Here, in the darkness, where this plaster saint Stands nearer than God stands to our distress, And one small candle shines, but not so faint As the far lights of everlastingness, I’d rather kneel than over there, in open day Where Christ is hanging, rather pray To something more like my own clay, Not too divine;
Rose of fate, you looked for ways to wound us yet you bent like the secret about to be released and the command you chose to give us was beautiful and your smile was like a ready sword.
The ascent of your cycle livened creation from your thorn emerged the way’s thought our impulse dawned naked to possess you
Out of the rolling ocean the crowd came a drop gently to me, Whispering, I love you, before long I die, I have travell’d a long way merely to look on you to touch you, For I could not die till I once look’d on you, For I fear’d I might afterward lose you.
Now we have met, we have look’d, we are safe, Return in peace to the ocean my love,
Somehow your letter was no surprise (and I think you knew that it was no surprise or you would have tried to break the news more gently); somehow I think we understand what the other is going to say long before we say it—a proof of love and, I think, a protection against misunderstanding. So I've been expecting this letter for five weeks now—and I still don't know how to answer it.
Bohemia is a dreadful, wonderful place. It is full of hideous people and beautiful poetry. It is a hell full of windows into heaven. It would be wrong of me to drag a person I love into such a place against his will. Unless you walk into it freely, and with open despairing eyes, you can't even see the windows. And yet I can't leave Bohemia myself to come to you—Bohemia is inside of me, in a sense is me, was the price I paid, the oath I signed to write poetry.
I think that someday you'll enter Bohemia—not for me (I'm not worth the price, no human being is), but for poetry—to see the windows and maybe blast a few yourself through the rocks of hell. I'll be there waiting for you, my arms open to receive you.
But let's have these letters go on, whether it be days, years, or never before I see you. We can still love each other although we cannot see each other. We will be no farther apart when I'm in Berkeley than we were when I was in Minneapolis. And we can continue to love each other, by letter, from alien worlds.
Twelve people, most of us strangers, stand in a room in Ann Arbor, drinking Cribari from jars. Then two young men, who cooked him, carry him to the table on a large square of plywood: his body striped, like a tiger cat’s, from the basting, his legs long, much longer than a cat’s, and the striped hide as shiny as vinyl.
Who is your lady of love, O ye that pass Singing? and is it for sorrow of that which was That ye sing sadly, or dream of what shall be? For gladly at once and sadly it seems ye sing. — Our lady of love by you is unbeholden; For hands she hath none, nor eyes, nor lips, nor golden Treasure of hair, nor face nor form; but we That love, we know her more fair than anything.
— Is she a queen, having great gifts to give? — Yea, these; that whoso hath seen her shall not live Except he serve her sorrowing, with strange pain, Travail and bloodshedding and bitterer tears; And when she bids die he shall surely die. And he shall leave all things under the sky
The edge of our bed was a wide grid where your fifteen-year-old daughter was hanging gut-sprung on police wheels a cablegram nailed to the wood next to a map of the Western Reserve I could not return with you to bury the body reconstruct your nightly cardboards against the seeping Transvaal cold
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