Dreamwork Three

The woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Grey Truth is now her painted toy;
Yet still she turns her restless head:
But O, sick children of the world,
Of all the many changing things
In dreary dancing past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mockers? —By the Rood
Where are now the warring kings?
An idle word is now their glory,
By the stammering schoolboy said,

(We can succeed only by concert. . . . The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise with the occasion. As our case is new so we must think anew and act anew. We must disenthrall ourselves. . . . December 1, 1862. The President’s Message to Congress.) Be sad, be cool, be kind,
remembering those now dreamdust

The boy Alexander understands his father to be a famous lawyer.
The leather law books of Alexander’s father fill a room like hay in a barn.
Alexander has asked his father to let him build a house like bricklayers build, a house with walls and roofs made of big leather law books.

The rain beats on the windows
And the raindrops run down the window glass
And the raindrops slide off the green blinds down the siding.

The boy Alexander dreams of Napoleon in John C. Abbott’s history, Napoleon the grand and lonely man wronged, Napoleon in his life wronged and in his memory wronged.
The boy Alexander dreams of the cat Alice saw, the cat fading off into the dark and leaving the teeth of its Cheshire smile lighting the gloom.

Buffaloes, blizzards, way down in Texas, in the panhandle of Texas snuggling close to New Mexico,
These creep into Alexander’s dreaming by the window when his father talks with strange men about land down in Deaf Smith County.
Alexander’s father tells the strange men: Five years ago we ran a Ford out on the prairie and chased antelopes.

She stands beside me, stands away,
the vague indifference
of her dreams. Dreaming, to go on,
and go on there, like animals fleeing
the rise of the earth. But standing
intangible, my lust a worked anger
a sweating close covering, for the crudely salty soul.

Then back off, and where you go? Box of words

The crowded street his playground is, a patch of blue his sky;
A puddle in a vacant lot his sea where ships pass by:
Poor little orphan boy of five, the city smoke and grime
Taint every cooling breeze he gets throughout the summer time;
And he is just as your boy is, a child who loves to play,
Except that he is drawn and white and cannot get away.

And he would like the open fields, for often in his dreams
The angels kind bear him off to where are pleasant streams,
Where he may sail a splendid boat, sometimes he flies a kite,
Or romps beside a shepherd dog and shouts with all his might;
But when the dawn of morning comes he wakes to find once more
That what he thought were sun-kissed hills are rags upon the floor.

Then through the hot and sultry day he plays at “make-pretend,”

There’s a barrel-organ carolling across a golden street
In the City as the sun sinks low;
And the music's not immortal; but the world has made it sweet
And fulfilled it with the sunset glow;
And it pulses through the pleasures of the City and the pain
That surround the singing organ like a large eternal light;
And they’ve given it a glory and a part to play again
In the Symphony that rules the day and night.

Baton Rouge, 1940 These are savannas bluer than your dreams
Where other loves are fashioned to older music,

Am I a character in the dreams
of the god Hermes the messenger?
Certainly many of my dreams
have nothing to do with the
common life around me. There
are never any automobiles or
airplanes in them. These
dreams belong to an age in

The social instincts ...
naturally lead to the golden rule.
—CHARLES DARWIN, The Descent of Man 1