The Museum

MARIA NEFELE:
I walk in thorns in the dark
of what’s to happen and what has
with my only weapon my only defense
my nails purple like cyclamens.

ANTIPHONIST:
I saw her everywhere. Holding a glass and staring in space. Lying down
listening to records. Walking the streets in wide trousers and an old

For Cynthia

When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.”
He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE

PART ONE

I

Slip-pilings on the Brooklyn littoral
—the poles still tarry, flimsy; the ferry terminus
with its walledup doors wan doorshapes
on eroded sills. Downstream, the strutwork
of the Williamsburg cable tower
threw its cool shadow half a mile inland

i

The children on the lawn
joined hand to hand
go round and round

each arm going into
the next arm, around
full circle
until it comes

for Larry Levis So it is here, then, after so long, and after all—
as the light turns in the leaves in the old golden

For Carl Solomon I

I saw the best minds of my generation destroyed by madness, starving hysterical naked,

Love set you going like a fat gold watch.
The midwife slapped your footsoles, and your bald cry
Took its place among the elements.

Our voices echo, magnifying your arrival. New statue.
In a drafty museum, your nakedness
Shadows our safety. We stand round blankly as walls.

I’m no more your mother
Than the cloud that distills a mirror to reflect its own slow

Farm boys wild to couple
With anythingwith soft-wooded trees
With mounds of earthmounds
Of pinestrawwill keep themselves off
Animals by legends of their own:
In the hay-tunnel dark
And dung of barns, they will
Say I have heard tell

Third Avenue in sunlight. Nature’s error.
Already the bars are filled and John is there.
Beneath a plentiful lady over the mirror
He tilts his glass in the mild mahogany air.

I think of him when he first got out of college,
Serious, thin, unlikely to succeed;
For several months he hung around the Village,
Boldly T-shirted, unfettered but unfreed.

for Baroness G. de Hueck Across the cages of the keyless aviaries,
The lines and wires, the gallows of the broken kites,

for Joe Overstreet, David Henderson, Albert Ayler & d mysterious ‘H’ who cut up d Rembrandts i

u worry me whoever u are

Suddenly discovering in the eyes of the very beautiful
Normande cocotte
The eyes of the very learned British Museum assistant.

Part Four of “Pro Femina” At Samoa, hardly unpacked, I commenced planting,
When I’d opened the chicken crates, built the Cochins a coop.

What should the wars do with these jigging fools? The man behind the book may not be man,
His own man or the book’s or yet the time’s,

Travel is a vanishing act
Only to those who are left behind.
What the traveler knows
Is that he accompanies himself,
Unwieldy baggage that can’t be checked,
Stolen, or lost, or mistaken.
So one took, past outposts of empire,
“Calmly as if in the British Museum,”

This Earth the king said
Looking at the ground;
This England. But we drive
A Sunday paradise
Of parkway, trees flow into trees and the grass
Like water by the very asphalt crown
And summit of things
In the flow of traffic

What is the head
a. Ash
What are the eyes
a. The wells have fallen in and have
Inhabitants
What are the feet
a. Thumbs left after the auction
No what are the feet

I passed by the school where I studied as a boy
and said in my heart: here I learned certain things
and didn't learn others. All my life I have loved in vain
the things I didn't learn. I am filled with knowledge,
I know all about the flowering of the tree of knowledge,
the shape of its leaves, the function of its root system, its pests and parasites.
I'm an expert on the botany of good and evil,
I'm still studying it, I'll go on studying till the day I die.

Inside the brand-new museum
there’s an old synagogue.
Inside the synagogue
is me.
Inside me
my heart.
Inside my heart
a museum.

As the morning advanced the sun became bright and warm, cloudless, calm, serene. About nine an appearance very unusual began to demand our attention—a shower of cobwebs falling from very elevated regions, & continuing, without any interruption, till the close of the day . . . There is a natural occurrence to be met with upon the highest part of our down in hot summer days, and that is a loud audible humming of bees in the air, though not one insect is to be seen . . . In a district so diversified as this, so full of hollow vales and hanging woods, it is no wonder that echoes should abound. Many we have discovered that return a tunable ring of bells, or the melody of birds; but we were still at a loss for a polysyllabical, articulate echo, till a young gentleman, who had parted from his company in a summer walk, and was calling after them, stumbled upon a very curious one in a spot where it might least be expected . . . We procured a cuckoo, and cutting open the breastbone and exposing the intestines to sight, found the crop lying as mentioned above. This stomach was large and round, and stuffed hard, like a pincushion, with food, which upon nice examination, we found to consist of various insects, such as small scarabs, spiders, and dragon-flies; the last of which, as they were just emerging out of the aurelia state, we have seen cuckoos catching on the wing. Among this farrago also were to be seen maggots, and many seeds, which belonged either to gooseberries, currants, cranberries, or some such fruit . . .