City

for Richard Griffith 1 THE BURNING

Girl grown woman fire mother of fire

i

Gilgamesh spoke and said to the old man then:
"When I looked at you I thought that you were not

a man, one made like me; I had resolved
to challenge you as one might challenge a demon,

a stranger-adversary. But now I see
that you are Utnapishtim, made like me,

a man, the one I sought, the one from whom

1

The lean hands of wagon men
put out pointing fingers here,
picked this crossway, put it on a map,
set up their sawbucks, fixed their shotguns,
found a hitching place for the pony express,
made a hitching place for the iron horse,
the one-eyed horse with the fire-spit head,

These New York City Pigeons
cooing in the air shaft
are responsible for me
stubbing my toe
spraining my ankle
and getting sick on ammonia fumes

That pigeon roosting on the clothesline
stole my nightgown

There’s a barrel-organ carolling across a golden street
In the City as the sun sinks low;
And the music's not immortal; but the world has made it sweet
And fulfilled it with the sunset glow;
And it pulses through the pleasures of the City and the pain
That surround the singing organ like a large eternal light;
And they’ve given it a glory and a part to play again
In the Symphony that rules the day and night.

PART ONE

I

Slip-pilings on the Brooklyn littoral
—the poles still tarry, flimsy; the ferry terminus
with its walledup doors wan doorshapes
on eroded sills. Downstream, the strutwork
of the Williamsburg cable tower
threw its cool shadow half a mile inland

In my youth I was told that in a certain city every one lived
according to the Scriptures.

And I said, “I will seek that city and the blessedness thereof.”
And it was far. And I made great provision for my journey. And
after forty days I beheld the city and on the forty-first day I
entered into it.

And lo! the whole company of the inhabitants had each but a single
eye and but one hand. And I was astonished and said to myself,
“Shall they of this so holy city have but one eye and one hand?”

Then I saw that they too were astonished, for they were marveling
greatly at my two hands and my two eyes. And as they were speaking
together I inquired of them saying, “Is this indeed the Blessed
City, where each man lives according to the Scriptures?” And they
said, “Yes, this is that city.”

“And what,” said I, “hath befallen you, and where are your right
eyes and your right hands?”

And all the people were moved. And they said, “Come thou and see.”

And they took me to the temple in the midst of the city. And in
the temple I saw a heap of hands and eyes. All withered. Then said
I, “Alas! what conqueror hath committed this cruelty upon you?”

And there went a murmur amongst them. And one of their elders
stood forth and said, “This doing is of ourselves. God hath made
us conquerors over the evil that was in us.”

And he led me to a high altar, and all the people followed. And
he showed me above the altar an inscription graven, and I read:


“If thy right eye offend thee, pluck it out and cast it from thee;
for it is profitable for thee that one of thy members should perish,
and not that the whole body should be cast into hell. And if thy
right hand offend thee, cut it off and cast it from thee; for it
is profitable for thee that one of thy members should perish, and
not that thy whole body should be cast into hell.”


Then I understood. And I turned about to all the people and cried,
“Hath no man or woman among you two eyes or two hands?”

And they answered me saying, “No, not one. There is none whole save
such as are yet too young to read the Scripture and to understand
its commandment.”

And when we had come out of the temple, I straightway left that
Blessed City; for I was not too young, and I could read the scripture.

Today the moon sees fit to come between a parched earth
and sun, hurrying the premature darkness. A rooster in the yard
cuts off its crowing, fooled into momentary sleep.
And soon the Perseid showers, broken bits
of the ancient universe, will pass through the skin of our

In a morning coat,
hands locked behind your back,
you walk gravely along the lines in your head.
These others stand with you,
squinting the city into place,
yet cannot see what you see,
what you would see
—a vision of these paths,

As I sit looking out of a window of the building
I wish I did not have to write the instruction manual on the uses of a new metal.
I look down into the street and see people, each walking with an inner peace,
And envy them—they are so far away from me!
Not one of them has to worry about getting out this manual on schedule.
And, as my way is, I begin to dream, resting my elbows on the desk and leaning out of the window a little,
Of dim Guadalajara! City of rose-colored flowers!
City I wanted most to see, and most did not see, in Mexico!

1

There are things
We live among ‘and to see them
Is to know ourselves’.

Occurrence, a part
Of an infinite series,

The sad marvels;

Of this was told

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

‘Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent:Σίβυλλα τίθέλεις; respondebat illa:άποθανεîνθέλω.’ For Ezra Pound
il miglior fabbro. I. The Burial of the Dead

As he spoke we could hear, ever more loudly, the noise
Of the burning fires; the flood of flames was coming
Nearer and nearer. “My father, let me take you
Upon my shoulders and carry you with me.
The burden will be easy. Whatever happens,
You and I will experience it together,
Peril or safety, whichever it will be.
Little Iülus will come along beside me.
My wife will follow behind us. And you, my servants,
Listen to what I say: just as you leave
The limits of the city there is a mound,
And the vestiges of a deserted temple of Ceres,
And a cypress tree that has been preserved alive
For many years by the piety of our fathers.
We will all meet there, though perhaps by different ways

1

Under this Luxemburg of heaven,
upright capstan,
small eagles. . . .
is the port of N.Y. . . . .

gilders, stampers, pen makers, goldbeaters,

apprehensions of thunder
speed

Once, in the city of Kalamazoo,
The gods went walking, two and two,
With the friendly phoenix, the stars of Orion,
The speaking pony and singing lion.
For in Kalamazoo in a cottage apart
Lived the girl with the innocent heart.

Thenceforth the city of Kalamazoo
Was the envied, intimate chum of the sun.
He rose from a cave by the principal street.
The lions sang, the dawn-horns blew,
And the ponies danced on silver feet.
He hurled his clouds of love around;
Deathless colors of his old heart
Draped the houses and dyed the ground.

(As Distinguished by an Italian Person of Quality) Had I but plenty of money, money enough and to spare,
The house for me, no doubt, were a house in the city-square;

Our city fled,
So I sought its paths in haste
And looked around—I saw only horizon,
And I perceived that those who flee tomorrow
And those who return tomorrow
Are a body I tear apart on my page.

I could see: the clouds were a throat,
The water formed walls of flame.

The cities dissolve, and the earth is a cart loaded with dust
Only poetry knows how to pair itself to this space.

No road to this house, a siege,
and his house is graveyard.

All middle age invisible to us, all age
passed close enough behind to seize our napehairs
and whisper in a voice all thatch and smoke
some village-elder warning, some rasped-out
Remember me . . . Mute and grey in her city
uniform (stitch-lettered JUVENILE), the matron
just pointed us to our lockers, and went out.
‘What an old bag!’ ‘Got a butt on you, honey?’ ‘Listen,