Song: “Under the greenwood tree”

(FROM THE NORSE TONGUE) Now the storm begins to lower,
(Haste, the loom of Hell prepare.)

See, Winter comes to rule the varied year,
Sullen and sad, with all his rising train—
Vapours, and clouds, and storms. Be these my theme,
These, that exalt the soul to solemn thought
And heavenly musing. Welcome, kindred glooms!
Congenial horrors, hail! With frequent foot,
Pleas’d have I, in my cheerful morn of life,
When nurs’d by careless solitude I liv’d
And sung of Nature with unceasing joy,
Pleas’d have I wander’d through your rough domain;
Trod the pure virgin-snows, myself as pure;
Heard the winds roar, and the big torrent burst;
Or seen the deep-fermenting tempest brew’d
In the grim evening-sky. Thus pass’d the time,
Till through the lucid chambers of the south

Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both. Here I am, an old man in a dry month,

Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;

If Heaven has into being deigned to call
Thy light, O Liberty! to shine on all;
Bright intellectual Sun! why does thy ray
To earth distribute only partial day?
Since no resisting cause from spirit flows
Thy universal presence to oppose;
No obstacles by Nature’s hand impressed,
Thy subtle and ethereal beams arrest;

Why did my parents send me to the schools
That I with knowledge might enrich my mind?
Since the desire to know first made men fools,
And did corrupt the root of all mankind.

Or, a vision in a dream. A Fragment. In Xanadu did Kubla Khan
A stately pleasure-dome decree:

So I would hear out those lungs,
The air split into nine levels,
Some gift of tongues of the whistler

In the invalid’s bed: my mother,
Warbling all day to herself
The thousand variations of one song;

It is called Buckdancer’s Choice.
For years, they have all been dying

Alas, my Purse! how lean and low!
My silken Purse! what art thou now!
One I beheld—but stocks will fall—
When both thy ends had wherewithal.
When I within thy slender fence
My fortune placed, and confidence;
A poet’s fortune!—not immense:
Yet, mixed with keys, and coins among,

I lay down under language
it left me and I slept

—You, the Comforter, came into the room

my blood, my mouth
all buttoned away—

Makers of houses, books, clothes-
makers, goodbye—

Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace;
Let your head lean
Back to the shoulder with its fleece
Of locks, Faustine.

1
Is this writing mine
Whose name is this
Did I underline
What I was to miss?

2
An upheaval of leaves
Enlightens the tree

And in a little while we broke under the strain:
suppurations ad nauseam, the wanting to be taller,
though it‘s simply about being mysterious, i.e., not taller,
like any tree in any forest.
Mute, the pancake describes you.
It had tiny roman numerals embedded in its rim.
It was a pancake clock. They had ’em in those days,
always getting smaller, which is why they finally became extinct.

Cold blew the freezing northern blast,
And winter sternly frowned;
The flaky snow fell thick and fast,
And clad the fields around.

Forced by the storm’s relentless power,
Emboldened by despair,
A shivering redbreast sought my door,

As you came from the holy land
of Walsinghame
Met you not with my true love
By the way as you came?

How shall I know your true love
That have met many one
As I went to the holy land

(from Julius Caesar, spoken by Marc Antony) Friends, Romans, countrymen, lend me your ears;
I come to bury Caesar, not to praise him.
The evil that men do lives after them;
The good is oft interred with their bones;
So let it be with Caesar. The noble Brutus
Hath told you Caesar was ambitious:
If it were so, it was a grievous fault,

In Memory of Charles Baudelaire

Nous devrions pourtant lui porter quelques fleurs;
Les morts, les pauvres morts, ont de grandes douleurs,
Et quand Octobre souffle, émondeur des vieux arbres,
Son vent mélancolique àl'entour de leurs marbres,
Certe, ils doivent trouver les vivants bien ingrats.

Les Fleurs du Mal.
I
Shall I strew on thee rose or rue or laurel,
Brother, on this that was the veil of thee?
Or quiet sea-flower moulded by the sea,

(Double Portrait in a Mirror) I
To the meeting despair of eyes in the street, offer
Your eyes on plates and your liver on skewers of pity.
When the Jericho sky is heaped with clouds which the sun
Trumpets above, respond to Apocalypse
With a headache. In spirit follow
The young men to the war, up Everest. Be shot.

It was a very little while and they had gone in front of it. It was that they had liked it would it bear. It was a very much adjoined a follower. Flower of an adding where a follower.
Have I come in. Will in suggestion.
They may like hours in catching.
It is always a pleasure to remember.
Have a habit.
Any name will very well wear better.
All who live round about there.
Have a manner.
The hotel François Ier.
Just winter so.
It is indubitably often that she is as denied to soften help to when it is in all in midst of which in vehemence to taken given in a bestowal show than left help in double.
Having noticed often that it is newly noticed which makes older often.
The world has become smaller and more beautiful.
The world is grown smaller and more beautiful. That is it.
Yes that is it.

Oh! yet one smile, tho' dark may lower
Around thee clouds of woe and ill,
Let me yet feel that I have power,
Mid Fate's bleak storms, to soothe thee still.

Tho' sadness be upon thy brow,
Yet let it turn, dear love, to me,
I cannot bear that thou should'st know
Sorrow I do not share with thee.