Unlike the ashes that make their home with hot coals, snails prefer moist earth. Go on: they advance while gluing themselves to it with their entire bodies. They carry it, they eat it, they shit it. They go through it, it goes through them. It’s the best kind of interpenetration, as between tones, one passive and one active. The passive bathes and nourishes the active, which overturns the other while it eats.
(There is more to be said about snails. First of all their immaculate clamminess. Their sangfroid. Their stretchiness.)
One can scarcely conceive of a snail outside its shell and unmoving. The moment it rests it sinks down deep into itself. In fact, its modesty obliges it to move as soon as it has shown its nakedness and revealed its vulnerable shape. The moment it’s exposed, it moves on.
During periods of dryness they withdraw into ditches where it seems their bodies are enough to maintain their dampness. No doubt their neighbors there are toads and frogs and other ectothermic animals. But when they come out again they don’t move as quickly. You have to admire their willingness to go into the ditch, given how hard it is for them to come out again.
Note also that though snails like moist soil, they have no affection for places that are too wet such as marshes or ponds. Most assuredly they prefer firm earth, as long as it’s fertile and damp.
They are fond as well of moisture-rich vegetables and green leafy plants. They know how to feed on them leaving only the veins, cutting free the most tender leaves. They are hell on salads.
What are these beings from the depths of the ditches? Though snails love many of their trenches’ qualities they have every intention of leaving. They are in their element but they are also wanderers. And when they emerge into the daylight onto firm ground their shells will preserve their vagabond’s hauteur.
It must be a pain to have to haul that trailer around with them everywhere, but they never complain and in the end they are happy about it. How valuable, after all, to be able to go home any time, no matter where you may find yourself, eluding all intruders. It must be worth it.
"Just the place for a Snark!" the Bellman cried, As he landed his crew with care; Supporting each man on the top of the tide By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice: That alone should encourage the crew.
As I drew nearer to the end of all desire, I brought my longing's ardor to a final height, Just as I ought. My vision, becoming pure,
Entered more and more the beam of that high light That shines on its own truth. From then, my seeing Became too large for speech, which fails at a sight
Beyond all boundaries, at memory's undoing— As when the dreamer sees and after the dream
It is easily forgotten, year to year, exactly where the plot is, though the place is entirely familiar— a willow tree by a curving roadway sweeping black asphalt with tender leaves;
damp grass strewn with flower boxes, canvas chairs, darkskinned old ladies circling in draped black crepe family stones,
“A equals X,” says Mister One. “A equals B,” says Mister Two. “A equals nothing under the sun But A,” says Mister Three. A few Applaud; some wipe their eyes; Some linger in the shade to see One and Two in neat disguise Decapitating Mister Three.
And Mrs. C, our tart old Scots landlady, with her stomping legs, four bristles sprouted from her chin- wart, she who briskly chats away about Montrose, founder of her clan, as though she’s just now fresh
arrive. The Ladies from the Ladies’ Betterment League Arrive in the afternoon, the late light slanting In diluted gold bars across the boulevard brag Of proud, seamed faces with mercy and murder hinting Here, there, interrupting, all deep and debonair, The pink paint on the innocence of fear; Walk in a gingerly manner up the hall. Cutting with knives served by their softest care,
Once more the storm is howling, and half hid Under this cradle-hood and coverlid My child sleeps on. There is no obstacle But Gregory's Wood and one bare hill Whereby the haystack and roof-levelling wind, Bred on the Atlantic, can be stayed; And for an hour I have walked and prayed Because of the great gloom that is in my mind.
I have walked and prayed for this young child an hour, And heard the sea-wind scream upon the tower, And under the arches of the bridge, and scream In the elms above the flooded stream; Imagining in excited reverie That the future years had come
Why is the word pretty so underrated? In November the leaf is pretty when it falls The stream grows deep in the woods after rain And in the pretty pool the pike stalks
He stalks his prey, and this is pretty too, The prey escapes with an underwater flash But not for long, the great fish has him now The pike is a fish who always has his prey
Each morning I made my way among gangways, elevators, and nurses’ pods to Jane’s room to interrogate the grave helpers who tended her through the night while the ship’s massive engines kept its propellers turning. Week after week, I sat by her bed
The lions who ate the Christians on the sands of the arena By indulging native appetites played what has now been seen a Not entirely negligible part In consolidating at the very start The position of the Early Christian Church. Initiatory rites are always bloody And the lions, it appears From contemporary art, made a study
For my mother, born March 1902, died March 1959 and my father, born February 1900, died June 1959 Gone, I say and walk from church, refusing the stiff procession to the grave,
Calmly we walk through this April’s day, Metropolitan poetry here and there, In the park sit pauper and rentier, The screaming children, the motor-car Fugitive about us, running away, Between the worker and the millionaire Number provides all distances, It is Nineteen Thirty-Seven now,
DEscend from Heav'n Urania, by that name If rightly thou art call'd, whose Voice divine Following, above th' Olympian Hill I soare, Above the flight of Pegasean wing. The meaning, not the Name I call: for thou Nor of the Muses nine, nor on the top Of old Olympus dwell'st, but Heav'nlie borne, Before the Hills appeerd, or Fountain flow'd, Thou with Eternal wisdom didst converse, Wisdom thy Sister, and with her didst play In presence of th' Almightie Father, pleas'd With thy Celestial Song.Up led by thee Into the Heav'n of Heav'ns I have presum'd, An Earthlie Guest, and drawn Empyreal Aire, Thy tempring; with like safetie guided down
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