Information

I came an errand one cloud-blowing evening
To a slab-built, black-paper-covered house
Of one room and one window and one door,
The only dwelling in a waste cut over
A hundred square miles round it in the mountains:
And that not dwelt in now by men or women.
(It never had been dwelt in, though, by women,
So what is this I make a sorrow of?)

Light from the ugliest lamp I ever saw, here
on the table that triples for reading, eating (can’t say
dining), business on the phone; ugliest except
a few around the corner in that guest house at windows

—plaster driftwood; cylinders like rockets or sanitary
napkins propping shades; thin torso of a youth;
red globe on orange globe, the works, somebody’s
collection. Wouldn’t she love this one, lump of lamp base

I

At the Poem Society a black-haired man stands up to say
“You make me sick with all your talk about restraint and mature talent!
Haven’t you ever looked out the window at a painting by Matisse,
Or did you always stay in hotels where there were too many spiders crawling on your visages?
Did you ever glance inside a bottle of sparkling pop,
Or see a citizen split in two by the lightning?
I am afraid you have never smiled at the hibernation

(being a conversation in eight poems between an aged Lucifer and God, though only Lucifer is heard. The time is long after.) 1
invitation

I. He Thinks of the Chinese Snake Who Is the Beginning and the End
If you or I should die
That day desire would not renew
Itself in any bed.
The old snake of the world, eternity
That holds his tail in his mouth,
Would spit it out
And ease off through the grass

It was a very little while and they had gone in front of it. It was that they had liked it would it bear. It was a very much adjoined a follower. Flower of an adding where a follower.
Have I come in. Will in suggestion.
They may like hours in catching.
It is always a pleasure to remember.
Have a habit.
Any name will very well wear better.
All who live round about there.
Have a manner.
The hotel François Ier.
Just winter so.
It is indubitably often that she is as denied to soften help to when it is in all in midst of which in vehemence to taken given in a bestowal show than left help in double.
Having noticed often that it is newly noticed which makes older often.
The world has become smaller and more beautiful.
The world is grown smaller and more beautiful. That is it.
Yes that is it.

The wind rests its cheek upon the ground and feels the cool damp
And lifts its head with twigs and small dead blades of grass
Pressed into it as you might at the beach rise up and brush away
The sand. The day is cool and says, “I’m just staying overnight.”
The world is filled with music, and in between the music, silence
And varying the silence all sorts of sounds, natural and man made:
There goes a plane, some cars, geese that honk and, not here, but
Not so far away, a scream so rending that to hear it is to be

But do not let us quarrel any more,
No, my Lucrezia; bear with me for once:
Sit down and all shall happen as you wish.
You turn your face, but does it bring your heart?
I'll work then for your friend's friend, never fear,
Treat his own subject after his own way,
Fix his own time, accept too his own price,
And shut the money into this small hand
When next it takes mine. Will it? tenderly?
Oh, I'll content him,—but to-morrow, Love!
I often am much wearier than you think,
This evening more than usual, and it seems
As if—forgive now—should you let me sit
Here by the window with your hand in mine
And look a half-hour forth on Fiesole,

for Joseph Cady

Camden, 1882 Is it raining, Mary, can you see?