early morning. down to the shore again to find a place to grieve. the place he left lingering. here the ropes were loosed [here he gave me kisses on the shore, here he left] she said
and while she thought and looked and felt, looking out along the shore, in liquid space, she saw—far off not sure—a body or something in the water— wondered what, but then the waves pulled it by—still
Ne Rubeam, Pingui donatus Munere (Horace, Epistles II.i.267) While you, great patron of mankind, sustain The balanc'd world, and open all the main; Your country, chief, in arms abroad defend, At home, with morals, arts, and laws amend;
See, Winter comes to rule the varied year, Sullen and sad, with all his rising train— Vapours, and clouds, and storms. Be these my theme, These, that exalt the soul to solemn thought And heavenly musing. Welcome, kindred glooms! Congenial horrors, hail! With frequent foot, Pleas’d have I, in my cheerful morn of life, When nurs’d by careless solitude I liv’d And sung of Nature with unceasing joy, Pleas’d have I wander’d through your rough domain; Trod the pure virgin-snows, myself as pure; Heard the winds roar, and the big torrent burst; Or seen the deep-fermenting tempest brew’d In the grim evening-sky. Thus pass’d the time, Till through the lucid chambers of the south
Over gutters and over parking lots, over rooftops, fountains, cloudbanks and the bay, beyond the sun, beyond the medium that fills unoccupied space, beyond the confines of the known
universe, ghost, you slip out of me with the ease of a swimmer at one with the waves, furrowing the deep with a pleasure we can’t articulate
To-night again the moon’s white mat Stretches across the dormitory floor While outside, like an evil cat The pion prowls down the dark corridor, Planning, I know, to pounce on me, in spite For getting leave to sleep in town last night. But it was none of us who made that noise, Only the old brown owl that hoots and flies
How did you come How did I come here Now it is ours, how did it come to be In so many presences? Some I know swept from the sea, wind and sea, Took up the right wave in their fins and seal suits, Rode up over the town to this shore Shining and sleek
The wind rests its cheek upon the ground and feels the cool damp And lifts its head with twigs and small dead blades of grass Pressed into it as you might at the beach rise up and brush away The sand. The day is cool and says, “I’m just staying overnight.” The world is filled with music, and in between the music, silence And varying the silence all sorts of sounds, natural and man made: There goes a plane, some cars, geese that honk and, not here, but Not so far away, a scream so rending that to hear it is to be
So now I have confessed that he is thine, And I my self am mortgaged to thy will, Myself I’ll forfeit, so that other mine Thou wilt restore to be my comfort still: But thou wilt not, nor he will not be free, For thou art covetous, and he is kind; He learned but surety-like to write for me, Under that bond that him as fast doth bind.
Difficile est proprie communia dicere HOR. Epist. ad Pison I Bob Southey! You're a poet—Poet-laureate, And representative of all the race; Although 'tis true that you turn'd out a Tory at
In a somer seson, whan softe was þe sonne, I shoop me into [a] shrou[d] as I a sheep weere, In habite as an heremite, vnholy of werkes, Wente wide in þis world wondres to here. Ac on a May morwenynge on Maluerne hilles Me bifel a ferly, of Fairye me þoȝte. I was wery forwandred and wente me to reste Under a brood bank by a bourn[e] syde;
(As Distinguished by an Italian Person of Quality) Had I but plenty of money, money enough and to spare, The house for me, no doubt, were a house in the city-square;
I Stately, kindly, lordly friend, Condescend Here to sit by me, and turn Glorious eyes that smile and burn, Golden eyes, love's lustrous meed, On the golden page I read.
All your wondrous wealth of hair, Dark and fair, Silken-shaggy, soft and bright As the clouds and beams of night, Pays my reverent hand's caress Back with friendlier gentleness.
Departing summer hath assumed An aspect tenderly illumed, The gentlest look of spring; That calls from yonder leafy shade Unfaded, yet prepared to fade, A timely carolling.
Close by those meads, for ever crown'd with flow'rs, Where Thames with pride surveys his rising tow'rs, There stands a structure of majestic frame, Which from the neighb'ring Hampton takes its name. Here Britain's statesmen oft the fall foredoom Of foreign tyrants and of nymphs at home; Here thou, great Anna! whom three realms obey, Dost sometimes counsel take—and sometimes tea.
