The Rescue

PART I
'Tis the middle of night by the castle clock,
And the owls have awakened the crowing cock;
Tu—whit! Tu—whoo!
And hark, again! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff bitch;
From her kennel beneath the rock
She maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady's shroud.

Monterosa, your body is dead on Avenue A. Angelo,
They found you eyes open staring at the beer
Soaked floorboards. Did you want that? Did
You mind them filling your back with buckshot?

Angelo, I am angry with them all, and you Monterosa
Killed and killers, killing and dealing dope. No good
You were, no good they are. Still, I wish their fate
To be bodies stacking under the same blue smoke.

I

Jesús, Estrella, Esperanza, Mercy:

Sails flashing to the wind like weapons,
sharks following the moans the fever and the dying;
horror the corposant and compass rose.

Middle Passage:
voyage through death
to life upon these shores.

from the cliff's edge,
kicking her feet in panic and despair
as the circle of light contracts and blackness
takes the screen. And that
is how we leave her, hanging—though we know
she will be rescued, only to descend
into fresh harm, the story flowing on,
disaster and reprieve—systole, diastole—split

Right after the bomb, even before the ceiling
And walls and floor are rearranging
You and themselves into a different world,
You must hold still, must wait for them
To settle down in unpredictable ways,
To bring their wars, shuddering,
To an end, and only then should you begin
Numbly to feel what freedom may be left
To your feet or knees, to your elbows
Or clenched fingers. Where you used to walk
Or lean or lie down or fix your attention
At a whim or stomp your foot
Or slump in a chair, you'll find a new
Architecturally unsound floor-plan
To contend with, if you can move

This Earth the king said
Looking at the ground;
This England. But we drive
A Sunday paradise
Of parkway, trees flow into trees and the grass
Like water by the very asphalt crown
And summit of things
In the flow of traffic

Museum of the Diaspora, Tel Aviv The roasting alive of rabbis
in the ardor of the Crusades

It must be troubling for the god who loves you
To ponder how much happier you’d be today
Had you been able to glimpse your many futures.
It must be painful for him to watch you on Friday evenings
Driving home from the office, content with your week—
Three fine houses sold to deserving families—
Knowing as he does exactly what would have happened
Had you gone to your second choice for college,

Obscurest night involv'd the sky,
Th' Atlantic billows roar'd,
When such a destin'd wretch as I,
Wash'd headlong from on board,
Of friends, of hope, of all bereft,
His floating home for ever left.

No braver chief could Albion boast
Than he with whom he went,
Nor ever ship left Albion's coast,
With warmer wishes sent.
He lov'd them both, but both in vain,
Nor him beheld, nor her again.

Not long beneath the whelming brine,

Virgin, sappy, gorgeous, the right-now
Flutters its huge prosthetics at us, flung
To the spotlights, frozen in motion, center-ice.

And the first rows, shaken with an afterslice
That’s bowled them into their seats like a big wet ciao.
O daffy panoply O rare device

O flashing leg-iron at a whopping price
Whipping us into ecstasies and how,

From a documentary on marsupials I learn
that a pillowcase makes a fine
substitute pouch for an orphaned kangaroo.

I am drawn to such dramas of animal rescue.
They are warm in the throat. I suffer, the critic proclaims,
from an overabundance of maternal genes.

Bring me your fallen fledgling, your bummer lamb,

lead the abused, the starvelings, into my barn.

He says he doesn’t feel like working today.
It’s just as well. Here in the shade
Behind the house, protected from street noises,
One can go over all kinds of old feeling,
Throw some away, keep others.
The wordplay
Between us gets very intense when there are
Fewer feelings around to confuse things.

There are never any suicides in the quarter among people one knows
No successful suicides.
A Chinese boy kills himself and is dead.
(they continue to place his mail in the letter rack at the Dome)
A Norwegian boy kills himself and is dead.
(no one knows where the other Norwegian boy has gone)
They find a model dead
alone in bed and very dead.
(it made almost unbearable trouble for the concierge)
Sweet oil, the white of eggs, mustard and water, soap suds
and stomach pumps rescue the people one knows.
Every afternoon the people one knows can be found at the café.

1

THE GESTURE

The question is: how does one hold an apple
Who likes apples

And how does one handle
Filth? The question is

How does one hold something
In the mind which he intends

... who can bear the idea of Eternal Recurrence? I

Even as you went over, Nietzsche,

1

Master of beauty, craftsman of the snowflake,
inimitable contriver,
endower of Earth so gorgeous & different from the boring Moon,
thank you for such as it is my gift.

I have made up a morning prayer to you
containing with precision everything that most matters.
‘According to Thy will’ the thing begins.

Whose woods these are I think I know ... The landings had gone wrong; white silk,
like shrouds, covered the woods.

Trade, Trade versus Art,
Brain, Brain versus Heart;
Oh, the earthiness of these hard-hearted times,
When clinking dollars, and jingling dimes,
Drown all the finer music of the soul.

Life as an Octopus with but this creed,
That all the world was made to serve his greed;
Trade has spread out his mighty myriad claw,

To the happy memory of five Franciscan Nuns, exiles by the Falk Laws, drowned between midnight and morning of Dec. 7th, 1875 I
Thou mastering me

1

There are things
We live among ‘and to see them
Is to know ourselves’.

Occurrence, a part
Of an infinite series,

The sad marvels;

Of this was told