To One Who Has Been Long in City Pent

In Rome on the Campo dei Fiori
baskets of olives and lemons,
cobbles spattered with wine
and the wreckage of flowers.
Vendors cover the trestles
with rose-pink fish;
armfuls of dark grapes
heaped on peach-down.

While one sere leaf, that parting Autumn yields,
Trembles upon the thin, and naked spray,
November, dragging on this sunless day,
Lours, cold and sullen, on the watery fields;
And Nature to the waste dominion yields,
Stripped her last robes, with gold and purple gay —
So droops my life, of your soft beams despoiled,
Youth, Health, and Hope, that long exulting smiled;
And the wild carols, and the bloomy hues
Of merry Spring-time, spruce on every plain
Her half-blown bushes, moist with sunny rain,
More pensive thoughts in my sunk heart infuse
Than Winter’s grey, and desolate domain
Faded like my lost Youth, that no bright Spring renews.

To the Priest, on Observing how most Men mistake their own Talents When beasts could speak (the learned say,
They still can do so ev'ry day),
It seems, they had religion then,
As much as now we find in men.

One face looks out from all his canvases,
One selfsame figure sits or walks or leans:
We found her hidden just behind those screens,
That mirror gave back all her loveliness.
A queen in opal or in ruby dress,
A nameless girl in freshest summer-greens,
A saint, an angel — every canvas means
The same one meaning, neither more or less.

Alas, my Purse! how lean and low!
My silken Purse! what art thou now!
One I beheld—but stocks will fall—
When both thy ends had wherewithal.
When I within thy slender fence
My fortune placed, and confidence;
A poet’s fortune!—not immense:
Yet, mixed with keys, and coins among,

Seems lak to me de stars don't shine so bright,
Seems lak to me de sun done loss his light,
Seems lak to me der's nothin' goin' right,
Sence you went away.

Seems lak to me de sky ain't half so blue,
Seems lak to me dat eve'ything wants you,
Seems lak to me I don't know what to do,
Sence you went away.

Not soon, as late as the approach of my ninetieth year,
I felt a door opening in me and I entered
the clarity of early morning.

One after another my former lives were departing,
like ships, together with their sorrow.

And the countries, cities, gardens, the bays of seas
assigned to my brush came closer,
ready now to be described better than they were before.

And the angel Israfel, whose heart-strings are a lute, and who has the sweetest voice of all God’s creatures. —KORAN In Heaven a spirit doth dwell
“Whose heart-strings are a lute”;

I

Swear by what the Sages spoke
Round the Mareotic Lake
That the Witch of Atlas knew,
Spoke and set the cocks a-crow.

Swear by those horsemen, by those women,
Complexion and form prove superhuman,
That pale, long visaged company

(Variant printed in Samuel Daniel’s 1623 Works) To thee, pure spirit, to thee alone addressed
Is this joint work, by double interest thine,
Thine by his own, and what is done of mine
Inspired by thee, thy secret power impressed.

Late, late yestreen I saw the new Moon,
With the old Moon in her arms;
And I fear, I fear, my Master dear!
We shall have a deadly storm.
(Ballad of Sir Patrick Spence)
I
Well! If the Bard was weather-wise, who made
The grand old ballad of Sir Patrick Spence,
This night, so tranquil now, will not go hence

I am the man
Whose name is mud
But what’s in a name
To shame one who knows
Mud does not stain
Clay he’s made of
Dust Adam became—
The dust he was—

The unpurged images of day recede;
The Emperor's drunken soldiery are abed;
Night resonance recedes, night-walkers' song
After great cathedral gong;
A starlit or a moonlit dome disdains
All that man is,
All mere complexities,
The fury and the mire of human veins.

I tell thee, Dick, where I have been,
Where I the rarest things have seen;
Oh, things without compare!
Such sights again cannot be found
In any place on English ground,
Be it at wake, or fair.

At Charing-Cross, hard by the way,

It is my nature that makes me love you often,
For I am love itself.

It is my longing that makes my love you intensely,
For I yearn to be loved from the heart.

It is my eternity that makes me love you long,
For I have no end.

Ah blessed absence of God,
How lovingly I am bound to you!
You strengthen my will in its pain
And make dear to me
The long hard wait in my poor body.
The nearer I come to you,
The more wonderfully and abundantly
God comes upon me,

I cry your mercy—pity—love!—aye, love!
Merciful love that tantalizes not,
One-thoughted, never-wandering, guileless love,
Unmasked, and being seen—without a blot!
O! let me have thee whole,—all—all—be mine!
That shape, that fairness, that sweet minor zest
Of love, your kiss,—those hands, those eyes divine,
That warm, white, lucent, million-pleasured breast,

Happy Birthday Kenneth Koch/Feb 27 We went to all those places where they restore sadness and joy
and call it art. We were piloted by Auden who became
Unbearably acrimonious when we dropped off Senghor into the
steamy skies of his beloved West Africa. The termites and ants

(FROM THE NORSE TONGUE) Now the storm begins to lower,
(Haste, the loom of Hell prepare.)

Black mountain

black mountain
blocks the earth’s light.
Time—time—time
to give back to God his ticket.

I refuse to—be. In
the madhouse of the inhumans
I refuse to—live. To swim