"Just the place for a Snark!" the Bellman cried, As he landed his crew with care; Supporting each man on the top of the tide By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice: That alone should encourage the crew.
Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.
On a road through the mountains with a friend many years ago I came to a curve on a slope where a clear stream flowed down flashing across dark rocks through its own echoes that could neither be caught nor forgotten it was the turning of autumn and already the mornings were cold with ragged clouds in the hollows long after sunrise but the pasture sagging like a roof the glassy water and flickering yellow leaves
Ye learned sisters which have oftentimes Beene to me ayding, others to adorne: Whom ye thought worthy of your gracefull rymes, That even the greatest did not greatly scorne To heare theyr names sung in your simple layes, But joyed in theyr prayse. And when ye list your owne mishaps to mourne, Which death, or love, or fortunes wreck did rayse, Your string could soone to sadder tenor turne, And teach the woods and waters to lament Your dolefull dreriment. Now lay those sorrowfull complaints aside, And having all your heads with girland crownd, Helpe me mine owne loves prayses to resound, Ne let the same of any be envide:
White founts falling in the courts of the sun, And the Soldan of Byzantium is smiling as they run; There is laughter like the fountains in that face of all men feared, It stirs the forest darkness, the darkness of his beard, It curls the blood-red crescent, the crescent of his lips, For the inmost sea of all the earth is shaken with his ships. They have dared the white republics up the capes of Italy, They have dashed the Adriatic round the Lion of the Sea,
Not with more glories, in th' etherial plain, The sun first rises o'er the purpled main, Than, issuing forth, the rival of his beams Launch'd on the bosom of the silver Thames. Fair nymphs, and well-dress'd youths around her shone, But ev'ry eye was fix'd on her alone. On her white breast a sparkling cross she wore, Which Jews might kiss, and infidels adore. Her lively looks a sprightly mind disclose, Quick as her eyes, and as unfix'd as those: Favours to none, to all she smiles extends; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike. Yet graceful ease, and sweetness void of pride,
But anxious cares the pensive nymph oppress'd, And secret passions labour'd in her breast. Not youthful kings in battle seiz'd alive, Not scornful virgins who their charms survive, Not ardent lovers robb'd of all their bliss, Not ancient ladies when refus'd a kiss, Not tyrants fierce that unrepenting die, Not Cynthia when her manteau's pinn'd awry, E'er felt such rage, resentment, and despair, As thou, sad virgin! for thy ravish'd hair.
For, that sad moment, when the Sylphs withdrew, And Ariel weeping from Belinda flew, Umbriel, a dusky, melancholy sprite, As ever sullied the fair face of light,
On the warm Sunday afternoons And every evening in the Spring and Summer When the night hurries the late home-corner And the air grows softer, and scraps of tunes Float from the open windows and jar Against the voices of children and the hum of a car; When the city noises commingle and melt With a restless something half-seen, half-felt—
STUDY IN WHITES Wax-white— Floor, ceiling, walls. Ivory shadows Over the pavement Polished to cream surfaces By constant sweeping. The big room is coloured like the petals
Under yonder beech-tree single on the green-sward, Couched with her arms behind her golden head, Knees and tresses folded to slip and ripple idly, Lies my young love sleeping in the shade. Had I the heart to slide an arm beneath her, Press her parting lips as her waist I gather slow, Waking in amazement she could not but embrace me: Then would she hold me and never let me go?
Rhyme, the rack of finest wits, That expresseth but by fits True conceit, Spoiling senses of their treasure, Cozening judgment with a measure, But false weight; Wresting words from their true calling, Propping verse for fear of falling
New England. Alas, dear Mother, fairest Queen and best, With honour, wealth, and peace happy and blest, What ails thee hang thy head, and cross thine arms, And sit i’ the dust to sigh these sad alarms? What deluge of new woes thus over-whelm The glories of thy ever famous Realm? What means this wailing tone, this mournful guise? Ah, tell thy Daughter; she may sympathize.
Old England. Art ignorant indeed of these my woes, Or must my forced tongue these griefs disclose, And must my self dissect my tatter’d state, Which Amazed Christendom stands wondering at?
Pale, with the blue of high zeniths, shimmered over with silver, brocaded In smooth, running patterns, a soft stuff, with dark knotted fringes, it lies there, Warm from a woman’s soft shoulders, and my fingers close on it, caressing. Where is she, the woman who wore it? The scent of her lingers and drugs me. A languor, fire-shotted, runs through me, and I crush the scarf down on my face, And gulp in the warmth and the blueness, and my eyes swim in cool-tinted heavens. Around me are columns of marble, and a diapered, sun-flickered pavement. Rose-leaves blow and patter against it. Below the stone steps a lute tinkles.
AH whither, Love, wilt thou now carry me? What wontless fury dost thou now inspire Into my feeble breast, too full of thee? Whilst seeking to aslake thy raging fire, Thou in me kindlest much more great desire, And up aloft above my strength dost raise The wondrous matter of my fire to praise.
On a wall shadowed by lights from the distance is the screen. Icons come to it dressed in capes and their eyes reflect the journeys their nomadic eyes reach from level earth. Narratives are in the room where the screen waits suspended like the frame of a girder the worker will place upon an axis and thus make a frame which he fills with
At last I know—it’s on old ivory jars, Glassed with old miniatures and garnered once with musk. I’ve seen those eyes like smouldering April stars As carp might see them behind their bubbled skies In pale green fishponds—they’re as green your eyes, As lakes themselves, changed to green stone at dusk.
At last I know—it’s paned in a crystal hoop On powder-boxes from some dead Italian girl,
August, goldenrod blowing. We walk into the graveyard, to find my grandfather’s grave. Ten years ago I came here last, bringing marigolds from the round garden outside the kitchen. I didn’t know you then. We walk
SCENE ONE: Open-air court in the ancient city of Athens. The accused arrive and proceed among curses and cries of Death! Death!
SCENE TWO: A jail in the same city, beneath the Acropolis, walls half-eaten by dampness. On the ground, a miserly straw mat and in the corner, an earthenware jar of water. On the outside wall, a shadow: the guard.
SCENE THREE: Constantinople. In the harem of the Holy Place, in candlelight,
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