February

for George Schneeman New York’s lovely weather
hurts my forehead

1

What does it matter if the words
I choose, in the order I choose them in,
Go out into a silence I know
Nothing about, there to be let
In and entertained and charmed
Out of their master’s orders? And yet
I would like to see where they go

1.

It unfolds and ripples like a banner, downward. All the stories
come folding out. The smells and flowers begin to come back, as
the tapestry is brightly colored and brocaded. Rabbits and violets.

Who asked you to come over? She got her foot in the door and
would not remove it, elbowing and talking swiftly. Gas leak?
that sounds like a very existential position; perhaps you had
better check with the landlord.

Light from the ugliest lamp I ever saw, here
on the table that triples for reading, eating (can’t say
dining), business on the phone; ugliest except
a few around the corner in that guest house at windows

—plaster driftwood; cylinders like rockets or sanitary
napkins propping shades; thin torso of a youth;
red globe on orange globe, the works, somebody’s
collection. Wouldn’t she love this one, lump of lamp base

1

Moving over the hills, crossing the irrigation
canals perfect and profuse in the mountains the
streams of women and men walking under the high-
tension wires over the brown hills

in the multiple world of the fly’s
multiple eye the songs they go to hear on
this occasion are no one’s own

The wind rests its cheek upon the ground and feels the cool damp
And lifts its head with twigs and small dead blades of grass
Pressed into it as you might at the beach rise up and brush away
The sand. The day is cool and says, “I’m just staying overnight.”
The world is filled with music, and in between the music, silence
And varying the silence all sorts of sounds, natural and man made:
There goes a plane, some cars, geese that honk and, not here, but
Not so far away, a scream so rending that to hear it is to be

You are a friend then, as I make it out,
Of our man Shakespeare, who alone of us
Will put an ass's head in Fairyland
As he would add a shilling to more shillings,
All most harmonious, — and out of his
Miraculous inviolable increase
Fills Ilion, Rome, or any town you like
Of olden time with timeless Englishmen;
And I must wonder what you think of him —
All you down there where your small Avon flows
By Stratford, and where you're an Alderman.
Some, for a guess, would have him riding back
To be a farrier there, or say a dyer;
Or maybe one of your adept surveyors;
Or like enough the wizard of all tanners.

inside my head

Inside my head a common room,
a common place, a common tune,
a common wealth, a common doom

inside my head. I close my eyes.
The horses run. Vast are the skies,
and blue my passing thoughts’ surprise

inside my head. What is this space

for Joseph Cady

Camden, 1882 Is it raining, Mary, can you see?