I came an errand one cloud-blowing evening To a slab-built, black-paper-covered house Of one room and one window and one door, The only dwelling in a waste cut over A hundred square miles round it in the mountains: And that not dwelt in now by men or women. (It never had been dwelt in, though, by women, So what is this I make a sorrow of?)
Off Highway 106 At Cherrylog Road I entered The ’34 Ford without wheels, Smothered in kudzu, With a seat pulled out to run Corn whiskey down from the hills,
the weather is hot on the back of my watch which is down at Finkelstein’s who is gifted with 3 balls but no heart, but you’ve got to understand when the bull goes down on the whore, the heart is laid aside for something else, and let’s not over-rate the obvious decency for in a crap game you may be cutting down
Twelve people, most of us strangers, stand in a room in Ann Arbor, drinking Cribari from jars. Then two young men, who cooked him, carry him to the table on a large square of plywood: his body striped, like a tiger cat’s, from the basting, his legs long, much longer than a cat’s, and the striped hide as shiny as vinyl.
When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.” He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
I was born in the century of the death of the rose when the motor had already driven out the angels. Quito watched as the last stagecoach rolled away, and at its passing the trees ran past in perfect order, and also the hedges and houses of new parishes, at the threshold of the countryside where cows were slowly chewing silence as wind spurred on its swift horses.
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