A Token  

217
Ambition was my idol, which was broken
Before the shrines of Sorrow and of Pleasure;
And the two last have left me many a token
O'er which reflection may be made at leisure:
Now, like Friar Bacon's brazen head, I've spoken,
'Time is, Time was, Time's past', a chymic treasure
Is glittering youth, which I have spent betimes—
My heart in passion, and my head on rhymes.

As day did darken on the dewless grass,
There, still, wi’ nwone a-come by me
To stay a-while at hwome by me
Within the house, all dumb by me,
I zot me sad as the eventide did pass.

An’ there a win’blast shook the rattlèn door,
An’ seemed, as win’ did mwoan without,

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”

Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.

1
Meryon saw it coming (who was he?):
No people, so no noise. As it should be.
The Bridge. The Morgue. Ghostly round his bed
Antipodean atolls and tattoos had fluted,

Volcanoes puffed. Then borborygmic sea
Forked, at its last gasp, into a V:
Down that black gallery and backward slid

Nolueram, Belinda, tuos violare capillos;
Sedjuvat, hoc precibus me tribuisse tuis.
(Martial, Epigrams 12.84)
What dire offence from am'rous causes springs,
What mighty contests rise from trivial things,
I sing—This verse to Caryl, Muse! is due:
This, ev'n Belinda may vouchsafe to view:

Again at Christmas did we weave
The holly round the Christmas hearth;
The silent snow possess'd the earth,
And calmly fell our Christmas-eve:

The yule-log sparkled keen with frost,
No wing of wind the region swept,
But over all things brooding slept
The quiet sense of something lost.

As in the winters left behind,
Again our ancient games had place,
The mimic picture's breathing grace,
And dance and song and hoodman-blind.

1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul?
And if the body were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself balks account,
That of the male is perfect, and that of the female is perfect.

I saw in Louisiana a live-oak growing,
All alone stood it and the moss hung down from the branches,
Without any companion it grew there uttering joyous leaves of dark green,
And its look, rude, unbending, lusty, made me think of myself,
But I wonder’d how it could utter joyous leaves standing alone there without its friend near, for I knew I could not,
And I broke off a twig with a certain number of leaves upon it, and twined around it a little moss,
And brought it away, and I have placed it in sight in my room,
It is not needed to remind me as of my own dear friends,
(For I believe lately I think of little else than of them,)
Yet it remains to me a curious token, it makes me think of manly love;
For all that, and though the live-oak glistens there in Louisiana solitary in a wide flat space,
Uttering joyous leaves all its life without a friend a lover near,
I know very well I could not.

Vicisti, Galilæe. I have lived long enough, having seen one thing, that love hath an end;
Goddess and maiden and queen, be near me now and befriend.
Thou art more than the day or the morrow, the seasons that laugh or that weep;
For these give joy and sorrow; but thou, Proserpina, sleep.

Cold eyelids that hide like a jewel
Hard eyes that grow soft for an hour;
The heavy white limbs, and the cruel
Red mouth like a venomous flower;
When these are gone by with their glories,
What shall rest of thee then, what remain,
O mystic and sombre Dolores,
Our Lady of Pain?

Seven sorrows the priests give their Virgin;
But thy sins, which are seventy times seven,
Seven ages would fail thee to purge in,
And then they would haunt thee in heaven:
Fierce midnights and famishing morrows,
And the loves that complete and control

The Doctor is glimpsed among his mulberry trees.
The dark fruits disfigure the sward like contusions.
He is at once aloof, timid, intolerant
Of all banalities of village life,
And yet is stupefied by loneliness.

Continually he dreams of the company he craves for,
But he challenges it and bores it to tears whenever
It swims uncertainly into his narrow orbit.

I

Thy soul shall find itself alone
’Mid dark thoughts of the gray tombstone—
Not one, of all the crowd, to pry
Into thine hour of secrecy.


II

Be silent in that solitude,
Which is not loneliness—for then
The spirits of the dead who stood
In life before thee are again
In death around thee—and their will

Poet—
Enchanting spirit!—at thy votive shrine
I lowly bend a simple wreath to twine;
O Come from the ideal world and fling
Thy airy fingers o’er my rugged string;
Sweep the dark chords of thought and give to earth
The thrilling song that tells thy heavenly birth—

Fancy—
Happiness when from earth she fled
I passed on her heavenward flight—
“Take this crown,” the spirit said
“Of heaven’s own golden light—
To the sons of sorrow the token give,
And bid them follow my steps and live!”—

Ar. Now you have been taught words and I am free,
My pine struck open, your thick tongue untied,
And bells call out the music of the sea.

From this advantage I can clearly see
You will abuse me in your grovelling pride
Now you have been taught words: and I am free

To pinch and bully you eternally,
Swish round the island while the mermaids hide

—for David Lehman

Ten thousand saw I at a glance
Tossing their heads in sprightly dance.
—William Wordsworth

Going to hell so many times tears it
Which explains poetry.
—Jack Spicer

New life! Will he toe out like Dolly, like John? Will her eyes be fires?
Blue and green, like Papa's, the ocean at the shore?
Will she sing in the bath? Play piano in her diapers?
Will her heart leap at large machinery? Will he say, "Dribe dribe,"
to his daddy, entering the tunnel? Will his hair be red? Will her hair curl?
Will her little face have the circumflex eyebrows of her mother?
The pointed chin?
Her hair be fair, bright blonde? Will she frown at the light by the river?

To the happy memory of five Franciscan Nuns, exiles by the Falk Laws, drowned between midnight and morning of Dec. 7th, 1875 I
Thou mastering me

Green mwold on zummer bars do show
That they’ve a-dripp’d in winter wet;
The hoof-worn ring o’ groun’ below
The tree, do tell o’ storms or het;
The trees in rank along a ledge
Do show where woonce did bloom a hedge;
An’ where the vurrow-marks do stripe
The down, the wheat woonce rustled ripe.

Beside a spreading elm, from whose high boughs
Like knotted tufts the crow’s light dwelling shows,
Where screened from northern blasts, and winter-proof,
Snug stands the parson’s barn with thatched roof;
At chaff-strewed door where, in the morning ray,
The gilded motes in mazy circles play,
And sleepy Comrade in the sun is laid,
More grateful to the cur than neighbouring shade.
In snowy shirt unbraced, brown Robin stood,
And leant upon his flail in thoughtful mood:
His full round cheek where deeper flushes glow,
The dewy drops which glisten on his brow;
His dark cropped pate that erst at church or fair,
So smooth and silky, showed his morning’s care,
Which, all uncouth in matted locks combined,

(excerpt) ’Tis morning; and the sun with ruddy orb
Ascending, fires the horizon: while the clouds
That crowd away before the driving wind,
More ardent as the disk emerges more,