Drifting

I

Above the fresh ruffles of the surf
Bright striped urchins flay each other with sand.
They have contrived a conquest for shell shucks,
And their fingers crumble fragments of baked weed
Gaily digging and scattering.

And in answer to their treble interjections
The sun beats lightning on the waves,

How is your life with that other one?
Simpler, is it? A stroke of the oars
and a long coastline—
and the memory of me

is soon a drifting island
(not in the ocean—in the sky!)
Souls—you will be sisters—
sisters, not lovers.

As I was going down impassive Rivers,
I no longer felt myself guided by haulers:
Yelping redskins had taken them as targets
And had nailed them naked to colored stakes.

M.A.K. September, 1880-September, 1955 As I wandered on the beach
I saw the heron standing

‘Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent:Σίβυλλα τίθέλεις; respondebat illa:άποθανεîνθέλω.’ For Ezra Pound
il miglior fabbro. I. The Burial of the Dead

I drew solitude over me, on the long shore.
—Robinson Jeffers, “Prelude”

For whoever does not afflict his soul through this day, shall be
cut off from his people.
—Leviticus 23:29

That night the moon drifted over the pond,
turning the water to milk, and under
the boughs of the trees, the blue trees,
a young woman walked, and for an instant

the future came to her:
rain falling on her husband’s grave, rain falling
on the lawns of her children, her own mouth
filling with cold air, strangers moving into her house,

Saturday afternoon. The barracks is almost empty.
The soldiers are almost all on overnight pass.
There is only me, writing this letter to you,
And one other soldier, down at the end of the room,
And a spider, that hangs by the thread of his guts,
His tenacious and delicate guts, Swift’s spider,
All self-regard, or else all privacy.
The dust drifts in the sunlight around him, as currents

You know our office on the 18th
floor of the Salmon Tower looks
right out on the

Empire State and it just happened
we were there finishing up some
late invoices on

a new book that Saturday morning
when a bomber roared through the

January

Contorted by wind,
mere armatures for ice or snow,
the trees resolve
to endure for now,

they will leaf out in April.
And I must be as patient
as the trees—

It was the schooner Hesperus,
That sailed the wintry sea;
And the skipper had taken his little daughtèr,
To bear him company.

Blue were her eyes as the fairy-flax,
Her cheeks like the dawn of day,
And her bosom white as the hawthorn buds,
That ope in the month of May.

The skipper he stood beside the helm,
His pipe was in his mouth,
And he watched how the veering flaw did blow
The smoke now West, now South.

Tell me,
Was Venus more beautiful
Than you are,
When she topped
The crinkled waves,
Drifting shoreward
On her plaited shell?
Was Botticelli’s vision

That Whitsun, I was late getting away:
Not till about
One-twenty on the sunlit Saturday
Did my three-quarters-empty train pull out,
All windows down, all cushions hot, all sense
Of being in a hurry gone. We ran
Behind the backs of houses, crossed a street
Of blinding windscreens, smelt the fish-dock; thence

I

He whom we anatomized
‘whose words we gathered as pleasant flowers
and thought on his wit and how neatly he described things’
speaks
to us, hatching marrow,
broody all night over the bones of a deadman.

My tongue is a curve in the ear. Vision is lies.

Somewhere in Chelsea, early summer;
And, walking in the twilight toward the docks,
I thought I made out Robinson ahead of me.

From an uncurtained second-story room, a radio
Was playing There’s a Small Hotel; a kite
Twisted above dark rooftops and slow drifting birds.
We were alone there, he and I,
Inhabiting the empty street.

I

Oh chimes set high on the sunny tower
Ring on, ring on unendingly,
Make all the hours a single hour,
For when the dusk begins to flower,
The man I love will come to me! ...

But no, go slowly as you will,
I should not bid you hasten so,

When men were all asleep the snow came flying,
In large white flakes falling on the city brown,
Stealthily and perpetually settling and loosely lying,
Hushing the latest traffic of the drowsy town;
Deadening, muffling, stifling its murmurs failing;
Lazily and incessantly floating down and down:
Silently sifting and veiling road, roof and railing;
Hiding difference, making unevenness even,
Into angles and crevices softly drifting and sailing.
All night it fell, and when full inches seven
It lay in the depth of its uncompacted lightness,
The clouds blew off from a high and frosty heaven;
And all woke earlier for the unaccustomed brightness
Of the winter dawning, the strange unheavenly glare:
The eye marvelled—marvelled at the dazzling whiteness;

Come when the nights are bright with stars
Or come when the moon is mellow;
Come when the sun his golden bars
Drops on the hay-field yellow.
Come in the twilight soft and gray,
Come in the night or come in the day,
Come, O love, whene’er you may,
And you are welcome, welcome.

Lord she’s gone done left me done packed / up and split
and I with no way to make her
come back and everywhere the world is bare
bright bone white crystal sand glistens
dope death dead dying and jiving drove
her away made her take her laughter and her smiles
and her softness and her midnight sighs—

Fuck Coltrane and music and clouds drifting in the sky

a trembling old man dreams of a chinese garden
a comical old man dreams of newspapers under his rabbi's hat



a simple tavernkeeper dreams of icicles & fisheyes
a sinister tavernkeeper dreams of puddles with an angel of the law in every drop



the furrier's plump daughter is dreaming of a patch of old vanilla
the furrier's foreign daughter is dreaming of a hat from which a marten hangs



the proud accountant dreams of a trolleycar over the frozen river
the reluctant accountant dreams of his feet sleep in a fresh pair of red socks