To tonsured monks and dreadlocked Rastas

I

Sun-blazed, over Romsley, a livid rain-scarp.


XIII

Whose lives are hidden in God? Whose?
Who can now tell what was taken, or where,
or how, or whether it was received:
how ditched, divested, clamped, sifted, over-
laid, raked over, grassed over, spread around,
rotted down with leafmould, accepted
as civic concrete, reinforceable
base cinderblocks:

While that my soul repairs to her devotion,
Here I intomb my flesh, that it betimes
May take acquaintance of this heap of dust;
To which the blast of death's incessant motion,
Fed with the exhalation of our crimes,
Drives all at last. Therefore I gladly trust

My body to this school, that it may learn
To spell his elements, and find his birth
Written in dusty heraldry and lines ;
Which dissolution sure doth best discern,
Comparing dust with dust, and earth with earth.
These laugh at jet, and marble put for signs,

To sever the good fellowship of dust,

(from Macbeth, spoken by Macbeth) Is this a dagger which I see before me,
The handle toward my hand? Come, let me clutch thee.
I have thee not, and yet I see thee still.
Art thou not, fatal vision, sensible
To feeling as to sight? or art thou but
A dagger of the mind, a false creation,
Proceeding from the heat-oppressed brain?

Oh, what a lantern, what a lamp of light
Is thy pure word to me
To clear my paths and guide my goings right!
I swore and swear again,
I of the statues will observer be,
Thou justly dost ordain.

The heavy weights of grief oppress me sore:
Lord, raise me by the word,
As thou to me didst promise heretofore.
And this unforced praise
I for an off’ring bring, accept, O Lord,
And show to me thy ways.

What if my life lie naked in my hand,

From my hands—take this city not made by hands,
my strange, my beautiful brother.

Take it, church by church—all forty times forty churches,
and flying up the roofs, the small pigeons;

And Spassky Gates—and gates, and gates—
where the Orthodox take off their hats;

And the Chapel of Stars—refuge chapel—
where the floor is—polished by tears;

Colin, why this mistake?
Why plead thy foolish love?
My heart shall sooner break
Than I a minion prove;
Nor care I half a rush,
No snare I spread for thee:
Go home, my friend, and blush
For love and liberty.

I'm Ramón González Barbagelata from anywhere,
from Cucuy, from Paraná, from Rio Turbio, from Oruro,
from Maracaibo, from Parral, from Ovalle, from Loconmilla,
I'm the poor devil from the poor Third World,
I'm the third-class passenger installed, good God!
in the lavish whiteness of snow-covered mountains,
concealed among orchids of subtle idiosyncrasy.

I've arrived at this famous year 2000, and what do I get?
With what do I scratch myself? What do I have to do with
the three glorious zeros that flaunt themselves
over my very own zero, my own non-existence?
Pity that brave heart awaiting its call
or the man enfolded by warmer love,
nothing's left today except my flimsy skeleton,

Abraham Lincoln
his hand and pen
he will be good but
god knows When

New yeare forth looking out of Janus gate,
Doth seeme to promise hope of new delight:
And bidding th’old Adieu, his pass

God banish from your house
The fly, the roach, the mouse

That riots in the walls
Until the plaster falls;

Admonish from your door
The hypocrite and liar;

No shy, soft, tigrish fear
Permit upon your stair,

What slender youth, bedew’d with liquid odors,
Courts thee on roses in some pleasant cave,
Pyrrha? For whom bind’st thou
In wreaths thy golden hair,
Plain in thy neatness? O how oft shall he
Of faith and changed gods complain, and seas
Rough with black winds, and storms
Unwonted shall admire!
Who now enjoys thee credulous, all gold,
Who, always vacant, always amiable
Hopes thee, of flattering gales
Unmindful. Hapless they
To whom thou untried seem’st fair. Me, in my vow’d
Picture, the sacred wall declares to have hung
My dank and dropping weeds

I need more time, a simple day in Paris hotels and window shopping.
The croissants will not bake themselves and the Tower of London would
Like to spend a night in the tropics with gray sassy paint. It has many
Wounds and historic serial dreams under contract to Hollywood.
Who will play the head of Mary, Queen of Scots, and who will braid her

Hair? Was it she who left her lips on the block for the executioner,
Whose hands would never find ablution, who would never touch a woman
Again or eat the flesh of a red animal? Blood pudding would repulse him
Until joining Anne. That is the way of history written for Marlow and
Shakespear. They are with us now that we are sober and wiser,

Not taking the horrors of poetry too seriously. Why am I telling you this
Nonsense, when I have never seen you sip your coffee or tea,
In the morning? Not to mention,

Give me something to eat,
Good people, I pray;
I have really not had
One mouthful today!

I am hungry and cold,
And last night I dreamed
A scarecrow had caught me—
Good land, how I screamed!

Of one little children
And six ailing wives
(No, one wife and six children),
Not one of them thrives.

The country lies flat, expressionless as the face of a stranger.
Not one hillock shelters a buried bone. The city:
a scene thin as a theater backdrop, where no doors open,
no streets extend beyond the view from the corner.

Only the railroad embankment is high, shaggy with grass.
Only the freight, knuckling a red sun under its wheels,
drags familiar box-car shapes down long perspectives
of childhood meals and all crossings at sunset.

When he pushed his bush of black hair off his brow:
When she lifted her mop from her eyes, and screwed it
in a knob behind
—O act of fearful temerity!
When they felt their foreheads bare, naked to heaven,
their eyes revealed:
When they left the light of heaven brandished like a knife at
their defenceless eyes

While one sere leaf, that parting Autumn yields,
Trembles upon the thin, and naked spray,
November, dragging on this sunless day,
Lours, cold and sullen, on the watery fields;
And Nature to the waste dominion yields,
Stripped her last robes, with gold and purple gay —
So droops my life, of your soft beams despoiled,
Youth, Health, and Hope, that long exulting smiled;
And the wild carols, and the bloomy hues
Of merry Spring-time, spruce on every plain
Her half-blown bushes, moist with sunny rain,
More pensive thoughts in my sunk heart infuse
Than Winter’s grey, and desolate domain
Faded like my lost Youth, that no bright Spring renews.

(from Henry V, spoken by King Henry) Once more unto the breach, dear friends, once more;
Or close the wall up with our English dead.
In peace there's nothing so becomes a man
As modest stillness and humility:

(Being the philosophy of many Soldiers.) Sit on the bed; I'm blind, and three parts shell.
Be careful; can't shake hands now; never shall.

And have we done with War at last? Well, we've been lucky devils both, And there's no need of pledge or oath

Head to limp head, the sunk-eyed wounded scanned Yesterday's Mail; the casualties (typed small) And (large) Vast Booty from our Latest Haul. Also, they read of Cheap Homes, not yet planned; “For,” said the paper, “when this war is done The men's first instinct will be making homes. Meanwhile their foremost need is aerodromes, It being certain war has just begun.