St. Agnes' Eve—Ah, bitter chill it was! The owl, for all his feathers, was a-cold; The hare limp'd trembling through the frozen grass, And silent was the flock in woolly fold: Numb were the Beadsman's fingers, while he told His rosary, and while his frosted breath, Like pious incense from a censer old, Seem'd taking flight for heaven, without a death, Past the sweet Virgin's picture, while his prayer he saith.
His prayer he saith, this patient, holy man; Then takes his lamp, and riseth from his knees, And back returneth, meagre, barefoot, wan, Along the chapel aisle by slow degrees: The sculptur'd dead, on each side, seem to freeze,
At supper time an ondine’s narrow feet made dark tracks on the hearth. Like the heart of a yellow fruit was the fire’s heat, but they rubbed together quite blue with the cold. The sandy hem of her skirt dripped on the floor. She sat there with a silvered cedar knot for a low stool; and I sat opposite, my lips and eyelids hot
Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.
[Introduction] Lo now! four other acts upon the stage, Childhood, and Youth, the Manly, and Old-age. The first: son unto Phlegm, grand-child to water, Unstable, supple, moist, and cold’s his Nature. The second: frolic claims his pedigree; From blood and air, for hot and moist is he. The third of fire and choler is compos’d, Vindicative, and quarrelsome dispos’d. The last, of earth and heavy melancholy, Solid, hating all lightness, and all folly. Childhood was cloth’d in white, and given to show, His spring was intermixed with some snow. Upon his head a Garland Nature set: Of Daisy, Primrose, and the Violet.
Nondum amabam, et amare amabam, quaerebam quid amarem, amans amare.— Confess. St. August. Earth, ocean, air, belovèd brotherhood! If our great Mother has imbued my soul With aught of natural piety to feel Your love, and recompense the boon with mine;
NO more of talk where God or Angel Guest With Man, as with his Friend, familiar us'd To sit indulgent, and with him partake Rural repast, permitting him the while Venial discourse unblam'd: I now must change Those Notes to Tragic; foul distrust, and breach Disloyal on the part of Man, revolt, And disobedience: On the part of Heav'n
I have led her home, my love, my only friend, There is none like her, none. And never yet so warmly ran my blood And sweetly, on and on Calming itself to the long-wished-for end, Full to the banks, close on the promised good.
None like her, none. Just now the dry-tongued laurels’ pattering talk Seem’d her light foot along the garden walk, And shook my heart to think she comes once more; But even then I heard her close the door, The gates of Heaven are closed, and she is gone.
The wind rests its cheek upon the ground and feels the cool damp And lifts its head with twigs and small dead blades of grass Pressed into it as you might at the beach rise up and brush away The sand. The day is cool and says, “I’m just staying overnight.” The world is filled with music, and in between the music, silence And varying the silence all sorts of sounds, natural and man made: There goes a plane, some cars, geese that honk and, not here, but Not so far away, a scream so rending that to hear it is to be
The ground dove stuttered for a few steps then flew up from his path to settle in the sun-browned branches that were now barely twigs; in drought it coos with its relentless valve, a tiring sound, not like the sweet exchanges of turtles in the Song of Solomon, or the flutes of Venus in frescoes though all the mounds in the dove-calling drought
When the breeze of a joyful dawn blew free In the silken sail of infancy, The tide of time flow'd back with me, The forward-flowing tide of time; And many a sheeny summer-morn, Adown the Tigris I was borne, By Bagdat's shrines of fretted gold, High-walled gardens green and old;
There is a wall of which the stones Are lies and bribes and dead men's bones. And wrongfully this evil wall Denies what all men made for all, And shamelessly this wall surrounds Our homesteads and our native grounds.
But I will gather and I will ride, And I will summon a countryside, And many a man shall hear my halloa Who never had thought the horn to follow; And many a man shall ride with me Who never had thought on earth to see High Justice in her armoury.
Come our one great bushfire pigs, sty-released, declined to quit their pavements of gravel and shit. Other beasts ran headlong, whipping
off with genitals pinched high. Human mothers taught their infants creek-dipping. Fathers galloped, gale-blown blaze stripping grass at their heels and on by
The rain, in the backyard where I watch it fall, comes down at different rates. In the center a fine discontinuous curtain — or network — falls implacably and yet gently in drops that are probably quite light; a strengthless sempiternal precipitation, an intense fraction of the atmosphere at its purest. A little distance from the walls to the right and left plunk heavier drops, one by one. Here they seem about the size of grains of wheat, the size of a pea, while elsewhere they are big as marbles. Along gutters and window frames the rain runs horizontally, while depending from the same obstacles it hangs like individually wrapped candies. Along the entire surface of a little zinc roof under my eyes it trickles in a very thin sheet, a moiré pattern formed by the varying currents created by the imperceptible bumps and undulations of the surface. From the gutter it flows with the restraint of a shallow creek until it tumbles out into a perfectly vertical net, rather imperfectly braided, all the way to the ground where it breaks and sparkles into brilliant needles.
Each of its forms has its particular allure and corresponds to a particular patter. Together they share the intensity of a complex mechanism as precise as it is dangerous, like a steam-powered clock whose spring is wound by the force of the precipitation.
The ringing on the ground of the vertical trickles, the glug-glug of the gutters, the miniscule strikes of the gong multiply and resonate all at once in a concert without monotony, and not without a certain delicacy.
Once the spring unwinds itself certain wheels go on turning for a while, more and more slowly, until the whole mechanism comes to a stop. It all vanishes with the sun: when it finally reappears, the brilliant apparatus evaporates. It has rained. Translated from the French
Prodigal, what were your wanderings about? The smoke of homecoming, the smoke of departure. The earth grew music and the tubers sprouted to Sesenne's singing, rain-water, fresh patois in a clay carafe, a clear spring in the ferns, and pure things took root like the sweet-potato vine. Over the sea at dusk, an arrowing curlew,
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