The poem of the mind in the act of finding
 What will suffice. It has not always had
 To find: the scene was set; it repeated what
 Was in the script.
                Then the theatre was changed
 To something else. Its past was a souvenir.
 It has to be living, to learn the speech of the place.
 It has to face the men of the time and to meet
 The women of the time. It has to think about war
 And it has to find what will suffice. It has
 To construct a new stage. It has to be on that stage
 And, like an insatiable actor, slowly and
 With meditation, speak words that in the ear,
 In the delicatest ear of the mind, repeat,
 Exactly, that which it wants to hear, at the sound
 Of which, an invisible audience listens,
 Not to the play, but to itself, expressed
 In an emotion as of two people, as of two
 Emotions becoming one. The actor is
 A metaphysician in the dark, twanging
 An instrument, twanging a wiry string that gives
 Sounds passing through sudden rightnesses, wholly
 Containing the mind, below which it cannot descend,
 Beyond which it has no will to rise.
       It must
 Be the finding of a satisfaction, and may
 Be of a man skating, a woman dancing, a woman
 Combing. The poem of the act of the mind.




















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