To me, fair friend, you never can be old, For as you were when first your eye I eyed, Such seems your beauty still. Three winters cold Have from the forests shook three summers’ pride, Three beauteous springs to yellow autumn turned In process of the seasons have I seen, Three April perfumes in three hot Junes burned, Since first I saw you fresh, which yet are green. Ah, yet doth beauty, like a dial-hand, Steal from his figure, and no pace perceived; So your sweet hue, which methinks still doth stand, Hath motion, and mine eye may be deceived: For fear of which, hear this, thou age unbred: Ere you were born was beauty’s summer dead.
Ugliest little boy that everyone ever saw. That is what everyone said.
Even to his mother it was apparent— when the blue-aproned nurse came into the northeast end of the maternity ward bearing his squeals and plump bottom looped up in a scant receiving blanket,
the Chinaman said don’t take the hardware and gave me a steak I couldn’t cut (except the fat) and there was an ant circling the coffee cup; I left a dime tip and broke out a stick of cancer, and outside I gave an old bum who looked about the way I felt, I gave him a quarter, and then I went up to see the old man strong as steel girders, fit for bombers and blondes,
While one sere leaf, that parting Autumn yields, Trembles upon the thin, and naked spray, November, dragging on this sunless day, Lours, cold and sullen, on the watery fields; And Nature to the waste dominion yields, Stripped her last robes, with gold and purple gay — So droops my life, of your soft beams despoiled, Youth, Health, and Hope, that long exulting smiled; And the wild carols, and the bloomy hues Of merry Spring-time, spruce on every plain Her half-blown bushes, moist with sunny rain, More pensive thoughts in my sunk heart infuse Than Winter’s grey, and desolate domain Faded like my lost Youth, that no bright Spring renews.
(Double Portrait in a Mirror)
I
To the meeting despair of eyes in the street, offer
Your eyes on plates and your liver on skewers of pity.
When the Jericho sky is heaped with clouds which the sun
Trumpets above, respond to Apocalypse
With a headache. In spirit follow
The young men to the war, up Everest. Be shot.
who goes there? who is this young man born lonely?
who walks there? who goes toward death
whistling through the water
without his chorus? without his posse? without his song?
it is autumn now
in me autumn grieves
in this carved gold of shifting faces
my eyes confess to the fatigue of living.
The room was suddenly rich and the great bay-window was Spawning snow and pink roses against it Soundlessly collateral and incompatible: World is suddener than we fancy it.
World is crazier and more of it than we think, Incorrigibly plural. I peel and portion A tangerine and spit the pips and feel The drunkenness of things being various.
Puerto Rico was created when the pumpkin on top of The turtle burst and its teeming waters poured out With all mankind and beastkind riding on the waves Until the water drained leaving a tropical paradise.
Puerto Rico was stumbled on by lost vampires bearing Crucifix in one hand, arquebus in the other, sucking The veins of land and men, tossing the pulp into the Compost heap which they used as the foundation for
The craving of Samuel Rouse for clearance to create was surely as hot as the iron that buffeted him. His passion for freedom so strong that it molded the smouldering fashions he laced, for how also could a slave plot or counterplot such incomparable shapes,
form or reform, for house after house, the intricate Patio pattern, the delicate Rose and Lyre, the Debutante Settee,
Ink-black, but moving independently across the black and white parquet of print, the ant cancels the author out. The page, translated to itself, bears hair-like legs disturbing the fine hairs of its fiber. These are the feet of summer, pillaging meaning, destroying Alexandria. Sunlight is silence laying waste all languages, until, thinly,
Over gutters and over parking lots, over rooftops, fountains, cloudbanks and the bay, beyond the sun, beyond the medium that fills unoccupied space, beyond the confines of the known
universe, ghost, you slip out of me with the ease of a swimmer at one with the waves, furrowing the deep with a pleasure we can’t articulate
The country lies flat, expressionless as the face of a stranger. Not one hillock shelters a buried bone. The city: a scene thin as a theater backdrop, where no doors open, no streets extend beyond the view from the corner.
Only the railroad embankment is high, shaggy with grass. Only the freight, knuckling a red sun under its wheels, drags familiar box-car shapes down long perspectives of childhood meals and all crossings at sunset.
Twilight—and you, Quiet—the stars; Snare of the shine of your teeth, Your provocative laughter, The gloom of your hair; Lure of you, eye and lip ; Yearning, yearning, Languor, surrender;
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