Hither the heroes and the nymphs resort, To taste awhile the pleasures of a court; In various talk th' instructive hours they pass'd, Who gave the ball, or paid the visit last; One speaks the glory of the British queen, And one describes a charming Indian screen;
God, I need a job because I need money. Here the world is, enjoyable with whiskey, women, ultimate weapons, and class! But if I have no money, then my wife gets mad at me, I can’t drink well, the armed oppress me, and no boss pays me money. But when I work, Oh I get paid!, the police are courteous,
And before hell mouth; dry plain and two mountains; On the one mountain, a running form, and another In the turn of the hill; in hard steel The road like a slow screw’s thread, The angle almost imperceptible, so that the circuit seemed hardly to rise;
What beck'ning ghost, along the moon-light shade Invites my steps, and points to yonder glade? 'Tis she!—but why that bleeding bosom gor'd, Why dimly gleams the visionary sword? Oh ever beauteous, ever friendly! tell, Is it, in heav'n, a crime to love too well? To bear too tender, or too firm a heart, To act a lover's or a Roman's part?
1 The brutal Lord of All will rip us from each other—leave the one to suffer here alone. No need belief in god or hell to postulate that much. The dance: hands touching, leaves touching—eyes looking, clouds rising—lips touching, cheeks touching, arm about . . . Sleep. Heavy head, heavy arm, heavy dream—: Of Ymir’s flesh the earth was made and of his thoughts were all the gloomy clouds created. Oya!
________________ Out of bitterness itself the clear wine of the imagination will be pressed and the dance prosper thereby.
2 To you! whoever you are, wherever you are! (But I know where you are!) There’s Dürer’s “Nemesis” naked on her sphere over the little town by the river—except she’s too old. There’s a dancing burgess by Tenier and Villon’s maitresse—after he’d gone bald and was skin pocked and toothless: she that had him ducked in the sewage drain. Then there’s that miller’s daughter of “buttocks broad and breastes high.” Something of Nietzsche, something of the good Samaritan, something of the devil himself,—can cut a caper of a fashion, my fashion! Hey you, the dance! Squat. leap. Hips to the left. Chin—ha!—sideways! Stand up, stand up ma bonne! you’ll break my backbone. So again!—and so forth till we’re sweat soaked.
________________ Some fools once were listening to a poet reading his poem. It so happened that the words of the thing spoke of gross matters of the everyday world such as are never much hidden from a quick eye. Out of these semblances, and borrowing certain members from fitting masterpieces of antiquity, the poet began piping up his music, simple fellow, thinking to please his listeners. But they getting the whole matter sadly muddled in their minds made such a confused business of listening that not only were they not pleased at the poet’s exertions but no sooner had he done than they burst out against him with violent imprecations.
3 It’s all one. Richard worked years to conquer the descending cadence, idiotic sentimentalist. Ha, for happiness! This tore the dress in ribbons from her maid’s back and not spared the nails either; wild anger spit from her pinched eyes! This is the better part. Or a child under a table to be dragged out coughing and biting, eyes glittering evilly. I’ll have it my way! Nothing is any pleasure but misery and brokenness. THIS is the only up-cadence. This is where the secret rolls over and opens its eyes. Bitter words spoken to a child ripple in morning light! Boredom from a bedroom doorway thrills with anticipation! The complaints of an old man dying piecemeal are starling chirrups. Coughs go singing on springtime paths across a field; corruption picks strawberries and slow warping of the mind, blacking the deadly walls—counted and recounted—rolls in the grass and shouts ecstatically. All is solved! The moaning and dull sobbing of infants sets blood tingling and eyes ablaze to listen. Speed sings in the heels at long nights tossing on coarse sheets with bruning sockets staring into the black. Dance! Sing! Coil and uncoil! Whip yourselves about! Shout the deliverance! An old woman has infected her blossomy grand-daughter with a blood illness that every two weeks drives the mother into hidden songs of agony, the pad-footed mirage of creeping death for music. The face muscles keep pace. Then a darting about the compass in a tarantelle that wears flesh from bones. Here is dancing! The mind in tatters. And so the music wistfully takes the lead. Ay de mí, Juana la Loca, reina de España, esa está tu canta, reina mía!
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