Oh! yet one smile, tho' dark may lower Around thee clouds of woe and ill, Let me yet feel that I have power, Mid Fate's bleak storms, to soothe thee still.
Tho' sadness be upon thy brow, Yet let it turn, dear love, to me, I cannot bear that thou should'st know Sorrow I do not share with thee.
Deflores. What makes your lip so strange? This must not be betwixt us. Beatrice. The man talks wildly. Deflores. Come kisse me with a zeal now. Beatrice. Heaven I doubt him. Deflores. I will not stand so long to beg 'em shortly. Beatrice. Take heed Deflores of forgetfulness, 'twill soon betray us. Deflores. Take you heed first; Faith y'are grown much forgetfull, y'are to blame in't. Beatrice. He's bold, and I am blam'd for't. Deflores. I have eas'd you of your trouble, think on't, I'me in pain, And must be as'd of ou; 'tis a charity, Justice invites your blood to understand me. Beatrice. I dare not. Deflores. Quickly. Beatrice. Oh I never shall, speak if yet further of that I may lose
Or the true feelings of those slaves who say they would not be free. The following shows their feelings when they are free.
Air—“Pop Goes the Weasel”
Old master always said, Jack will never leave me: He has a noble head, He will not deceive me. I will treat him every day Kindly and clever, Then he will not run away— No, master, never!
I have led her home, my love, my only friend, There is none like her, none. And never yet so warmly ran my blood And sweetly, on and on Calming itself to the long-wished-for end, Full to the banks, close on the promised good.
None like her, none. Just now the dry-tongued laurels’ pattering talk Seem’d her light foot along the garden walk, And shook my heart to think she comes once more; But even then I heard her close the door, The gates of Heaven are closed, and she is gone.
Act 2, Scene 2 Clindor, a young picaresque hero, has been living by his wits in Paris, but has now drifted to Bordeaux, to become the valet of a braggart bravo named Matamore. He is chiefly employed as a go-between, carrying Matamore's amorous messages to the beautiful Isabelle—who only suffers the master because she is in love with the messenger. clindor Sir, why so restless? Is there any need, With all your fame, for one more glorious deed? Have you not slain enough bold foes by now,
But do not let us quarrel any more, No, my Lucrezia; bear with me for once: Sit down and all shall happen as you wish. You turn your face, but does it bring your heart? I'll work then for your friend's friend, never fear, Treat his own subject after his own way, Fix his own time, accept too his own price, And shut the money into this small hand When next it takes mine. Will it? tenderly? Oh, I'll content him,—but to-morrow, Love! I often am much wearier than you think, This evening more than usual, and it seems As if—forgive now—should you let me sit Here by the window with your hand in mine And look a half-hour forth on Fiesole,
To the Priest, on Observing how most Men mistake their own Talents When beasts could speak (the learned say, They still can do so ev'ry day), It seems, they had religion then, As much as now we find in men.
Dans l'adversité de nos meilleurs amis nous trouvons quelque chose, qui ne nous déplaît pas. ["In the hard times of our best friends we find something that doesn't displease us."] As Rochefoucauld his maxims drew From Nature, I believe 'em true: They argue no corrupted mind In him; the fault is in mankind.
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