Chicago

America I’ve given you all and now I’m nothing.
America two dollars and twentyseven cents January 17, 1956.
I can’t stand my own mind.
America when will we end the human war?
Go fuck yourself with your atom bomb.
I don’t feel good don’t bother me.
I won’t write my poem till I’m in my right mind.
America when will you be angelic?

Just the other day
In Fresno
In a giant arena
Architectured
To reject the very poor
Cesar Chavez brought
The very poor
Together

1.

Tonite in need of you
and God
I move imperfect
through this ancient city.

Quiet. No one hears
No one feels the tears
of multitudes.

In flat America, in Chicago,
Graceland cemetery on the German North Side.
Forty feet of Corinthian candle
celebrate Pullman embedded
lonely raisin in a cake of concrete.
The Potter Palmers float
in an island parthenon.
Barons of hogfat, railroads and wheat

For Carl Solomon I

I saw the best minds of my generation destroyed by madness, starving hysterical naked,

Strange bird,
His song remains secret.
He worked too hard to read books.
He never heard how Sherwood Anderson
Got out of it, and fled to Chicago, furious to free himself
From his hatred of factories.
My father toiled fifty years
At Hazel-Atlas Glass,

Music is most sovereign because more than anything
else, rhythm and harmony find their way to the inmost
soul and take strongest hold upon it, bringing with
them and imparting grace.
—Plato, The Republic

The cranes are flying ...
—Chekhov

to John Logan 1
I wonder how many old men last winter

I have two monuments besides this granite obelisk:
One, the house I built on the hill,
With its spires, bay windows, and roof of slate;
The other, the lake-front in Chicago,
Where the railroad keeps a switching yard,
With whistling engines and crunching wheels,
And smoke and soot thrown over the city,
And the crash of cars along the boulevard, i
A blot like a hog-pen on the harbor
Of a great metropolis, foul as a sty.
I helped to give this heritage
To generations yet unborn, with my vote
In the House of Representatives,
And the lure of the thing was to be at rest
From the never-ending fright of need,

When Reuben Pantier ran away and threw me
I went to Springfield. There I met a lush,
Whose father just deceased left him a fortune.
He married me when drunk. My life was wretched.
A year passed and one day they found him dead.
That made me rich. I moved on to Chicago.
After a time met Tyler Rountree, villain.
I moved on to New York. A gray-haired magnate
Went mad about me i so another fortune.
He died one night right in my arms, you know.
(I saw his purple face for years thereafter.)
There was almost a scandal. I moved on,
This time to Paris. I was now a woman,
Insidious, subtle, versed in the world and rich.
My sweet apartment near the Champs Élysées

The press of the Spoon River Clarion was wrecked,
And I was tarred and feathered,
For publishing this on the day the Anarchists were hanged in Chicago:
"I saw a beautiful woman with bandaged eyes
Standing on the steps of a marble temple.
Great multitudes passed in front of her,
Lifting their faces to her imploringly.
In her left hand she held a sword.
She was brandishing the sword,
Sometimes striking a child, again a laborer,
Again a slinking woman, again a lunatic.
In her right hand she held a scale;
Into the scale pieces of gold were tossed
By those who dodged the strokes of the sword.
A man in a black gown read from a manuscript:

Clean the spittoons, boy.
Detroit,
Chicago,
Atlantic City,
Palm Beach.
Clean the spittoons.
The steam in hotel kitchens,
And the smoke in hotel lobbies,

The cave looked much like any other
from a little distance but
as we approached, came almost
to its mouth, we saw its walls within
that slanted up into a dome
were beating like a wild black lung—
it was plastered and hung with
the pulsing bodies of bats, the organ

The summer of nineteen eighteen
I read The Jungle and The
Research Magnificent. That fall
My father died and my aunt
Took me to Chicago to live.
The first thing I did was to take
A streetcar to the stockyards.
In the winter afternoon,

I
However the image enters
its force remains within
my eyes
rockstrewn caves where dragonfish evolve
wild for life, relentless and acquisitive
learning to survive

The fake Parthenon in Nashville, Stonehenge reduced by a quarter
near Maryhill on the Columbia, the little Statue of Liberty
taken from the lawn of the high school and not recovered
for months,
Simon Rodia’s Watts Towers in the tile maker’s shape of a ship
to sail home in, the house in the shape of a ship near Milwaukee
where once before the river below rose up to swallow the bank,
World’s Fairs where one can enter the cell of a human body

The Painted Lady is a small African
Butterfly gayly toned deep tan and peach
That seems as tremulous and delicately sheer

As the objects I treasure, yet this cosmopolitan
Can cross the sea at the icy time of the year
In the trail of the big boats, to France.

Mischance is as wide and grey as the lake here
In Chicago. Is there strength enough in my

Whom should I consult? Philosophers
Are happy in their homes and seminars.
See this one with the mischievous bright childlike
Gaze going out through walls and air,
A tangent to the bent rays of the star.
Hear the chalk splutter, hear the groping voice:
Conceive the demiurge in his perpetual
Strife with the chaos of the universe,

(Sonata for an Orchestra) Chicago is an overgrown woman
wearing her skyscrapers

Scrambled eggs and whiskey
in the false-dawn light. Chicago,
a sweet town, bleak, God knows,
but sweet. Sometimes. And
weren’t we fine tonight?
When Hank set up that limping
treble roll behind me
my horn just growled and I