On a Dead Child

Once, in the city of Kalamazoo,
The gods went walking, two and two,
With the friendly phoenix, the stars of Orion,
The speaking pony and singing lion.
For in Kalamazoo in a cottage apart
Lived the girl with the innocent heart.

Thenceforth the city of Kalamazoo
Was the envied, intimate chum of the sun.
He rose from a cave by the principal street.
The lions sang, the dawn-horns blew,
And the ponies danced on silver feet.
He hurled his clouds of love around;
Deathless colors of his old heart
Draped the houses and dyed the ground.

Head to limp head, the sunk-eyed wounded scanned Yesterday's Mail; the casualties (typed small) And (large) Vast Booty from our Latest Haul. Also, they read of Cheap Homes, not yet planned; “For,” said the paper, “when this war is done The men's first instinct will be making homes. Meanwhile their foremost need is aerodromes, It being certain war has just begun.

And have we done with War at last? Well, we've been lucky devils both, And there's no need of pledge or oath

A wild-bear chace, didst never see?
Then hast thou lived in vain.
Thy richest bump of glorious glee,
Lies desert in thy brain.

When first my father settled here,
’Twas then the frontier line:
The panther’s scream, filled night with fear

Through Alpine meadows soft-suffused
With rain, where thick the crocus blows,
Past the dark forges long disused,
The mule-track from Saint Laurent goes.
The bridge is cross'd, and slow we ride,
Through forest, up the mountain-side.

The autumnal evening darkens round,
The wind is up, and drives the rain;
While, hark! far down, with strangled sound
Doth the Dead Guier's stream complain,
Where that wet smoke, among the woods,
Over his boiling cauldron broods.

Swift rush the spectral vapours white

To an army wife, in Sardis:

Some say a cavalry corps,
some infantry, some, again,
will maintain that the swift oars

of our fleet are the finest
sight on dark earth; but I say
that whatever one loves, is.

This is easily proved: did

Ugliest little boy
that everyone ever saw.
That is what everyone said.

Even to his mother it was apparent—
when the blue-aproned nurse came into the
northeast end of the maternity ward
bearing his squeals and plump bottom
looped up in a scant receiving blanket,

1.

Tonite in need of you
and God
I move imperfect
through this ancient city.

Quiet. No one hears
No one feels the tears
of multitudes.

O living pictures of the dead,
O songs without a sound,
O fellowship whose phantom tread
Hallows a phantom ground—
How in a gleam have these revealed
The faith we had not found.

We have sought God in a cloudy Heaven,
We have passed by God on earth:
His seven sins and his sorrows seven,
His wayworn mood and mirth,
Like a ragged cloak have hid from us
The secret of his birth.

Brother of men, when now I see

'There it is!–
You play beside a death-bed like a child,
Yet measure to yourself a prophet's place
To teach the living. None of all these things,
Can women understand. You generalise,
Oh, nothing!–not even grief! Your quick-breathed hearts,
So sympathetic to the personal pang,

Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace;
Let your head lean
Back to the shoulder with its fleece
Of locks, Faustine.

Here,
among the market vegetables,
this torpedo
from the ocean
depths,
a missile
that swam,
now

Falling leaves and falling men!
When the snows of winter fall,
And the winds of winter blows,
Will be woven Nature’s pall.

Let us, then, forsake our dead;
For the dead will surely wait
While we rush upon the foe,
Eager for the hero’s fate.

Leaves will come upon the trees;
Spring will show the happy race;
Mothers will give birth to sons—
Loyal souls to fill our place.

When you get in on a try you never learn it back
umpteen times the tenth part of a featured world
in black and in back it’s roses and fostered nail
bite rhyme sling slang, a song that teaches without
travail of the tale, the one you longing live
and singing burn

It’s insane to remain a trope, of a rinsing out
or a ringing whatever, it’s those bells that . . .

And in a little while we broke under the strain:
suppurations ad nauseam, the wanting to be taller,
though it‘s simply about being mysterious, i.e., not taller,
like any tree in any forest.
Mute, the pancake describes you.
It had tiny roman numerals embedded in its rim.
It was a pancake clock. They had ’em in those days,
always getting smaller, which is why they finally became extinct.

As the dead prey upon us,
they are the dead in ourselves,
awake, my sleeping ones, I cry out to you,
disentangle the nets of being!

I pushed my car, it had been sitting so long unused.
I thought the tires looked as though they only needed air.
But suddenly the huge underbody was above me, and the rear tires
were masses of rubber and thread variously clinging together

Her arms around me—child—
Around my head, hugging with her whole arms,
Whole arms as if I were a loved and native rock,
The apple in her hand—her apple and her father,
and my nose pressed
Hugely to the collar of her winter coat—. There
in the photograph

It is the child who is the branch

Felix Randal the farrier, O is he dead then? my duty all ended,
Who have watched his mould of man, big-boned and hardy-handsome
Pining, pining, till time when reason rambled in it, and some
Fatal four disorders, fleshed there, all contended?

Sickness broke him. Impatient, he cursed at first, but mended
Being anointed and all; though a heavenlier heart began some
Months earlier, since I had our sweet reprieve and ransom
Tendered to him. Ah well, God rest him all road ever he offended!

This seeing the sick endears them to us, us too it endears.
My tongue had taught thee comfort, touch had quenched thy tears,
Thy tears that touched my heart, child, Felix, poor Felix Randal;

How far from then forethought of, all thy more boisterous years,

Wyatt resteth here, that quick could never rest;
Whose heavenly gifts increased by disdain,
And virtue sank the deeper in his breast;
Such profit he by envy could obtain.

A head where wisdom mysteries did frame,
Whose hammers beat still in that lively brain
As on a stithy where that some work of fame

(Double Portrait in a Mirror) I
To the meeting despair of eyes in the street, offer
Your eyes on plates and your liver on skewers of pity.
When the Jericho sky is heaped with clouds which the sun
Trumpets above, respond to Apocalypse
With a headache. In spirit follow
The young men to the war, up Everest. Be shot.