Politics

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

To a Venetian coin, the first Gazetta
For its generic title became debtor.

Whither excursive Fancy tends thy Flight?
Like Eastern Caliph masking thee at night,
By Vezier memory attended still,
Thou pertly pryest in each domicil.

After Heinrich I. F. Biber I

What’s unseen may not exist—
Or so those secret powers insist

Like a bowerbird trailing a beakful of weeds
Like prize ribbons for the very best

The lover, producer
Of another’s pleasure

He whom her swollen lips await
Might wing through any day of the decade

A form of health insurance
For which it is never too late

Mr. Kessler, you know, was in the army,
And he drew six dollars a month as a pension,
And stood on the corner talking politics,
Or sat at home reading Grant’s Memoirs;
And I supported the family by washing,
Learning the secrets of all the people
From their curtains, counterpanes, shirts and skirts.
For things that are new grow old at length,

What should the wars do with these jigging fools? The man behind the book may not be man,
His own man or the book’s or yet the time’s,

Part Four of “Pro Femina” At Samoa, hardly unpacked, I commenced planting,
When I’d opened the chicken crates, built the Cochins a coop.

Neque sermonibus vulgi dederis te, nec in præmiis spem posueris rerum tuarum; suis te oportet illecebris ipsa virtus trahat ad verum decus. Quid de te alii loquantur, ipsi videant, sed loquentur tamen.
(Cicero, De Re Publica VI.23)

["... you will not any longer attend to the vulgar mob's gossip nor put your trust in human rewards for your deeds; virtue, through her own charms, should lead you to true glory. Let what others say about you be their concern; whatever it is, they will say it anyway."] Shut, shut the door, good John! fatigu'd, I said,
Tie up the knocker, say I'm sick, I'm dead.
The dog-star rages! nay 'tis past a doubt,
All Bedlam, or Parnassus, is let out:

Difficile est proprie communia dicere
HOR. Epist. ad Pison I
Bob Southey! You're a poet—Poet-laureate,
And representative of all the race;
Although 'tis true that you turn'd out a Tory at

1

Under this Luxemburg of heaven,
upright capstan,
small eagles. . . .
is the port of N.Y. . . . .

gilders, stampers, pen makers, goldbeaters,

apprehensions of thunder
speed

Who includes diversity and is Nature,
Who is the amplitude of the earth, and the coarseness and sexuality of the earth, and the great charity of the earth and the equilibrium also,
Who has not look’d forth from the windows the eyes for nothing, or whose brain held audience with messengers for nothing,
Who contains believers and disbelievers, who is the most majestic lover,
Who holds duly his or her triune proportion of realism, spiritualism, and of the æsthetic or intellectual,
Who having consider’d the body finds all its organs and parts good,
Who, out of the theory of the earth and of his or her body understands by subtle analogies all other theories,
The theory of a city, a poem, and of the large politics of these States;
Who believes not only in our globe with its sun and moon, but in other globes with their suns and moons,
Who, constructing the house of himself or herself, not for a day but for all time, sees races, eras, dates, generations,
The past, the future, dwelling there, like space, inseparable together.

’Twas when the Proclamation came,—
Far in the sixties back,—
He left his lord, and changed his name
To “Mister Bartow Black.”

He learned to think himself a man,
And privileged, you know,
To adopt a new and different plan,—

O this political air so heavy with the bells
and motors of a slow night, and no place to rest
but rain to walk—How it rings the Washington streets!
The umbrella’d congressmen; the rapping tires
of big black cars, the shoulders of lobbyists
caught under canopies and in doorways,
and it rains, it will not let up,
and meanwhile lame futurists weep into Spengler’s

1.

Betrayed by his five mechanic agents, falling
Captive to consciousness, he summons light
To all its duties, and assumes the world
Like a common penance. Rust on the green tongue burns
Like history’s corrosive on his living tree.
But all the monsters of his sleep’s dark sea
Are tame familiars in the morning sun.

(for the Barteks)
up at 7, dress & cook an egg

I like the part I play.
They’ve cast me as Pompeii
The day before the day.
It’s my brilliant performance as a luxury man because I act that way.
They say: Just wait, you’ll see, you’ll pay,
Pompeii.

You’re a miracle in a whirlpool
In your blind date’s vagina
At your age. Nothin could be fina.
You eat off her bone china.
Don’t be a ghoul. Don’t be a fool,
You fool.

In the lifelong month of May,

The courage to let go of the door, the handle.
The courage to shed the familiar walls whose very
stains and leaks are comfortable as the little moles
of the upper arm; stains that recall a feast,
a child’s naughtiness, a loud blattering storm
that slapped the roof hard, pouring through.

'In our time the destiny of man presents its meanings in political terms.'
THOMAS MANN. How can I, that girl standing there,
My attention fix

The light of evening, Lissadell,
Great windows open to the south,
Two girls in silk kimonos, both
Beautiful, one a gazelle.
But a raving autumn shears
Blossom from the summer's wreath;
The older is condemned to death,
Pardoned, drags out lonely years

In fresh snow that fell on old snow
I see wild roses in bloom, springtime,
an orchard of apple and peach trees in bloom,
lovers of different preferences
walking naked in new snow, not shivering,
no illusion, no delusion, no bluebells.
Why should I live by reality that murders?
I wear a coat of hope and desire.