You have put your two hands upon me, and your mouth, You have said my name as a prayer. Here where trees are planted by the water I have watched your eyes, cleansed from regret, And your lips, closed over all that love cannot say,
My mother remembers the agony of her womb And long years that seemed to promise more than this. She says, “You do not love me,
This is not a small voice you hear this is a large voice coming out of these cities. This is the voice of LaTanya. Kadesha. Shaniqua. This is the voice of Antoine. Darryl. Shaquille. Running over waters
(from Julius Caesar, spoken by Marc Antony)
Friends, Romans, countrymen, lend me your ears;
I come to bury Caesar, not to praise him.
The evil that men do lives after them;
The good is oft interred with their bones;
So let it be with Caesar. The noble Brutus
Hath told you Caesar was ambitious:
If it were so, it was a grievous fault,
I don’t love you as if you were a rose of salt, topaz, or arrow of carnations that propagate fire: I love you as one loves certain obscure things, secretly, between the shadow and the soul.
I love you as the plant that doesn’t bloom but carries the light of those flowers, hidden, within itself, and thanks to your love the tight aroma that arose from the earth lives dimly in my body.
If all the trees in all the woods were men; And each and every blade of grass a pen; If every leaf on every shrub and tree Turned to a sheet of foolscap; every sea Were changed to ink, and all earth's living tribes Had nothing else to do but act as scribes, And for ten thousand ages, day and night, The human race should write, and write, and write, Till all the pens and paper were used up, And the huge inkstand was an empty cup, Still would the scribblers clustered round its brink Call for more pens, more paper, and more ink.
41 His classic studies made a little puzzle, Because of filthy loves of gods and goddesses, Who in the earlier ages raised a bustle, But never put on pantaloons or bodices; His reverend tutors had at times a tussle, And for their Aeneids, Iliads, and Odysseys, Were forced to make an odd sort of apology, For Donna Inez dreaded the mythology.
42 Ovid's a rake, as half his verses show him, Anacreon's morals are a still worse sample,
When they confess that they have lost the penial bone and outer space is Once again a numinous void, when they’re kept out of Other Places, And Dr Fieser falls asleep at last and dreams of unburnt faces, When gold medals are won by the ton for forgetting about the different races, God Bless America.
When in the Latin shanties the scented priesthood suffers metempsychosis And with an organ entry tutti copula the dollar uncrosses
I have always aspired to a more spacious form that would be free from the claims of poetry or prose and would let us understand each other without exposing the author or reader to sublime agonies.
In the very essence of poetry there is something indecent: a thing is brought forth which we didn’t know we had in us, so we blink our eyes, as if a tiger had sprung out and stood in the light, lashing his tail.
Can these movements which move themselves be the substance of my attraction? Where does this thin green silk come from that covers my body? Surely any woman wearing such fabrics would move her body just to feel them touching every part of her.
Yet most of the women frown, or look away, or laugh stiffly. They are afraid of these materials and these movements in some way.
Her hair was curls of Pleasure and Delight, Which on her brow did cast a glistening light. As lace her bashful eyelids downward hung: A modest countenance o'er her face was flung: Blushes, as coral beads, she strung to wear About her neck, and pendants for each ear: Her gown was by Proportion cut and made, With veins embroidered, with complexion laid, Rich jewels of pure honor she did wear, By noble actions brightened everywhere: Thus dressed, to Fame's great court straightways she went, To dance a brawl with Youth, Love, Mirth, Content.
And in a little while we broke under the strain: suppurations ad nauseam, the wanting to be taller, though it‘s simply about being mysterious, i.e., not taller, like any tree in any forest. Mute, the pancake describes you. It had tiny roman numerals embedded in its rim. It was a pancake clock. They had ’em in those days, always getting smaller, which is why they finally became extinct.
Thus every Creature, and of every Kind, The secret Joys of sweet Coition find: Not only Man’s Imperial Race; but they That wing the liquid Air, or swim the Sea, Or haunt the Desert, rush into the flame: For Love is Lord of all; and is in all the same. ’Tis with this rage, the Mother Lion stung, Scours o’re the Plain; regardless of her young:
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