from Odes: 14. Gin the Goodwife Stint

(from A Midsummer Night's Dream, spoken by Bottom) When my cue comes, call me, and I will answer. My next is “Most fair Pyramus.” Heigh-ho! Peter Quince? Flute the bellows-mender? Snout the tinker? Starveling? God’s my life, stol'n hence, and left me asleep? I have had a most rare vision. I have had a dream—past the wit of man to say what dream it was. Man is but an ass if he go about to expound this dream. Methought I was—there is no man can tell what. Methought I was, and methought I had—but man is but a patched fool if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was. I will get Peter Quince to write a ballad of this dream.It shall be called “Bottom’s Dream” because it hath no bottom. And I will sing it in the latter end of a play before the duke. Peradventure, to make it the more gracious, I shall sing it at her death.

Bunny Berigan first recorded “I Can’t Get Started”
with a small group that included Joe Bushkin, Cozy Cole
and Artie Shaw in 1936.
Earlier that same year, the song,
written by Ira Gershwin and Vernon Duke,

he’s only a smart-ass when he’s home
with Mandrake
he’s silent and obedient as a snail
his bald pate bowing into the cape’s
trail and dreaming
of tales he’ll bore me with
his one night home

once a month

I know I’ll lose her.
One of us will decide. Linda will say she can’t
do this anymore or I’ll say I can’t. Confused
only about how long to stay, we’ll meet and close it up.
She won’t let me hold her. I won’t care that my
eyes still work, that I can lift myself past staring.
Nothing from her will reach me after that.
I’ll drive back to them, their low white T-shaped house

The function, as it seems to me,
O’ Poetry is to bring to be
At lang, lang last that unity ...

But wae’s me on the weary wheel!
Higgledy-piggledy in’t we reel,
And little it cares hoo we may feel.

Twenty-six thoosand years ’t’ll tak’
For it to threid the Zodiac

We don’t get any too much light;
It’s pretty noisy, too, at that;
The folks next door stay up all night;
There’s but one closet in the flat;
The rent we pay is far from low;
Our flat is small and in the rear;
But we have looked around, and so
We think we’ll stay another year.

Our dining-room is pretty dark;
Our kitchen’s hot and very small;
The “view” we get of Central Park
We really do not get at all.
The ceiling cracks and crumbles down
Upon me while I’m working here—

The green catalpa tree has turned
All white; the cherry blooms once more.
In one whole year I haven’t learned
A blessed thing they pay you for.
The blossoms snow down in my hair;
The trees and I will soon be bare.

The trees have more than I to spare.
The sleek, expensive girls I teach,

Clean the spittoons, boy.
Detroit,
Chicago,
Atlantic City,
Palm Beach.
Clean the spittoons.
The steam in hotel kitchens,
And the smoke in hotel lobbies,

My heart is a-breaking, dear Tittie,
Some counsel unto me come len';
To anger them a' is a pity,
But what will I do wi' Tam Glen?

I'm thinking, wi' sic a braw fellow,
In poortith I might mak a fen':
What care I in riches to wallow,
If I mauna marry Tam Glen?

There's Lowrie, the laird o' Dumeller,
"Guid-day to you,"—brute! he comes ben:
He brags and he blaws o' his siller,
But when will he dance like Tam Glen?