George Moore

Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness,
I’d rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;

It was a very little while and they had gone in front of it. It was that they had liked it would it bear. It was a very much adjoined a follower. Flower of an adding where a follower.
Have I come in. Will in suggestion.
They may like hours in catching.
It is always a pleasure to remember.
Have a habit.
Any name will very well wear better.
All who live round about there.
Have a manner.
The hotel François Ier.
Just winter so.
It is indubitably often that she is as denied to soften help to when it is in all in midst of which in vehemence to taken given in a bestowal show than left help in double.
Having noticed often that it is newly noticed which makes older often.
The world has become smaller and more beautiful.
The world is grown smaller and more beautiful. That is it.
Yes that is it.

The poet’s duties: no need to stress
The subject’s dullness, nonetheless
Here’s an incestuous address
In Robert Burns’ style
To one whom all the Muses bless
At Great Turnstile.

I’ve no excuses for this theme.
Prescription is less popular than dream

I go again to the sea and converse with Ovid
whose verses like the Romanian coast roll along
so wide and subdued: waves that wait for the ice to break.

My poet, you that make what I sing to thousand years old,
ancient boundary stone on the edge of the Romanian language,
you the gulls have elected on to the governing board of our
epics,
of our song-grief you turned into Latin and gave

Si quid novisti rectius istis,
Candidus imperti; si non, his utere mecum
[If you have come to know any precept more correct than these, share it with me, brilliant one; if not, use these with me] (Horace, Epistle I.6.67)
PART 1

But do not let us quarrel any more,
No, my Lucrezia; bear with me for once:
Sit down and all shall happen as you wish.
You turn your face, but does it bring your heart?
I'll work then for your friend's friend, never fear,
Treat his own subject after his own way,
Fix his own time, accept too his own price,
And shut the money into this small hand
When next it takes mine. Will it? tenderly?
Oh, I'll content him,—but to-morrow, Love!
I often am much wearier than you think,
This evening more than usual, and it seems
As if—forgive now—should you let me sit
Here by the window with your hand in mine
And look a half-hour forth on Fiesole,

[Supposed of Pamphylax the Antiochene:
It is a parchment, of my rolls the fifth,
Hath three skins glued together, is all Greek,
And goeth from Epsilon down to Mu:
Lies second in the surnamed Chosen Chest,
Stained and conserved with juice of terebinth,
Covered with cloth of hair, and lettered Xi,
From Xanthus, my wife's uncle, now at peace:
Mu and Epsilon stand for my own name.
I may not write it, but I make a cross
To show I wait His coming, with the rest,
And leave off here: beginneth Pamphylax.]

I said, "If one should wet his lips with wine,
"And slip the broadest plantain-leaf we find,

Ce qui est beau à Leningrad, c’est Saint Petersbourg.
What fellow traveller returned from the U.S.S.R.,
Burdened with souvenirs in the form of second thoughts, said
That, rephrasing the Slavic platitude as a reactionary epigram? Thence
One must count oneself privileged to have escaped empty-handed,
Frisked in exit by the incompetent customs of the country
Who got everything backwards, inspecting my papers with a glass:
Bourgeois formalism apart, my handwriting looks like a decadent cipher.

for Joseph Cady

Camden, 1882 Is it raining, Mary, can you see?