Belly Dancer

(from As You Like It, spoken by Jaques)
All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms;
And then the whining school-boy, with his satchel

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

An Episode AND the first grey of morning fill'd the east,
And the fog rose out of the Oxus stream.

Just the other day
In Fresno
In a giant arena
Architectured
To reject the very poor
Cesar Chavez brought
The very poor
Together

The next morning I felt that our house
had been lifted away from its foundation
during the night, and was now adrift,
though so heavy it drew a foot or more
of whatever was buoying it up, not water
but something cold and thin and clear,
silence riffling its surface as the house
began to turn on a strengthening current,

MEanwhile the hainous and despightfull act
Of Satan done in Paradise, and how
Hee in the Serpent, had perverted Eve,
Her Husband shee, to taste the fatall fruit,
Was known in Heav'n; for what can scape the Eye
Of God All-seeing, or deceave his Heart
Omniscient, who in all things wise and just,
Hinder'd not Satan to attempt the minde

I

Above the fresh ruffles of the surf
Bright striped urchins flay each other with sand.
They have contrived a conquest for shell shucks,
And their fingers crumble fragments of baked weed
Gaily digging and scattering.

And in answer to their treble interjections
The sun beats lightning on the waves,

First Psalm

Let there be a God as large as a sunlamp to laugh his heat at you.

Let there be an earth with a form like a jigsaw and let it fit for all of ye.

Let there be the darkness of a darkroom out of the deep. A worm room.

Let there be a God who sees light at the end of a long thin pipe and lets it in.

Let God divide them in half.

Let God share his Hoodsie.

Let the waters divide so that God may wash his face in first light.

For Cynthia

When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.”
He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE

Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.

‘Thrice fairer than myself,’ thus she began,

Back in the early fifties el Chonito and I were on the
Way to the bote when we heard the following dialogue:

Police car radio:Pachuco rumble in progress in front of Lyceum
Theatre. Sanger gang crossing tracks heading for
Chinatown. Looks big this time. All available
Westside units . . .

Cop to partner driving car:
Take your time. Let ’em wipe each other out.

1
I am sitting in a cell with a view of evil parallels,
Waiting thunder to splinter me into a thousand me's.
It is not enough to be in one cage with one self;
I want to sit opposite every prisoner in every hole.
Doors roll and bang, every slam a finality, bang!
The junkie disappeared into a red noise, stoning out his hell.
The odored wino congratulates himself on not smoking,

1

One night in April or May,
his daughter saw someone's hand
make the curtain which was drawn tightly across her window bulge
and ran to the adjoining room in her night clothes
where he and his son were sitting.
He ran around the house one way
and his son ran the other way

‘Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent:Σίβυλλα τίθέλεις; respondebat illa:άποθανεîνθέλω.’ For Ezra Pound
il miglior fabbro. I. The Burial of the Dead

PART ONE

I

Slip-pilings on the Brooklyn littoral
—the poles still tarry, flimsy; the ferry terminus
with its walledup doors wan doorshapes
on eroded sills. Downstream, the strutwork
of the Williamsburg cable tower
threw its cool shadow half a mile inland

(‘“The Finest Story in the World”’—Many Inventions) We pulled for you when the wind was against us and the sails were low.
Will you never let us go?

Woods. A stand, waiting for the bite, the teeth.
Joshua Briggs picks logs from the stack he’s cut,
Sticks them in the black belly, fixing dinner—
Pork, beans and slaw—before the night’s concert.
Tunes shimmy in pieces. He looks out at his lot, his stand of
Woods. Notes the green. That shine.
“Play a tune on a jug; the moon pops out like a cork.
But that’s nothing to playing a saw.”

Wise emblem of our politic world,
Sage snail, within thine own self curl’d;
Instruct me softly to make haste,
Whilst these my feet go slowly fast.

Compendious snail! thou seem’st to me,
Large Euclid’s strict epitome;
And in each diagram dost fling

"Thou thoughtest that I was altogether such a one as thyself."
(David, Psalms 50.21)
['Will sprawl, now that the heat of day is best,

Many believe in the stars.


Take Quinamid
The son of a Dardanian astrologer
Who disregarded what his father said
And came to Troy in a taxi.

Gone.



Odysseus to Greece:

“Hector has never fought this far from Troy.