And the weaver said, Speak to us of Clothes. And he answered: Your clothes conceal much of your beauty, yet they hide not the unbeautiful. And though you seek in garments the freedom of privacy you may find in them a harness and a chain.
The craving of Samuel Rouse for clearance to create was surely as hot as the iron that buffeted him. His passion for freedom so strong that it molded the smouldering fashions he laced, for how also could a slave plot or counterplot such incomparable shapes,
form or reform, for house after house, the intricate Patio pattern, the delicate Rose and Lyre, the Debutante Settee,
This is not a small voice you hear this is a large voice coming out of these cities. This is the voice of LaTanya. Kadesha. Shaniqua. This is the voice of Antoine. Darryl. Shaquille. Running over waters
Kneel down, fair Love, and fill thyself with tears, Girdle thyself with sighing for a girth Upon the sides of mirth, Cover thy lips and eyelids, let thine ears Be filled with rumour of people sorrowing; Make thee soft raiment out of woven sighs Upon the flesh to cleave, Set pains therein and many a grievous thing, And many sorrows after each his wise For armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death, Left hanged upon the trees that were therein; O Love and Time and Sin, Three singing mouths that mourn now underbreath,
Nous devrions pourtant lui porter quelques fleurs; Les morts, les pauvres morts, ont de grandes douleurs, Et quand Octobre souffle, émondeur des vieux arbres, Son vent mélancolique àl'entour de leurs marbres, Certe, ils doivent trouver les vivants bien ingrats.
Les Fleurs du Mal. I Shall I strew on thee rose or rue or laurel, Brother, on this that was the veil of thee? Or quiet sea-flower moulded by the sea,
’T was merry Christmas when he came, Our little boy beneath the sod; And brighter burned the Christmas flame, And merrier sped the Christmas game, Because within the house there lay A shape as tiny as a fay— The Christmas gift of God! In wreaths and garlands on the walls The holly hung its ruby balls, The mistletoe its pearls; And a Christmas tree’s fantastic fruits Woke laughter like a choir of flutes From happy boys and girls. For the mirth, which else had swelled as shrill As a school let loose to its errant will,
(Variant printed in Samuel Daniel’s 1623 Works) To thee, pure spirit, to thee alone addressed Is this joint work, by double interest thine, Thine by his own, and what is done of mine Inspired by thee, thy secret power impressed.
St. Agnes' Eve—Ah, bitter chill it was! The owl, for all his feathers, was a-cold; The hare limp'd trembling through the frozen grass, And silent was the flock in woolly fold: Numb were the Beadsman's fingers, while he told His rosary, and while his frosted breath, Like pious incense from a censer old, Seem'd taking flight for heaven, without a death, Past the sweet Virgin's picture, while his prayer he saith.
His prayer he saith, this patient, holy man; Then takes his lamp, and riseth from his knees, And back returneth, meagre, barefoot, wan, Along the chapel aisle by slow degrees: The sculptur'd dead, on each side, seem to freeze,
There is something in the sound of drum and fife
That stirs all the savage instincts into life.
In the old times of peace we went our ways,
Through proper days
Of little joys and tasks. Lonely at times,
When from the steeple sounded wedding chimes,
Telling to all the world some maid was wife—
But taking patiently our part in life
As I was going down impassive Rivers, I no longer felt myself guided by haulers: Yelping redskins had taken them as targets And had nailed them naked to colored stakes.
Whose lives are hidden in God? Whose? Who can now tell what was taken, or where, or how, or whether it was received: how ditched, divested, clamped, sifted, over- laid, raked over, grassed over, spread around, rotted down with leafmould, accepted as civic concrete, reinforceable base cinderblocks:
(On some Verses he writ, and asking more for his Heart than ‘twas worth.) I Take back that Heart, you with such Caution give, Take the fond valu’d Trifle back; I hate Love-Merchants that a Trade wou’d drive
I need more time, a simple day in Paris hotels and window shopping. The croissants will not bake themselves and the Tower of London would Like to spend a night in the tropics with gray sassy paint. It has many Wounds and historic serial dreams under contract to Hollywood. Who will play the head of Mary, Queen of Scots, and who will braid her
Hair? Was it she who left her lips on the block for the executioner, Whose hands would never find ablution, who would never touch a woman Again or eat the flesh of a red animal? Blood pudding would repulse him Until joining Anne. That is the way of history written for Marlow and Shakespear. They are with us now that we are sober and wiser,
Not taking the horrors of poetry too seriously. Why am I telling you this Nonsense, when I have never seen you sip your coffee or tea, In the morning? Not to mention,
Our sweet companions—sharing your bunk and your bed The versts and the versts and the versts and a hunk of your bread The wheels' endless round The rivers, streaming to ground The road. . .
Oh the heavenly the Gypsy the early dawn light Remember the breeze in the morning, the steppe silver-bright Wisps of blue smoke from the rise
THE Angel ended, and in Adams Eare So Charming left his voice, that he a while Thought him still speaking, still stood fixt to hear; Then as new wak't thus gratefully repli'd. What thanks sufficient, or what recompence Equal have I to render thee, Divine Hystorian, who thus largely hast allayd The thirst I had of knowledge, and voutsaf't This friendly condescention to relate Things else by me unsearchable, now heard With wonder, but delight, and, as is due, With glorie attributed to the high Creator; something yet of doubt remaines, Which onely thy solution can resolve. When I behold this goodly Frame, this World
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