Song: Sweetest love, I do not go

Huzza! Hodgson, we are going,
Our embargo's off at last;
Favourable breezes blowing
Bend the canvass o'er the mast.
From aloft the signal's streaming,
Hark! the farewell gun is fir'd;
Women screeching, tars blaspheming,
Tell us that our time's expir'd.

My dear, your eyes are weary;
Rest them a little while.
Assume the languid posture
Of pleasure mixed with guile.
Outside the talkative fountain
Continues night and day
Repeating my warm passion
In whatever it has to say.

The sheer luminous gown
The fountain wears
Where Phoebe’s very own
Color appears
Falls like a summer rain
Or shawl of tears.

MARIA NEFELE:
I walk in thorns in the dark
of what’s to happen and what has
with my only weapon my only defense
my nails purple like cyclamens.

ANTIPHONIST:
I saw her everywhere. Holding a glass and staring in space. Lying down
listening to records. Walking the streets in wide trousers and an old

Because I feel that, in the Heavens above,
The angels, whispering to one another,
Can find, among their burning terms of love,
None so devotional as that of “Mother,”
Therefore by that dear name I long have called you—
You who are more than mother unto me,
And fill my heart of hearts, where Death installed you
In setting my Virginia's spirit free.

Her hair was curls of Pleasure and Delight,
Which on her brow did cast a glistening light.
As lace her bashful eyelids downward hung:
A modest countenance o'er her face was flung:
Blushes, as coral beads, she strung to wear
About her neck, and pendants for each ear:
Her gown was by Proportion cut and made,
With veins embroidered, with complexion laid,
Rich jewels of pure honor she did wear,
By noble actions brightened everywhere:
Thus dressed, to Fame's great court straightways she went,
To dance a brawl with Youth, Love, Mirth, Content.

It’s no use

Mother dear, I
can’t finish my
weaving
You may
blame Aphrodite

soft as she is

she has almost

Happy Birthday Kenneth Koch/Feb 27 We went to all those places where they restore sadness and joy
and call it art. We were piloted by Auden who became
Unbearably acrimonious when we dropped off Senghor into the
steamy skies of his beloved West Africa. The termites and ants

It is my nature that makes me love you often,
For I am love itself.

It is my longing that makes my love you intensely,
For I yearn to be loved from the heart.

It is my eternity that makes me love you long,
For I have no end.

(On some Verses he writ, and asking more for his Heart than ‘twas worth.) I
Take back that Heart, you with such Caution give,
Take the fond valu’d Trifle back;
I hate Love-Merchants that a Trade wou’d drive

The wind, that beats the mountain, blows
More softly round the open wold,
And gently comes the world to those
That are cast in gentle mould.

And me this knowledge bolder made,
Or else I had not dare to flow
In these words toward you, and invade

God banish from your house
The fly, the roach, the mouse

That riots in the walls
Until the plaster falls;

Admonish from your door
The hypocrite and liar;

No shy, soft, tigrish fear
Permit upon your stair,

1
The white butterfly in the park is being read by many.
I love that cabbage-moth as if it were a fluttering corner of truth itself!

At dawn the running crowds set our quiet planet in motion.
Then the park fills with people. To each one, eight faces polished like jade, for all
situations, to avoid making mistakes.
To each one, there's also the invisible face reflecting "something you don't talk about."
Something that appears in tired moments and is as rank as a gulp of viper schnapps with its long scaly aftertaste.

(Double Portrait in a Mirror) I
To the meeting despair of eyes in the street, offer
Your eyes on plates and your liver on skewers of pity.
When the Jericho sky is heaped with clouds which the sun
Trumpets above, respond to Apocalypse
With a headache. In spirit follow
The young men to the war, up Everest. Be shot.

All in green went my love riding
on a great horse of gold
into the silver dawn.

four lean hounds crouched low and smiling
the merry deer ran before.

Fleeter be they than dappled dreams
the swift sweet deer
the red rare deer.

Written for the Nativity of Our Lord, Puebla, 1689. Since Love is shivering
in the ice and cold,

God speaks to the soul
And God said to the soul:
I desired you before the world began.
I desire you now
As you desire me.
And where the desires of two come together
There love is perfected.

Openly, yes,
With the naturalness
Of the hippopotamus or the alligator
When it climbs out on the bank to experience the

Sun, I do these
Things which I do, which please
No one but myself. Now I breathe and now I am sub-
Merged; the blemishes stand up and shout when the object

In view was a
Renaissance; shall I say
The contrary? The sediment of the river which
Encrusts my joints, makes me very gray but I am used

(On the Signing of the Armistice, 11 Nov. 1918)
I
There had been years of Passion—scorching, cold,

Hell, my ardent sisters, be assured,
Is where we’re bound; we’ll drink the pitch of hell—
We, who have sung the praises of the lord
With every fiber in us, every cell.

We, who did not manage to devote
Our nights to spinning, did not bend and sway
Above a cradle—in a flimsy boat,
Wrapped in a mantle, we’re now borne away.

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow —
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,