In the first taxi he was alone tra-la, No extras on the clock. He tipped ninepence But the cabby, while he thanked him, looked askance As though to suggest someone had bummed a ride.
In the second taxi he was alone tra-la But the clock showed sixpence extra; he tipped according And the cabby from out his muffler said: ‘Make sure You have left nothing behind tra-la between you’.
Through Alpine meadows soft-suffused With rain, where thick the crocus blows, Past the dark forges long disused, The mule-track from Saint Laurent goes. The bridge is cross'd, and slow we ride, Through forest, up the mountain-side.
The autumnal evening darkens round, The wind is up, and drives the rain; While, hark! far down, with strangled sound Doth the Dead Guier's stream complain, Where that wet smoke, among the woods, Over his boiling cauldron broods.
Then said Almitra, Speak to us of Love. And he raised his head and looked upon the people, and there fell a stillness upon them. And with a great voice he said: When love beckons to you, follow him, Though his ways are hard and steep. And when his wings enfold you yield to him,
"Just the place for a Snark!" the Bellman cried, As he landed his crew with care; Supporting each man on the top of the tide By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice: That alone should encourage the crew.
America I’ve given you all and now I’m nothing. America two dollars and twentyseven cents January 17, 1956. I can’t stand my own mind. America when will we end the human war? Go fuck yourself with your atom bomb. I don’t feel good don’t bother me. I won’t write my poem till I’m in my right mind. America when will you be angelic?
When you get in on a try you never learn it back umpteen times the tenth part of a featured world in black and in back it’s roses and fostered nail bite rhyme sling slang, a song that teaches without travail of the tale, the one you longing live and singing burn
It’s insane to remain a trope, of a rinsing out or a ringing whatever, it’s those bells that . . .
60 Her eye (I'm very fond of handsome eyes) Was large and dark, suppressing half its fire Until she spoke, then through its soft disguise Flash'd an expression more of pride than ire, And love than either; and there would arise A something in them which was not desire, But would have been, perhaps, but for the soul Which struggled through and chasten'd down the whole.
61 Her glossy hair was cluster'd o'er a brow Bright with intelligence, and fair, and smooth; Her eyebrow's shape was like the aerial bow, Her cheek all purple with the beam of youth,
Lord, it’s not true That my faith is cooling. It’s just that people Are saying that candle smoke Has caused cancer in church mice. And I also worry that candle light Is too weak to reach your cloud.
(For all children who wondered about the tragic event of April 4, 1968 at Memphis.)
My children, my children, remember the day
When the Drum Major of Freedom's parade went away.
Stop crying now little children and listen
And you will know for the future what really did happen.
You will know why your father was solemn and grim
And why mother's eyes were wet at the rim.
You will know why the flags flew at half mast
And in a little while we broke under the strain: suppurations ad nauseam, the wanting to be taller, though it‘s simply about being mysterious, i.e., not taller, like any tree in any forest. Mute, the pancake describes you. It had tiny roman numerals embedded in its rim. It was a pancake clock. They had ’em in those days, always getting smaller, which is why they finally became extinct.
I'm Ramón González Barbagelata from anywhere, from Cucuy, from Paraná, from Rio Turbio, from Oruro, from Maracaibo, from Parral, from Ovalle, from Loconmilla, I'm the poor devil from the poor Third World, I'm the third-class passenger installed, good God! in the lavish whiteness of snow-covered mountains, concealed among orchids of subtle idiosyncrasy.
I've arrived at this famous year 2000, and what do I get? With what do I scratch myself? What do I have to do with the three glorious zeros that flaunt themselves over my very own zero, my own non-existence? Pity that brave heart awaiting its call or the man enfolded by warmer love, nothing's left today except my flimsy skeleton,
In Rome on the Campo dei Fiori baskets of olives and lemons, cobbles spattered with wine and the wreckage of flowers. Vendors cover the trestles with rose-pink fish; armfuls of dark grapes heaped on peach-down.
MEanwhile the hainous and despightfull act
Of Satan done in Paradise, and how
Hee in the Serpent, had perverted Eve,
Her Husband shee, to taste the fatall fruit,
Was known in Heav'n; for what can scape the Eye
Of God All-seeing, or deceave his Heart
Omniscient, who in all things wise and just,
Hinder'd not Satan to attempt the minde
MARIA NEFELE: I walk in thorns in the dark of what’s to happen and what has with my only weapon my only defense my nails purple like cyclamens.
ANTIPHONIST: I saw her everywhere. Holding a glass and staring in space. Lying down listening to records. Walking the streets in wide trousers and an old
Time was away and somewhere else, There were two glasses and two chairs And two people with the one pulse (Somebody stopped the moving stairs): Time was away and somewhere else.
And they were neither up nor down; The stream’s music did not stop Flowing through heather, limpid brown,
To the Priest, on Observing how most Men mistake their own Talents When beasts could speak (the learned say, They still can do so ev'ry day), It seems, they had religion then, As much as now we find in men.
Happy Birthday Kenneth Koch/Feb 27 We went to all those places where they restore sadness and joy and call it art. We were piloted by Auden who became Unbearably acrimonious when we dropped off Senghor into the steamy skies of his beloved West Africa. The termites and ants
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