Future

Thus they in lowliest plight repentant stood
Praying, for from the Mercie-seat above
Prevenient Grace descending had remov'd
The stonie from thir hearts, & made new flesh
Regenerate grow instead, that sighs now breath'd
Unutterable, which the Spirit of prayer
Inspir'd, and wing'd for Heav'n with speedier flight
Then loudest Oratorie: yet thir port

Orphan in my first years, I early learnt
To make my heart suffice itself, and seek
Support and sympathy in its own depths.

A lot of water has passed under the bridge since 1963. Then, my concernwas particularly for my own people and this version was written especially for them. I am happy that it has done and is doing its job. However, I want it to be known, that I am not a proponent of the concept of cultural nationalism. I dearly love and am proud of my good, serious, sincere black people, yet at the same time, my concern is with all people of goodwill no matter the color. I make no mystique of blackness. I am a humanist. Indeed, I am auniversalist. This truth, I know. The liberation of black people in the United States is tightly linked with the liberation of black people in the far flungdiaspora. Further, and more important, the liberation of black and oppressed people all over the world, is linked with the struggles of the workers of the world of every nationality and color against the common oppressors, overlords, and exploiters of their labor.
Thus it was only natural that I should write "What Shall We Tell Our Children?" in 1973. I have tried to tell them the facts of life and the truth as I see it:
I hope I have succeeded.
What shall we tell our children who are black?
What shall we tell our children who are white?
What shall we tell children of every race and hue?
For all children are the children of all of us

Happy Birthday Kenneth Koch/Feb 27 We went to all those places where they restore sadness and joy
and call it art. We were piloted by Auden who became
Unbearably acrimonious when we dropped off Senghor into the
steamy skies of his beloved West Africa. The termites and ants

for DreamChad on the death of her sun Mark - mark this word mark this place + tyme - at Papine Kingston Jamaica - age 29
midnight 28/29 April 2001-1002-0210-0120-0020-0000
rev 29 feb 04

1

I am a great American
I am almost nationalistic about it!
I love America like a madness!
But I am afraid to return to America
I’m even afraid to go into the American Express—


2

They are frankensteining Christ in America

In pious times, ere priest-craft did begin,
Before polygamy was made a sin;
When man, on many, multipli'd his kind,
Ere one to one was cursedly confin'd:
When Nature prompted, and no Law deni'd
Promiscuous use of concubine and bride;
Then, Israel's monarch, after Heaven's own heart,
His vigorous warmth did variously impart

At the Portals of the Future,
Full of madness, guilt and gloom,
Stood the hateful form of Slavery,
Crying, Give, Oh! give me room–

Room to smite the earth with cursing,
Room to scatter, rend and slay,
From the trembling mother’s bosom
Room to tear her child away;

Room to trample on the manhood
Of the country far and wide;
Room to spread o’er every Eden
Slavery’s scorching lava-tide.

A Satire upon the True-blue Protestant Poet T.S. All human things are subject to decay,
And, when Fate summons, monarchs must obey:

Once when I was living in the heart of a pomegranate, I heard a seed
saying, “Someday I shall become a tree, and the wind will sing in
my branches, and the sun will dance on my leaves, and I shall be
strong and beautiful through all the seasons.”

Then another seed spoke and said, “When I was as young as you, I
too held such views; but now that I can weigh and measure things,
I see that my hopes were vain.”

And a third seed spoke also, “I see in us nothing that promises so
great a future.”

And a fourth said, “But what a mockery our life would be, without
a greater future!”

Said a fifth, “Why dispute what we shall be, when we know not even
what we are.”

But a sixth replied, “Whatever we are, that we shall continue to
be.”

And a seventh said, “I have such a clear idea how everything will
be, but I cannot put it into words.”

Then an eight spoke—and a ninth—and a tenth—and then many—until
all were speaking, and I could distinguish nothing for the many
voices.

And so I moved that very day into the heart of a quince, where the
seeds are few and almost silent.

I
Two old men, father-and son-in-law, Liszt and Wagner, are staying by the Grand Canal
together with the restless woman who is married to King Midas,
he who changes everything he touches to Wagner.
The ocean's green cold pushes up through the palazzo floors.
Wagner is marked, his famous Punchinello profile looks more tired than before,
his face a white flag.
The gondola is heavy-laden with their lives, two round trips and a one-way.

MEanwhile the hainous and despightfull act
Of Satan done in Paradise, and how
Hee in the Serpent, had perverted Eve,
Her Husband shee, to taste the fatall fruit,
Was known in Heav'n; for what can scape the Eye
Of God All-seeing, or deceave his Heart
Omniscient, who in all things wise and just,
Hinder'd not Satan to attempt the minde

ALL night the dreadless Angel unpursu'd
Through Heav'ns wide Champain held his way, till Morn,
Wak't by the circling Hours, with rosie hand
Unbarr'd the gates of Light.There is a Cave
Within the Mount of God, fast by his Throne,
Where light and darkness in perpetual round
Lodge and dislodge by turns, which makes through Heav'n
Grateful vicissitude, like Day and Night;
Light issues forth, and at the other dore
Obsequious darkness enters, till her houre
To veile the Heav'n, though darkness there might well
Seem twilight here; and now went forth the Morn
Such as in highest Heav'n, arrayd in Gold
Empyreal, from before her vanisht Night,
Shot through with orient Beams: when all the Plain

I like the part I play.
They’ve cast me as Pompeii
The day before the day.
It’s my brilliant performance as a luxury man because I act that way.
They say: Just wait, you’ll see, you’ll pay,
Pompeii.

You’re a miracle in a whirlpool
In your blind date’s vagina
At your age. Nothin could be fina.
You eat off her bone china.
Don’t be a ghoul. Don’t be a fool,
You fool.

In the lifelong month of May,

And with great fear I inhabit the middle of the night
What wrecks of the mind await me, what drugs
to dull the senses, what little I have left,
what more can be taken away?

The fear of travelling, of the future without hope
or buoy. I must get away from this place and see
that there is no fear without me: that it is within
unless it be some sudden act or calamity

Me—a book in the attic.
Maybe some covenant or hymnal.
Or a chapter from the Kama Sutra,
or a spell for intimate afflictions.
But then it seems I am none of these.
(If I were, someone would have read me.)

Apparently at an assembly of revolutionaries
they passed a resolution,

Love is never strong enough to find the words befitting it.
CAMUS All day my husband pounds on the upstairs porch.
Screeches and grunts of wood as the wall is opened

How those fires burned that are no longer, how the weather worsened, how the shadow of the seagull vanished without a trace. Was it the end of a season, the end of a life? Was it so long ago it seems it might never have been? What is it in us that lives in the past and longs for the future, or lives in the future and longs for the past? And what does it matter when light enters the room where a child sleeps and the waking mother, opening her eyes, wishes more than anything to be unwakened by what she cannot name?

If Heaven has into being deigned to call
Thy light, O Liberty! to shine on all;
Bright intellectual Sun! why does thy ray
To earth distribute only partial day?
Since no resisting cause from spirit flows
Thy universal presence to oppose;
No obstacles by Nature’s hand impressed,
Thy subtle and ethereal beams arrest;

1.
Research has shown that ballads were produced by all of society
working as a team. They didn’t just happen. There was no guesswork.
The people, then, knew what they wanted and how to get it.
We see the results in works as diverse as “Windsor Forest” and “The Wife of Usher’s Well.”

Working as a team, they didn’t just happen. There was no guesswork.
The horns of elfland swing past, and in a few seconds
we see the results in works as diverse as “Windsor Forest” and “The Wife of Usher’s Well,”