Mildest of all the powers of earth: no lightnings For her—maniacal in the clouds. No need for Signs with their skull and crossbones, chain-link gates: Danger! Keep Out! High Gravity! she’s friendlier. Won’t nurse—unlike the magnetic powers—repugnance; Would reconcile, draw close: her passion’s love.
No terrors lurking in her depths, like those Bound in that buzzing strongbox of the atom,
1 The white butterfly in the park is being read by many. I love that cabbage-moth as if it were a fluttering corner of truth itself!
At dawn the running crowds set our quiet planet in motion. Then the park fills with people. To each one, eight faces polished like jade, for all situations, to avoid making mistakes. To each one, there's also the invisible face reflecting "something you don't talk about." Something that appears in tired moments and is as rank as a gulp of viper schnapps with its long scaly aftertaste.
Late, late yestreen I saw the new Moon, With the old Moon in her arms; And I fear, I fear, my Master dear! We shall have a deadly storm. (Ballad of Sir Patrick Spence) I Well! If the Bard was weather-wise, who made The grand old ballad of Sir Patrick Spence, This night, so tranquil now, will not go hence
Vainly my heart had with thy sorceries striven: It had no refuge from thy love,—no Heaven But in thy fatal presence;—from afar It owned thy power and trembled like a star O’erfraught with light and splendor. Could I deem How dark a shadow should obscure its beam?— Could I believe that pain could ever dwell Where thy bright presence cast its blissful spell?
Titan! to whose immortal eyes The sufferings of mortality, Seen in their sad reality, Were not as things that gods despise; What was thy pity's recompense? A silent suffering, and intense; The rock, the vulture, and the chain, All that the proud can feel of pain, The agony they do not show, The suffocating sense of woe, Which speaks but in its loneliness, And then is jealous lest the sky Should have a listener, nor will sigh Until its voice is echoless.
To me, fair friend, you never can be old, For as you were when first your eye I eyed, Such seems your beauty still. Three winters cold Have from the forests shook three summers’ pride, Three beauteous springs to yellow autumn turned In process of the seasons have I seen, Three April perfumes in three hot Junes burned, Since first I saw you fresh, which yet are green. Ah, yet doth beauty, like a dial-hand, Steal from his figure, and no pace perceived; So your sweet hue, which methinks still doth stand, Hath motion, and mine eye may be deceived: For fear of which, hear this, thou age unbred: Ere you were born was beauty’s summer dead.
Rotting in the wet gray air the railroad depot stands deserted under still green trees. In the fields cold begins an end.
There were other too-long-postponed departures. They left, finally, because of well water gone rank, the smell of fungus, the chill of rain in chimneys.
And when my Joy was born, I held it in my arms and stood on the house-top shouting, “Come ye, my neighbours, come and see, for Joy this day is born unto me. Come and behold this gladsome thing that laugheth in the sun.”
But none of my neighbours came to look upon my Joy, and great was my astonishment.
And every day for seven moons I proclaimed my Joy from the house-top—and yet no one heeded me. And my Joy and I were alone, unsought and unvisited.
Then my Joy grew pale and weary because no other heart but mine held its loveliness and no other lips kissed its lips.
Then my Joy died of isolation.
And now I only remember my dead Joy in remembering my dead Sorrow. But memory is an autumn leaf that murmurs a while in the wind and then is heard no more.
What shall I do with this absurdity — O heart, O troubled heart — this caricature, Decrepit age that has been tied to me As to a dog's tail? Never had I more Excited, passionate, fantastical Imagination, nor an ear and eye
(Double Portrait in a Mirror)
I
To the meeting despair of eyes in the street, offer
Your eyes on plates and your liver on skewers of pity.
When the Jericho sky is heaped with clouds which the sun
Trumpets above, respond to Apocalypse
With a headache. In spirit follow
The young men to the war, up Everest. Be shot.
Being unwise enough to have married her I never knew when she was not acting. ‘I love you’ she would say; I heard the audiences Sigh. ‘I hate you’; I could never be sure They were still there. She was lovely. I Was only the looking-glass she made up in. I husbanded the rippling meadow Of her body. Their eyes grazed nightly upon it.
In Rome on the Campo dei Fiori baskets of olives and lemons, cobbles spattered with wine and the wreckage of flowers. Vendors cover the trestles with rose-pink fish; armfuls of dark grapes heaped on peach-down.
Do not allow me to sink, I said To a top floating ribbon of kelp. As I was lifted on each wave And made to slide into the vale I wanted not to drown. I wanted To make it all right with my dear, To tell my cat I’ll be away, To have them all destroyed, the poems
Were’t aught to me I bore the canopy, With my extern the outward honouring, Or laid great bases for eternity, Which proves more short than waste or ruining; Have I not seen dwellers on form and favour Lose all, and more, by paying too much rent, For compound sweet forgoing simple savour, Pitiful thrivers, in their gazing spent?
Stranger, you who hide my love In the curved cheek of a smile And sleep with her upon a tongue Of soft lies that beguile, Your paradisal ecstasy Is justified is justified By hunger of the beasts beneath The overhanging cloud
’T was merry Christmas when he came, Our little boy beneath the sod; And brighter burned the Christmas flame, And merrier sped the Christmas game, Because within the house there lay A shape as tiny as a fay— The Christmas gift of God! In wreaths and garlands on the walls The holly hung its ruby balls, The mistletoe its pearls; And a Christmas tree’s fantastic fruits Woke laughter like a choir of flutes From happy boys and girls. For the mirth, which else had swelled as shrill As a school let loose to its errant will,
In the first taxi he was alone tra-la, No extras on the clock. He tipped ninepence But the cabby, while he thanked him, looked askance As though to suggest someone had bummed a ride.
In the second taxi he was alone tra-la But the clock showed sixpence extra; he tipped according And the cabby from out his muffler said: ‘Make sure You have left nothing behind tra-la between you’.
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