gray but I am used
Where is the promise of my years; Once written on my brow? Ere errors, agonies and fears Brought with them all that speaks in tears, Ere I had sunk beneath my peers; Where sleeps that promise now?
Naught lingers to redeem those hours, Still, still to memory sweet! The flowers that bloomed in sunny bowers Are withered all; and Evil towers Supreme above her sister powers Of Sorrow and Deceit.
Thus every Creature, and of every Kind, The secret Joys of sweet Coition find: Not only Man’s Imperial Race; but they That wing the liquid Air, or swim the Sea, Or haunt the Desert, rush into the flame: For Love is Lord of all; and is in all the same. ’Tis with this rage, the Mother Lion stung, Scours o’re the Plain; regardless of her young:
Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams.
I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers,
Out of the golden West, out of the leaden East, into the iron South, and to the silver North . . . Oh metals metals everywhere, forks and knives, belt buckles and hooks . . . When you are beaten you sing. You do not give anyone a chance . . .
You come out of the earth and fly with men. You lodge in men. You hurt them terribly. You tear them. You do not care for anyone.
Oh metals metals, why are you always hanging about? Is it not enough that you hold men’s wrists? Is it not enough that we let you in our mouths?
Why is it you will not do anything for yourself? Why is it you always wait for men to show you what to be?
And men love you. Perhaps it is because you soften so often. You did, it is true, pour into anything men asked you to. It has always proved you to be somewhat softer than you really are.
Oh metals metals, why are you always filling my house? You are like family, you do not care for anyone.
If all the trees in all the woods were men; And each and every blade of grass a pen; If every leaf on every shrub and tree Turned to a sheet of foolscap; every sea Were changed to ink, and all earth's living tribes Had nothing else to do but act as scribes, And for ten thousand ages, day and night, The human race should write, and write, and write, Till all the pens and paper were used up, And the huge inkstand was an empty cup, Still would the scribblers clustered round its brink Call for more pens, more paper, and more ink.
Because I feel that, in the Heavens above, The angels, whispering to one another, Can find, among their burning terms of love, None so devotional as that of “Mother,” Therefore by that dear name I long have called you— You who are more than mother unto me, And fill my heart of hearts, where Death installed you In setting my Virginia's spirit free.
An axe rang sharply ’mid those forest shades Which from creation toward the skies had tower’d In unshorn beauty. There, with vigorous arm Wrought a bold emigrant, and by his side His little son, with question and response, Beguiled the toil. ‘Boy, thou hast never seen Such glorious trees. Hark, when their giant trunks Fall, how the firm earth groans. Rememberest thou The mighty river, on whose breast we sail’d, So many days, on toward the setting sun? Our own Connecticut, compar’d to that, Was but a creeping stream.’ ‘Father, the brook That by our door went singing, where I launch’d
In the greenest of our valleys By good angels tenanted, Once a fair and stately palace— Radiant palace—reared its head. In the monarch Thought’s dominion, It stood there! Never seraph spread a pinion Over fabric half so fair!
(from A Midsummer Night's Dream, spoken by Bottom)
When my cue comes, call me, and I will answer. My next is “Most fair Pyramus.” Heigh-ho! Peter Quince?
Flute the bellows-mender? Snout the tinker? Starveling? God’s my life, stol'n hence, and left me asleep?
I have had a most rare vision. I have had a dream—past the wit of man to say what dream it was.
Man is but an ass if he go about to expound this dream. Methought I was—there is no man can tell what.
Methought I was, and methought I had—but man is but a patched fool if he will offer to say what methought I had.
The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was. I will get Peter Quince to write a ballad of this dream.It shall be called “Bottom’s Dream” because it hath no bottom. And I will sing it in the latter end of a play before the duke. Peradventure, to make it the more gracious, I shall sing it at her death.
I'm Ramón González Barbagelata from anywhere, from Cucuy, from Paraná, from Rio Turbio, from Oruro, from Maracaibo, from Parral, from Ovalle, from Loconmilla, I'm the poor devil from the poor Third World, I'm the third-class passenger installed, good God! in the lavish whiteness of snow-covered mountains, concealed among orchids of subtle idiosyncrasy.
I've arrived at this famous year 2000, and what do I get? With what do I scratch myself? What do I have to do with the three glorious zeros that flaunt themselves over my very own zero, my own non-existence? Pity that brave heart awaiting its call or the man enfolded by warmer love, nothing's left today except my flimsy skeleton,
But do not let us quarrel any more, No, my Lucrezia; bear with me for once: Sit down and all shall happen as you wish. You turn your face, but does it bring your heart? I'll work then for your friend's friend, never fear, Treat his own subject after his own way, Fix his own time, accept too his own price, And shut the money into this small hand When next it takes mine. Will it? tenderly? Oh, I'll content him,—but to-morrow, Love! I often am much wearier than you think, This evening more than usual, and it seems As if—forgive now—should you let me sit Here by the window with your hand in mine And look a half-hour forth on Fiesole,
Harmonious Powers with Nature work On sky, earth, river, lake, and sea: Sunshine and storm, whirlwind and breeze All in one duteous task agree.
Once did I see a slip of earth, By throbbing waves long undermined, Loosed from its hold; — how no one knew But all might see it float, obedient to the wind.
Might see it, from the mossy shore Dissevered float upon the Lake, Float, with its crest of trees adorned On which the warbling birds their pastime take.
It lies not in our power to love or hate, For will in us is overruled by fate. When two are stripped, long ere the course begin, We wish that one should lose, the other win; And one especially do we affect Of two gold ingots, like in each respect: The reason no man knows; let it suffice What we behold is censured by our eyes. Where both deliberate, the love is slight: Who ever loved, that loved not at first sight?
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