The Charge of the Light Brigade

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

1.

Far from the sea far from the sea
of Breton fishermen
the white clouds scudding
over Lowell
and the white birches the
bare white birches
along the blear night roads

It was a very little while and they had gone in front of it. It was that they had liked it would it bear. It was a very much adjoined a follower. Flower of an adding where a follower.
Have I come in. Will in suggestion.
They may like hours in catching.
It is always a pleasure to remember.
Have a habit.
Any name will very well wear better.
All who live round about there.
Have a manner.
The hotel François Ier.
Just winter so.
It is indubitably often that she is as denied to soften help to when it is in all in midst of which in vehemence to taken given in a bestowal show than left help in double.
Having noticed often that it is newly noticed which makes older often.
The world has become smaller and more beautiful.
The world is grown smaller and more beautiful. That is it.
Yes that is it.

Thou blossom bright with autumn dew,
And colored with the heaven’s own blue,
That openest when the quiet light
Succeeds the keen and frosty night.

Thou comest not when violets lean
O’er wandering brooks and springs unseen,
Or columbines, in purple dressed,
Nod o’er the ground-bird’s hidden nest.

Thou waitest late and com’st alone,
When woods are bare and birds are flown,
And frosts and shortening days portend
The aged year is near his end.

Here, where the world is quiet;
Here, where all trouble seems
Dead winds' and spent waves' riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.

I am tired of tears and laughter,
And men that laugh and weep;
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,

Poor soul, the centre of my sinful earth,
[......] these rebel powers that thee array,
Why dost thou pine within and suffer dearth,
Painting thy outward walls so costly gay?
Why so large cost, having so short a lease,
Dost thou upon thy fading mansion spend?
Shall worms, inheritors of this excess,
Eat up thy charge? Is this thy body's end?
Then soul, live thou upon thy servant's loss
And let that pine to aggravate thy store;
Buy terms divine in selling hours of dross;
Within be fed, without be rich no more.
So shalt thou feed on Death, that feeds on men,
And, Death once dead, there's no more dying then.

For Cynthia

When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.”
He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE

Black mountain

black mountain
blocks the earth’s light.
Time—time—time
to give back to God his ticket.

I refuse to—be. In
the madhouse of the inhumans
I refuse to—live. To swim

St. Agnes' Eve—Ah, bitter chill it was!
The owl, for all his feathers, was a-cold;
The hare limp'd trembling through the frozen grass,
And silent was the flock in woolly fold:
Numb were the Beadsman's fingers, while he told
His rosary, and while his frosted breath,
Like pious incense from a censer old,
Seem'd taking flight for heaven, without a death,
Past the sweet Virgin's picture, while his prayer he saith.

His prayer he saith, this patient, holy man;
Then takes his lamp, and riseth from his knees,
And back returneth, meagre, barefoot, wan,
Along the chapel aisle by slow degrees:
The sculptur'd dead, on each side, seem to freeze,

Dear Charles XII, the Poltava battle Has been fortunately lost. To quote Lenin’s burring rattle, “Time will show you Kuzka’s mother”, ruins along the waste, Bones of post-mortem bliss with a Ukrainian aftertaste.
It’s not the green flag , eaten by the isotope , It’s the yellow-and-blue flying over Konotop , Made out of canvas – must be a gift from Toronto – Alas, it bears no cross, but the Khokhly don’t want to.
Oh, rushnyks and roubles, sunflowers in summer season!

Your name is a—bird in my hand,
a piece of ice on my tongue.
The lips’ quick opening.
Your name—four letters.
A ball caught in flight,
a silver bell in my mouth.

A stone thrown into a silent lake
is—the sound of your name.

Late, late yestreen I saw the new Moon,
With the old Moon in her arms;
And I fear, I fear, my Master dear!
We shall have a deadly storm.
(Ballad of Sir Patrick Spence)
I
Well! If the Bard was weather-wise, who made
The grand old ballad of Sir Patrick Spence,
This night, so tranquil now, will not go hence

I am happy living simply:
like a clock, or a calendar.
Worldly pilgrim, thin,
wise—as any creature. To know

the spirit is my beloved. To come to things—swift
as a ray of light, or a look.
To live as I write: spare—the way
God asks me—and friends do not.

1919

Matilde, years or days
sleeping, feverish,
here or there,
gazing off,
twisting my spine,
bleeding true blood,
perhaps I awaken
or am lost, sleeping:

I

What shall I do with this absurdity —
O heart, O troubled heart — this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye

Dim vales—and shadowy floods—
And cloudy-looking woods,
Whose forms we can’t discover
For the tears that drip all over:
Huge moons there wax and wane—
Again—again—again—
Every moment of the night—
Forever changing places—
And they put out the star-light
With the breath from their pale faces.
About twelve by the moon-dial,
One more filmy than the rest
(A kind which, upon trial,
They have found to be the best)
Comes down—still down—and down

"As certain also of your own poets have said"—
(Acts 17.28)
Cleon the poet (from the sprinkled isles,
Lily on lily, that o'erlace the sea
And laugh their pride when the light wave lisps "Greece")—
To Protus in his Tyranny: much health!

I have always aspired to a more spacious form
that would be free from the claims of poetry or prose
and would let us understand each other without exposing
the author or reader to sublime agonies.

In the very essence of poetry there is something indecent:
a thing is brought forth which we didn’t know we had in us,
so we blink our eyes, as if a tiger had sprung out
and stood in the light, lashing his tail.

From golden showers of the ancient skies,
On the first day, and the eternal snow of stars,
You once unfastened giant calyxes
For the young earth still innocent of scars:

Young gladioli with the necks of swans,
Laurels divine, of exiled souls the dream,
Vermilion as the modesty of dawns
Trod by the footsteps of the seraphim;

There is no radical shift of light
or redwings calling areas of marsh
their territories yet, nor plovers
probing for copepods. Only a yellow
front-end loader laying out a new berm
on the beach, from tubes too heavy
to be called hoses, its audience one man
and his protesting dog. No frosted