To One Who Has Been Long in City Pent

Was she of spirit race, or was she one
Of earth's least earthly daughters, one to whom
A gift of loveliness and soul is given,
Only to make them wretched?There is an antique gem, on which her brow
Retains its graven beauty even now.
Her hair is braided, but one curl behind
Floats as enamour'd of the summer wind;
The rest is simple. Is she not too fair

Oh! yet one smile, tho' dark may lower
Around thee clouds of woe and ill,
Let me yet feel that I have power,
Mid Fate's bleak storms, to soothe thee still.

Tho' sadness be upon thy brow,
Yet let it turn, dear love, to me,
I cannot bear that thou should'st know
Sorrow I do not share with thee.

I have led her home, my love, my only friend,
There is none like her, none.
And never yet so warmly ran my blood
And sweetly, on and on
Calming itself to the long-wished-for end,
Full to the banks, close on the promised good.

None like her, none.
Just now the dry-tongued laurels’ pattering talk
Seem’d her light foot along the garden walk,
And shook my heart to think she comes once more;
But even then I heard her close the door,
The gates of Heaven are closed, and she is gone.

There is none like her, none.

PART I

I
In a far country, and a distant age,
Ere sprites and fays had bade farewell to earth,
A boy was born of humble parentage;
The stars that shone upon his lonely birth
Did seem to promise sovereignty and fame—
Yet no tradition hath preserved his name.

II
’T is said that on the night when he was born,
A beauteous shape swept slowly through the room;
Its eyes broke on the infant like a morn,
And his cheek brightened like a rose in bloom;

I
He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.

There’s a barrel-organ carolling across a golden street
In the City as the sun sinks low;
And the music's not immortal; but the world has made it sweet
And fulfilled it with the sunset glow;
And it pulses through the pleasures of the City and the pain
That surround the singing organ like a large eternal light;
And they’ve given it a glory and a part to play again
In the Symphony that rules the day and night.

PART I
'Tis the middle of night by the castle clock,
And the owls have awakened the crowing cock;
Tu—whit! Tu—whoo!
And hark, again! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff bitch;
From her kennel beneath the rock
She maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady's shroud.

What large, dark hands are those at the window
Lifted, grasping the golden light
Which weaves its way through the creeper leaves
To my heart's delight?

Ah, only the leaves! But in the west,
In the west I see a redness come
Over the evening's burning breast —
— 'Tis the wound of love goes home!

CALM was the day, and through the trembling air
Sweet breathing Zephyrus did softly play,
A gentle spirit, that lightly did delay
Hot Titan's beams, which then did glister fair;
When I whose sullen care,
Through discontent of my long fruitless stay
In prince's court, and expectation vain
Of idle hopes, which still do fly away
Like empty shadows, did afflict my brain,
Walked forth to ease my pain
Along the shore of silver streaming Thames,
Whose rutty bank, the which his river hems,
Was painted all with variable flowers,
And all the meads adorned with dainty gems,
Fit to deck maidens' bowers,