“That god is colouring Newton doth shew”—William Blake
Erecting beyond the boundaries of all government his grand Station and Customs, I find what I have made there a Gate, a staking out of his art in Inconsequence. I have in mind a poetry that will frame the willingness of the heart and deliver it over to the arrest of time, a sentence as if there could stand some solidity most spacial in its intent against the drifts and appearances that arise and fall away in time from the crude events of physical space. The Mind alone holds the consequence of the erection to be true, so that Desire and Imagination usurp the place of the Invisible Throne.
It is an angel then, weeping and yet ever attending the betrayal of the Word I mean to come to in the end. For my sake, the blood must be somewhere in time and in its own naming of place actual, and death must be as my own awaits me immediate to undo from its reality the physical body, all there is of the matter of me that is mine from me. The would-be dialecticians—Inquisitors of the New Dispensation in Poetry and Historians of Opprobrium, the Realists and Materialists—come forward to hold the party line against his ideality. There are too many listeners. There are too many voices in the one line. They must enter the Ideal to do so, for he has changed his mind, as if the Eternal existed only momentarily and went out with him. The Chairman of the Politbureau gets his number and moves to isolate his heresy. The number is no longer the same. He has gone back into the exchange of numbers. The phone continues ringing in the pattern of the message they strive to listen to report to the Bureau of Poetic Numbers and Approved Measures.
This is to say to the month of April and the rainbow dancer, I am with you. I belong to the company without number. I shall live one hundred years and then be gone. Here and now only I from this life can come forward to impersonate the necessity of his being here. His, the horizon. His, the perspectives and outlines. His, the regulation of the relevant. I will willingly assume his numbers among my own.
The rest is all Asia, the astral miasma, the Undoing we came from, my version of Who-He-Is-In-Reality, the domain of colouring invading the Responsible.
Happy Birthday Kenneth Koch/Feb 27 We went to all those places where they restore sadness and joy and call it art. We were piloted by Auden who became Unbearably acrimonious when we dropped off Senghor into the steamy skies of his beloved West Africa. The termites and ants
I In a far country, and a distant age, Ere sprites and fays had bade farewell to earth, A boy was born of humble parentage; The stars that shone upon his lonely birth Did seem to promise sovereignty and fame— Yet no tradition hath preserved his name.
II ’T is said that on the night when he was born, A beauteous shape swept slowly through the room; Its eyes broke on the infant like a morn, And his cheek brightened like a rose in bloom;
Above the fresh ruffles of the surf Bright striped urchins flay each other with sand. They have contrived a conquest for shell shucks, And their fingers crumble fragments of baked weed Gaily digging and scattering.
And in answer to their treble interjections The sun beats lightning on the waves,
I I weep for Adonais—he is dead! Oh, weep for Adonais! though our tears Thaw not the frost which binds so dear a head! And thou, sad Hour, selected from all years To mourn our loss, rouse thy obscure compeers, And teach them thine own sorrow, say: "With me Died Adonais; till the Future dares Forget the Past, his fate and fame shall be An echo and a light unto eternity!"
II Where wert thou, mighty Mother, when he lay, When thy Son lay, pierc'd by the shaft which flies In darkness? where was lorn Urania
HAil holy Light, ofspring of Heav'n first-born, Or of th' Eternal Coeternal beam May I express thee unblam'd? since God is light, And never but in unapproached light Dwelt from Eternitie, dwelt then in thee, Bright effluence of bright essence increate. Or hear'st thou rather pure Ethereal stream, Whose Fountain who shall tell? before the Sun, Before the Heavens thou wert, and at the voice Of God, as with a Mantle didst invest The rising world of waters dark and deep, Won from the void and formless infinite. Thee I re-visit now with bolder wing, Escap't the Stygian Pool, though long detain'd In that obscure sojourn, while in my flight
NOw Morn her rosie steps in th' Eastern Clime Advancing, sow'd the earth with Orient Pearle, When Adam wak't, so customd, for his sleep Was Aerie light from pure digestion bred, And temperat vapors bland, which th' only sound Of leaves and fuming rills, Aurora's fan, Lightly dispers'd, and the shrill Matin Song Of Birds on every bough; so much the more His wonder was to find unwak'nd Eve With Tresses discompos'd, and glowing Cheek, As through unquiet rest: he on his side Leaning half-rais'd, with looks of cordial Love Hung over her enamour'd, and beheld Beautie, which whether waking or asleep,
(excerpt) Thou know’st my praise of nature most sincere, And that my raptures are not conjur’d up To serve occasions of poetic pomp, But genuine, and art partner of them all.
How did you come How did I come here Now it is ours, how did it come to be In so many presences? Some I know swept from the sea, wind and sea, Took up the right wave in their fins and seal suits, Rode up over the town to this shore Shining and sleek
Thus far, O Friend! have we, though leaving much Unvisited, endeavour'd to retrace My life through its first years, and measured back The way I travell'd when I first began To love the woods and fields; the passion yet Was in its birth, sustain'd, as might befal, By nourishment that came unsought, for still, From week to week, from month to month, we liv'd A round of tumult: duly were our games Prolong'd in summer till the day-light fail'd; No chair remain'd before the doors, the bench And threshold steps were empty; fast asleep The Labourer, and the old Man who had sate, A later lingerer, yet the revelry Continued, and the loud uproar: at last,
Interesting that I have to live with my skeleton. It stands, prepared to emerge, and I carry it with me—this other thing I will become at death, and yet it keeps me erect and limber in my walk, my rival.
What will the living see of me if they should open my grave but my bones that will stare at them through hollow sockets
From low to high doth dissolution climb, And sink from high to low, along a scale Of awful notes, whose concord shall not fail; A musical but melancholy chime, Which they can hear who meddle not with crime, Nor avarice, nor over-anxious care. Truth fails not; but her outward forms that bear The longest date do melt like frosty rime,
Who says that fictions only and false hair Become a verse? Is there in truth no beauty? Is all good structure in a winding stair? May no lines pass, except they do their duty Not to a true, but painted chair?
Is it no verse, except enchanted groves And sudden arbours shadow coarse-spun lines?
Dove-twirl in the tall grass. End-of-summer glaze next door On the gloves and split ends of the conked magnolia tree. Work sounds: truck back-up beep, wood tin-hammer, cicada, fire horn.
History handles our past like spoiled fruit. Mid-morning, late-century light calicoed under the peach trees. Fingers us here. Fingers us here and here.
“Always Be Closing,” Liam told us— abc of real estate, used cars, and poetry. Liam the dandy loved Brooks Brothers shirts, double-breasted suits, bespoke shoes, and linen jackets. On the day Liam and Tree married in our backyard, Liam and I wore Chuck’s burgundy boho-prep high-tops that Liam bought on Fifth Avenue.
He woke, fully clothed, in his bed. He remembered only one thing, the birds, how when he came in, he had gone around the rooms and got them back in their cage, the green one first, she with the bad leg, and then the blue, the one they had hoped was a male
By the last few times we saw her it was clear That things were different. When you tried to help her Get out of the car or get from the car to the door Or across the apartment house hall to the elevator There was a new sense of heaviness Or of inertia in the body. It wasn’t That she was less willing to be helped to walk But that the walking itself had become less willing.
After the leaves have fallen, we return To a plain sense of things. It is as if We had come to an end of the imagination, Inanimate in an inert savoir.
It is difficult even to choose the adjective For this blank cold, this sadness without cause. The great structure has become a minor house. No turban walks across the lessened floors.
Comment form: