Now that I, tying thy glass mask tightly, May gaze thro’ these faint smokes curling whitely, As thou pliest thy trade in this devil’s-smithy— Which is the poison to poison her, prithee?
He is with her, and they know that I know Where they are, what they do: they believe my tears flow While they laugh, laugh at me, at me fled to the drear Empty church, to pray God in, for them!—I am here.
Grind away, moisten and mash up thy paste, Pound at thy powder,—I am not in haste! Better sit thus and observe thy strange things, Than go where men wait me and dance at the King’s.
I In a far country, and a distant age, Ere sprites and fays had bade farewell to earth, A boy was born of humble parentage; The stars that shone upon his lonely birth Did seem to promise sovereignty and fame— Yet no tradition hath preserved his name.
II ’T is said that on the night when he was born, A beauteous shape swept slowly through the room; Its eyes broke on the infant like a morn, And his cheek brightened like a rose in bloom;
Late, late yestreen I saw the new Moon, With the old Moon in her arms; And I fear, I fear, my Master dear! We shall have a deadly storm. (Ballad of Sir Patrick Spence) I Well! If the Bard was weather-wise, who made The grand old ballad of Sir Patrick Spence, This night, so tranquil now, will not go hence
When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.” He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
"Just the place for a Snark!" the Bellman cried, As he landed his crew with care; Supporting each man on the top of the tide By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice: That alone should encourage the crew.
Eleven o’clock, and the curtain falls. The cold wind tears the strands of illusion; The delicate music is lost In the blare of home-going crowds And a midnight paper.
The night has grown martial; It meets us with blows and disaster. Even the stars have turned shrapnel,
HAil holy Light, ofspring of Heav'n first-born, Or of th' Eternal Coeternal beam May I express thee unblam'd? since God is light, And never but in unapproached light Dwelt from Eternitie, dwelt then in thee, Bright effluence of bright essence increate. Or hear'st thou rather pure Ethereal stream, Whose Fountain who shall tell? before the Sun, Before the Heavens thou wert, and at the voice Of God, as with a Mantle didst invest The rising world of waters dark and deep, Won from the void and formless infinite. Thee I re-visit now with bolder wing, Escap't the Stygian Pool, though long detain'd In that obscure sojourn, while in my flight
How a Ship having passed the Line was driven by storms to the cold Country towards the South Pole; and how from thence she made her course to the tropical Latitude of the Great Pacific Ocean; and of the strange things that befell; and in what manner the Ancyent Marinere came back to his own Country. PART I It is an ancient Mariner, And he stoppeth one of three. 'By thy long grey beard and glittering eye,
A VISION.
Coming down a golden street
I beheld my vanished one,
And he moveth on a cloud,
And his forehead wears a star;
And his blue eyes, deep and holy,
Fixed as in a blessed dream,
See some mystery of joy,
The wind rests its cheek upon the ground and feels the cool damp And lifts its head with twigs and small dead blades of grass Pressed into it as you might at the beach rise up and brush away The sand. The day is cool and says, “I’m just staying overnight.” The world is filled with music, and in between the music, silence And varying the silence all sorts of sounds, natural and man made: There goes a plane, some cars, geese that honk and, not here, but Not so far away, a scream so rending that to hear it is to be
Mary sat musing on the lamp-flame at the table Waiting for Warren. When she heard his step, She ran on tip-toe down the darkened passage To meet him in the doorway with the news And put him on his guard. ‘Silas is back.’ She pushed him outward with her through the door And shut it after her. ‘Be kind,’ she said. She took the market things from Warren’s arms And set them on the porch, then drew him down To sit beside her on the wooden steps.
‘When was I ever anything but kind to him? But I’ll not have the fellow back,’ he said. ‘I told him so last haying, didn’t I? If he left then, I said, that ended it.
‘Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent:Σίβυλλα τίθέλεις; respondebat illa:άποθανεîνθέλω.’ For Ezra Pound il miglior fabbro. I. The Burial of the Dead
Slip-pilings on the Brooklyn littoral —the poles still tarry, flimsy; the ferry terminus with its walledup doors wan doorshapes on eroded sills. Downstream, the strutwork of the Williamsburg cable tower threw its cool shadow half a mile inland
So there’s a cabbie in Cairo named Deif. So he found 5,000 bucks in the back seat. So meanwhile his daughter was very sick. So he needed the money for medicine bad. So never mind. So he looked for the fare and gave it back. So then the kid died. So they fired him for doing good deeds on company time.
This circle holding the afternoon sky is a lake For summer business measured in stacked pairs Of peeling oars whose dinghies all ship water. Beside it on the trampled grass a carrousel shakes And turns on an Old World instrument The plink and plank and tinkle of a tune Of plunging horses in fresh habiliment. We catch the reins of enamel Pegasus
Somewhere in Chelsea, early summer; And, walking in the twilight toward the docks, I thought I made out Robinson ahead of me.
From an uncurtained second-story room, a radio Was playing There’s a Small Hotel; a kite Twisted above dark rooftops and slow drifting birds. We were alone there, he and I, Inhabiting the empty street.
Fame’s pillar here at last we set, Out-during marble, brass or jet; Charmed and enchanted so As to withstand the blow O fo v e r t h r o w ; Norshalltheseas, Or o u t r a g e s Ofstorms,o’erbear What we uprear; Tho’kingdomsfall, Thispillarnevershall Declineor waste atall; Butstandfor everbyhisown Firmand well-fixed foundation.
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