Fragments: Mrs. Reuben Chandler writes to her husband during a cholera epidemic

How changed is here each spot man makes or fills!
In the two Hinkseys nothing keeps the same;
The village street its haunted mansion lacks,
And from the sign is gone Sibylla's name,
And from the roofs the twisted chimney-stacks—
Are ye too changed, ye hills?
See, 'tis no foot of unfamiliar men
To-night from Oxford up your pathway strays!

Why did my parents send me to the schools
That I with knowledge might enrich my mind?
Since the desire to know first made men fools,
And did corrupt the root of all mankind.

As the dead prey upon us,
they are the dead in ourselves,
awake, my sleeping ones, I cry out to you,
disentangle the nets of being!

I pushed my car, it had been sitting so long unused.
I thought the tires looked as though they only needed air.
But suddenly the huge underbody was above me, and the rear tires
were masses of rubber and thread variously clinging together

—Was it for this
That one, the fairest of all Rivers, lov'd
To blend his murmurs with my Nurse's song,
And from his alder shades and rocky falls,
And from his fords and shallows, sent a voice
That flow'd along my dreams? For this, didst Thou,
O Derwent! travelling over the green Plains
Near my 'sweet Birthplace', didst thou, beauteous Stream

Ugliest little boy
that everyone ever saw.
That is what everyone said.

Even to his mother it was apparent—
when the blue-aproned nurse came into the
northeast end of the maternity ward
bearing his squeals and plump bottom
looped up in a scant receiving blanket,

The child is father of the man;
And I could wish my days to be
Bound each to each by natural piety.
(Wordsworth, "My Heart Leaps Up")

early morning. down to the shore again
to find a place to grieve. the place he left
lingering. here the ropes were loosed [here
he gave me kisses on the shore, here he left] she said

and while she thought and looked and felt, looking out
along the shore, in liquid space, she saw—far off
not sure—a body or something in the water—
wondered what, but then the waves pulled it by—still

And the angel Israfel, whose heart-strings are a lute, and who has the sweetest voice of all God’s creatures. —KORAN In Heaven a spirit doth dwell
“Whose heart-strings are a lute”;

Oh! yet one smile, tho' dark may lower
Around thee clouds of woe and ill,
Let me yet feel that I have power,
Mid Fate's bleak storms, to soothe thee still.

Tho' sadness be upon thy brow,
Yet let it turn, dear love, to me,
I cannot bear that thou should'st know
Sorrow I do not share with thee.

As I was going down impassive Rivers,
I no longer felt myself guided by haulers:
Yelping redskins had taken them as targets
And had nailed them naked to colored stakes.

Mildest of all the powers of earth: no lightnings
For her—maniacal in the clouds. No need for
Signs with their skull and crossbones, chain-link gates:
Danger! Keep Out! High Gravity! she’s friendlier.
Won’t nurse—unlike the magnetic powers—repugnance;
Would reconcile, draw close: her passion’s love.

No terrors lurking in her depths, like those
Bound in that buzzing strongbox of the atom,

In a world where all the heroes
are pilots with voices like God
he brought her a strand of some woman’s

hair to wear on her wing.
She looked sideways at the ground
silent behind the cloudy film covering

her eyes knowing she would be his
forever. They cruised the city nights

My sister in her well-tailored silk blouse hands me
the photo of my father
in naval uniform and white hat.
I say, “Oh, this is the one which Mama used to have on her dresser.”

My sister controls her face and furtively looks at my mother,
a sad rag bag of a woman, lumpy and sagging everywhere,
like a mattress at the Salvation Army, though with no holes or tears,
and says, “No.”

So I would hear out those lungs,
The air split into nine levels,
Some gift of tongues of the whistler

In the invalid’s bed: my mother,
Warbling all day to herself
The thousand variations of one song;

It is called Buckdancer’s Choice.
For years, they have all been dying

Just the other day
In Fresno
In a giant arena
Architectured
To reject the very poor
Cesar Chavez brought
The very poor
Together

Where is the promise of my years;
Once written on my brow?
Ere errors, agonies and fears
Brought with them all that speaks in tears,
Ere I had sunk beneath my peers;
Where sleeps that promise now?

Naught lingers to redeem those hours,
Still, still to memory sweet!
The flowers that bloomed in sunny bowers
Are withered all; and Evil towers
Supreme above her sister powers
Of Sorrow and Deceit.

I look along the columned years,

Fit the First
The Landing

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.

Are you content, you pretty three-years’ wife?
Are you content and satisfied to live
On what your loving husband loves to give,
And give to him your life?

Are you content with work, — to toil alone,
To clean things dirty and to soil things clean;
To be a kitchen-maid, be called a queen, —

In Memory of Charles Baudelaire

Nous devrions pourtant lui porter quelques fleurs;
Les morts, les pauvres morts, ont de grandes douleurs,
Et quand Octobre souffle, émondeur des vieux arbres,
Son vent mélancolique àl'entour de leurs marbres,
Certe, ils doivent trouver les vivants bien ingrats.

Les Fleurs du Mal.
I
Shall I strew on thee rose or rue or laurel,
Brother, on this that was the veil of thee?
Or quiet sea-flower moulded by the sea,

The next morning I felt that our house
had been lifted away from its foundation
during the night, and was now adrift,
though so heavy it drew a foot or more
of whatever was buoying it up, not water
but something cold and thin and clear,
silence riffling its surface as the house
began to turn on a strengthening current,